Text: Wang Bingxue.
Zheng Qiang, a young painter, is famous for painting tigers, and was awarded the title of 100 painters of tigers, and was called Baihu Xuan. On the Mid-Autumn Festival, he was invited to participate in Zheng Qiang's fine exhibition of painting tigers, and admired dozens of Zheng Qiang's new paintings of tigers, which gave people a bright feeling.
Autumn colors are pleasant 68x136cm
Since childhood, he has been fond of painting art, learning flowers and birds at the beginning and then specializing in painting tigers, and the systematic basic training of painting at an early age has provided a solid technical guarantee for Zheng Qiang's artistic pursuit. Zheng Qiang's ancestral home is Cangzhou, as the hometown of martial arts, Cangzhou has been prevalent in martial arts since ancient times, in Cangzhou, it can be said that there is no village without martial arts, so Cangzhou people are born with a bold and rough and chivalrous atmosphere. Influenced by his father, Zheng Qiang also has a lot of chivalrous courage in his heart, and likes to use the tiger roaring mountains and forests and the majestic wind of the beast king as the theme to express his inner emotions and artistic ideals, which should be the reason why Zheng Qiang chose the tiger as the main direction of his creation.
Sanyi diagram 68x136cm
Zheng Qiang has practiced martial arts since he was a child, likes wine and is good at drinking, in Zheng Qiang's generous appearance, it is his heart to travel to the mountains, the depths of his soul that are unruly and refined. "If you don't enter the tiger's den, you can get the tiger." In the process of learning to draw tigers, in order to be familiar with the living habits of tigers, Zheng Qiang often went to the zoo to observe the dynamics and expressions of tigers, understand the organizational structure of tigers' skeleton muscles and fur, and learn the anatomical theory of tigers.
Smoke clouds pass through the eyes 68x136cm
Zheng Qiang's tiger can accurately grasp the shape of the image. The painter's modeling ability is the basic skill, and for the depiction of the brush and ink language of the object, it is first necessary to observe its shape, observe its image, and accurately grasp it. This point has been deeply realized by painters of all dynasties, and the Southern Song Dynasty painter Zong Bing has it in the "Preface to Painting Landscapes": "Write form with form, and look at color with color." In other words, the third of the six laws of the Sheikh is "the pictogram of the object". Thanks to long-term observation and heart-to-heart chasing, Zheng Qiang was able to grasp the shape of the tiger very accurately. In his brushwork, whether it is fine brushwork or freehand, the grasp of the shape is very accurate, whether it is walking or sitting and lying, he has made every effort to depict the limbs and body shape of the tiger and its position.
Pear Blossom Song 68x136cm
Zheng Qiang's tiger can accurately grasp the god of objects. Form and spirit are the two wings of a painter's artistic expression, and one is indispensable, although some painters, for various reasons, overemphasize the appearance of the gods and highlight the expression of the charm of the image. However, objectively speaking, it is not the best choice for painting art to gain appearance and lose one's mind, and to have both form and spirit is the higher pursuit of the painter's brush. On the basis of accurately grasping the shape of the tiger, Zheng Qiang pays more attention to the grasp of the charm of the tiger, and the tiger in his pen, whether it is up and down the mountain, whether it is walking or lying, between movement and stillness, the majesty of the wind is not reduced, the tiger is not reduced, and the wind is born step by step.
Wufu Chengxiang 68x136cm
This summer's painting of the mountain tiger, the tiger descended the mountain, majestic, and imposing; For example, in a work called "Chu Ji", a family of five, although standing in the cold and snow, the majesty and momentum of the male tiger are still there; In "The Wind Blows", we seem to be able to hear the roar of a tiger shaking the mountains; the murderous spirit in the tiger's eyes and the domineering spirit of the towering leg bones in "Proud Snow"; The proud howl in "Howling Moon". Zheng Qiang used the brush in his hand to vividly express the eight-sided majesty of the tiger and the domineering spirit of the king of beasts.
