In the Spring Festival movie feast, a movie "Hot and Hot" that bloomed like fireworks reached the top and won the box office throne of 3 billionDirector Jia Ling's brilliant achievements quickly reached the pinnacle of the entertainment stage.
But under the starry light of this box office,A writer Wang Jing made a profound analysis of this Chinese film feast with his unique vision and sharp brushstrokes. At the same time, he praised Zhang Yimou's masterpiece "Article 20", comparing it to "Flowers". In this movie's fireworks feast, how did Wang Jing's evaluation arouse heated discussions among netizens?
The movie "Hot and Hot" swept the Spring Festival stalls, and the box office figure of 3 billion was like a bright star, shining dazzlingly. Wang Jing saw some unusual phenomena behind its success. He pointed out from a profound point of view that this is not just propaganda and Jia Ling's struggle, but also a product of the commercialization of the film market, and the superficial success has covered up some of the deep problems.
Jia Ling's efforts are undeniable, but whether this scenery is just a temporary prosperity under commercial needs is worth pondering. At the same time, Wang Jing put forward her own views on the film market's focus on female directors. Jia Ling broke the gender restriction of director rankings with "Hello Li Huanying".This is an affirmation of female directors and a great step forward in the development of diversity in the film industry。He is full of expectations for Jia Ling's success, hoping that this will not only be a commercial success, but also a solid foothold for female directors in the film field.
When the topic turned to Zhang Yimou's "Article 20", Wang Jing's evaluation bloomed like a flower. He did not hesitate to praise the film, comparing it to "Flowers". This is not only a high recognition of the director's personal ability, but also an all-round comment on the film's theme selection and actors' performance.
He delves deep into the cultural and emotional aspects behind the film, believing that film is not only a tool for entertainment, but also an artistic expression that carries culture and conveys emotions. This is a rare quality for the commercial film market, leading the audience to think about deeper questions while enjoying entertainment. In Wang Jing's view, Zhang Yimou elevated the film to a higher level through "Article 20", which is not only a temporary box office success, but also a profound exploration of film art.
The film is a joint effort of the director and the actors, and in "Article 20", the performance of the actors has become the focus of Wang Jing's attention. He commented on the performances of Zhao Liying, Pan Binlong, Ma Li, Lei Jiayin and others one by one, and praised them frequently. He not only pays attention to the superficial acting skills, but also goes deep into the hearts of the characters and analyzes the expression of emotions.
Wang Jing recognized Zhao Liying's novelty in interpreting the disabled in the film, and considered it a successful breakthrough. Pan Binlong reversed the impression of a comedian in the film, showing an unusual level of performance.
For Ma Li, he praised her interpretation of the feelings of a little woman with words of praise, which is not only comedic, but also endowed with real human emotions. Lei Jiayin's performance in the film is regarded as his best performance, which not only shows the hardships of the little man, but also shows the ability to control the overall situation.
This attention to the in-depth performance of the actors is not only an affirmation of their individuals, but also a recognition of the high level of acting skills presented by the entire film. In commercial films, films that can maintain high-quality acting skills are particularly valuable.
Wang Jing's comments not only aroused strong resonance in the literary and artistic circles, but also set off a wave of heated discussions on social **. His comments were sharp and in-depth, making many netizens say that his views were pertinent and profound. This kind of independent and rational commentary makes the audience start to think that the value of the film should go beyond the simple box office, and pay more attention to the inheritance of culture and the expression of emotions.
There has been a lot of discussion on social media about Wang Jing's commentary, and his comments provide viewers with a new way to examine the film. Audiences began to gradually shift from the pursuit of a singular entertainment nature to the pursuit of cultural depth and emotional resonance. This transformation is not only a reflection on film practitioners, but also an inspiration for every viewer. When choosing a movie, do you only look at the superficial aura, or are you willing to go deep into it and look for more cultural connotations and emotional expressions?
In the end, Wang Jing uses a series of thought-provoking points to guide readers to reflect on their views on the film. He raised a question, that is, while pursuing the box office, whether the film should pay more attention to the carrying of culture and emotion, and touch the softest place of people's hearts. This question is not only a challenge to the audience's thinking, but also a profound reflection on the entire film industry.
In today's box office supremacy, are we willing to go deeper into the essence of the movie? Should the audience's requirements for movies be more rational and in-depth? This question is not only a reflection for film practitioners, but also an inspiration for every audience. When choosing a movie, do you only look at the superficial aura, or are you willing to go deep into it and look for more cultural connotations and emotional expressions? This is an opportunity to think about the value of films, and it is also the ultimate goal of Wang Jing's commentary.
In this feast of films, Wang Jing's comments are like a unique literary feast, allowing the audience to examine the essence of the film from a unique perspective. Through his in-depth analysis of "Hot and Hot" and "Article 20", he guides us to see the deeper artistic pursuit of film.
This is not only a warning to the commercial film market, but also a revelation to the audience, so that we can not forget the unique charm of film as a cultural art while pursuing entertainment. Wang Jing's comments are like a beacon, guiding us to find more cultural and emotional resonance in the bustling world of film.
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