Shen Longdi.
is a senior arts and crafts artist.
Studied under the master Xu Hantang.
He is good at traditional techniques and flowers.
Shen Longdi was born in Yixing, Jiangsu Province in 1964.
In 1981, he entered the second purple sand factory.
Shao Xinhe, an apprentice of Ren Ganting, learned pottery carving.
Proficient in all kinds of knife techniques.
In 1986, he was appreciated by Master Xu Hantang.
Learn traditional crafts under his tutelage.
Assiduously study the techniques of making pots by hand.
Later, he studied fine arts at Nanjing Normal University.
During the period, he entered the ** Academy of Arts and Crafts for further study.
Shen Longdi is the wife of the provincial master Xu Yuanming.
The pride of the national master Xu Hantang**.
She is also an excellent female craftswoman who cultivates both pottery carving and pot making.
Over the years, we have been working silently on the road of inheritance and innovation.
It combines calligraphy and painting, pottery carving, and pot making.
Form your own unique style.
His works have won many awards.
And it has been well received by collectors.
Appreciation
First, the whole hand Yongmei pot
This Yongmei pot.
Made of old purple clay from the family.
The mud is old and heavy. The sand grains are clear.
The more clumsy it is.
It is a favorite clay material among collectors.
Teacher Shen Longdi made all the pots by hand.
With the title of "Plum".
The craft is old and spicy. Skillful.
The shape of the body is simple and quaint.
The body is oblate. The pot is thick.
Flow, handle, button borrowed plum pile shape.
The Spirit of Demei.
The branches are strong. Soaring.
The lid and the body of the pot are pasted with plum branches and plum blossoms.
The flowers come in different shapes. or budding or half-open or in full bloom.
There is a combination of movement and static.
The whole pot is cleverly conceived.
Delicate aura. It's fun.
Just the right amount to make up a complete picture.
Second, the whole hand pumpkin pot
This pumpkin pot.
For Shen Longdi's teacher, he used his family to hide purple mud.
All handmade.
Good clay toughness.
The appearance is rich in color.
The pumpkin-shaped pot body is divided into eight petals.
The ribs are slightly outlined.
Highlight the full charm.
Cover for guati. The button is a guati handle.
Ventilation holes in the cross-section.
Ingenuity. There's a sense of unity.
The pot flow is wrapped in melon leaves.
The old vine is curled as a handle.
Insist on climbing melon leaves and vines.
and dangling melons.
It's natural and fun.
The whole pot is a nuanced interpretation of the pumpkin.
Appreciate the view. It is like the realm of pastoral autumn harvest.
It's worth collecting. Three, the whole hand bamboo pot
This piece of bamboo pot.
The picker collects the finest clear cement for the tire.
Purple in color.
The sand grains are clear. The old taste of raw ore sand is clear at a glance.
If the body is closed.
The ampulla is divided into yin and yang.
Line for the shoulder. Offline is the abdomen.
The flow and the put are all from this line.
The articulation with the ampulla is natural and smooth.
Flat tongue. Round-eared skulls.
The bamboo bridge button bears the left and right.
Cover, body plastered with plastic bamboo leaves.
Three-dimensional and vivid. Bamboo elements are subtly integrated into the pot.
Watching the pot is like hearing the "sound of beating leaves through the forest".
The bamboo leaves dance with the wind.
The mood is quiet. Teacher Shen Longdi made this pot by hand.
The design of the whole device is neat and even.
Superb workmanship. Charm.
It is also worth the utensils of Yazang.
Fourth, the whole hand fruit pot
Shen Longdi's fruit pot.
There are two handfuls. Take the fruit of the countryside as the theme.
The joy of the harvest.
The workmanship creativity is a must.
This fruit pot.
Choose the best old purple mud in the family collection as the birth.
This mud has a strong old flavor.
The soaking effect is outstanding.
Received unanimous praise from pot friends.
The shape of the whole instrument is clumsy.
The body is in the shape of a flat drum.
Lap feet are added below. The upper lid is slightly raised.
Echo each other. The flow, handle, and button of the pot are all constructed of tree stumps.
The old pile gall is craggy.
Twist and twist. Momentum.
Cover and body plastic vines, leaves, fruits, and vines.
Three-dimensional and vivid. Full of detail.
It's like you're there.
Appreciating the pot is like being in the countryside.
The sophistication of the technique is impressive.
This fruit pot.
The raw ore coarse sand purple mud is used.
Made in the spring of 2017.
Flattened body and bulging belly. The power is within.
The upper gland is closely anastomosed along the sub-busbar.
There is a lap foot support underneath.
Cover with a tree branch as a bridge button.
It forms a graceful half-moon arc with the body of the pot.
And paste plastic branches, leaves, and fruits.
The second bend is huge.
The arc of the ring handle is beautiful.
The spout and handle are all in the form of branches.
Curled up. The upper gall threads are biomimetic and natural.
At the end of the stream, the leaves and leaves extend.
Produce full grape fruit.
It goes well with the decoration on the lid.
The idyllic scenery is fully displayed on the pot.
Fifth, the whole hand for the spring pot
This piece is for the spring pot.
For Shen Longdi's teacher to copy the ancient Yulin money for spring.
Selected family collection of raw ore deep purple mud.
Made using traditional handmade techniques.
The body is flat and full.
The texture bulges. The body of the pot imitates the skin texture of an old tree stump.
The cracked and wrinkled lines of the bark are delicately depicted.
It shows the essence of craftsmanship.
Pumpkin stalk for cover.
Tightly recessed into the spout.
The cover is made with a stem petal pattern.
The ancient and simple pot flow and pot handle.
It's like the roots of an old tree growing from both sides.
Coordinates with the body of the pot.
One with the same rhyme. Divide the end fork into two branches.
A new leaf extends on one side.
Give new vitality and vitality to old trees.
This pot is quaint.
There is a simple and humble taste of returning to the basics.
However, the clumsy is the best.
Intriguing. Strongly recommend Tibetan friends to appreciate.