Shouhu 68x68cm
Zheng Qiang's tiger can accurately grasp the mood of objects. The tiger has all kinds of forms, and its love is like a human. The five tigers in "The Clouds are Light and the Wind is Light" are different in size, different in mood, and none of them are the same; The family of three in "Pine Shade and Coolness", the simplicity of the little tiger, the comfort of the cihu, and the love of the male tiger are vividly pictured; The modal expressions in works such as "Smoke and Haze Inquiry", "Autumn Sound and Autumn Color", "Two Little No Guesses" and "Sunset" are either majestic or docile, with strong artistic expression and appeal; The drunken tiger and sleeping tiger in "Fragrance Beyond the Clouds" and "Ode to Pear Blossoms" are also interesting in terms of modal expression.
Jackie Chan 68x68cm
Zheng Qiang's strong painting skills meticulously depict every detail, such as the tiger whiskers that are as tall as steel wires, the realistic hair tearing paintings, and the treatment of tiger skin markings, which are precise and meticulous. He does not miss any detail, the depiction of the pupils of the eyes, the details of each toe, are meticulously and accurately traced. Zheng Qiang's works have plots and stories, he is not simply painting tigers for the sake of painting tigers, a strong breath of life flows in the picture, a kind of warmth of life floats in the picture, "Mother and Child Love", "Autumn Shengfu" and "Whispering" The life interest depicted in "Mother and Son Love", "Autumn Shengfu" and "Whispering" is full of warmth and warmth.
One Leaf Zhiqiu, 68x68cm
In terms of composition, each of Zheng Qiang's paintings is unique and has poured a lot of effort into it. While highlighting the main image, the scene is cleverly supplemented, and the scenery is made up, whether it is pine, bamboo, flowers and plants, or moss, all of which are thoughtful and just right. Zheng Qiang prefers to use red to wake up the picture, quite bold, the red leaves in "Pleasant Autumn Colors", the pink peach petals and the red wine jar cover in "Drunken Peach Blossom Palace", as well as the natural matching red bamboo in several paintings, warm Chinese red, have become the main colors of his scenes.
Father and son meeting 68x68cm
Painting the tiger and painting the spirit of the people, the tiger is the favorite natural object of the Chinese nation, the majesty and spirit of the tiger is also a portrayal of the indomitable spirit of struggle of the Chinese nation, Zheng Qiang writes the spirit of the tiger with the spirit of the tiger, and it is also a kind of personal emotional gathering in his heart. Zheng Qiang used the brush in his hand to artistically interpret the spirit of the times. It is also hoped that Zheng Qiang's artistic path will be the same as that of the tiger in his paintings, and that the tiger will move towards a new high point with the vitality of the tiger.
Zheng Qiang,The word is strong, and the specialist is a tiger. He is a national first-class artist, a member of the Beijing Lake Society Painting Association, a director of the Chinese Calligraphers and Painters Association, a member of the China Fan Art Society, and has taught in many universities and training schools for the elderly in Tianjin. It is published by a number of professional art publishing houses across the country, with a variety of books, newspapers, desk calendars, and wall calendars. Nanjing Morning Post has twice featured special pages. His works and personal portraits have been broadcast on the big screen of Binjiang Road Commercial Street in Tianjin. In the Year of the Tiger, Ren Yin was invited to create the Zodiac Reserve Wine Label "Godson Picture" for the Beijing Hotel. Many works have been used as TV and mobile phone screensavers by Skyworth, Huawei, Xiaomi and other electronics manufacturers.
Immortal Family 68x68cm
Childhood, 68x68cm
Gently kiss 68x68cm
Drunken Butterfly 68x68cm
Fuhu 68x68cm
Megatron Huaxia 136x68cm
Heroic Bone 136x68cm
Majestic 136x68cm
Majestic Vision Universe 136x68cm
136x68cm
Megatron Huayi 136x68cm
Ambition 136x68cm
Haoran Zhengqi 136x68cm
Tiger Roar Valley 136x68cm
Panasonic Xiongfeng 136x68cm
Spring Bright 136x68cm
Autumn Sounds and Autumn Colors 136x68cm
Acacia figure 136x68cm
Peach Blossom 136x68cm