In the previous article, I interpreted a passage in the biography of Qin Keqing's fake father Qin Ye: "His father Qin Ye is currently Yingyilang, nearly seventy years old, and his wife died early. Explained in detail the "Ying Lang", a fictitious official position, hidden by the Ming Emperor.
Qin Ye is the emperor, and Qin Zhong is of course also a "man in dragon clothes". So, is Qin Keqing, who is not Qin Ye's biological son, a princess?
Continuing from the previous part of the book, the previous article quoted the last paragraph of the eighth chapter to introduce Qin Ye, saying that "his father Qin Ye is currently Yingyilang, nearly seventy years old, and his wife died early. Qin Ye and Ying Yilang have already done an interpretation, and they also talked about "nearly seventy years old" written in the seventeenth year of Chongzhen, and Qin Keqing was hidden in "painting Liang Chun and falling fragrant dust".
The seventeenth year of Chongzhen is the year of Jiashen, as early as three hundred years ago in Jiashen (1344), Qin Ye was "nearly seventy years old".
Three hundred years ago, Jiashen, "seventeen in the previous year", Zhu Yuanzhang was seventeen years old, and the Sizhou area suffered a locust plague (female locust), and his family "suffered three deaths in a row". In the three hundred years before and after Jiashen, the Ming Dynasty "acted more absurdly in the wilderness".
Famine refers to a bad year, a bad year, and a bad harvest. "Zhou Li, Tianguan, Dazai": "Three Styles of Famine", this "famine" refers to the fierce year. This sentence happens to correspond to Zhu Chong's "three consecutive funerals" when he was eighty-seven years old. Daming died in Jiashen, but it was the seventeenth year of Chongzhen. Qin Ye is "nearly seventy years old", which means that the Ming Dynasty is about to perish, so in the thirteenth book, Qin Keqing is "obscene and mourning Tianxianglou".
One of the twelve hairpins of Jinling is the twelve tombs of the Ming Dynasty, and Zhu Youzhen's Siling is the thirteenth tomb, so the death of the Qin family was deliberately written in the thirteenth chapter. During the Southern Ming Dynasty, the Zhu family did not recognize the Thirteenth Tomb, and Zhu Youlang said such a sentence: "I am a native of Beijing, and I want to see the Twelve Tombs and die."
Qin Keqing "painted Liang Chun and fell into the fragrant dust", which concealed Chongzhen's death. Ying Yilang hid Zhu Youlang again, and at this time, wouldn't it be "Mrs. died early".
The history of the Southern Ming Dynasty is eighteen years, "nearly seventy years old", and alludes to the eighteenth year of Shunzhi (1661), the Yongli Emperor Zhu Youlang of the Southern Ming Dynasty was captured by Wu Sangui in Mandalay. At that time, Zhu Youlang said the phrase "Twelve Tombs". In the later text, when writing Xue Pan's "wood", it will be pointed to Zhu Youlang.
It is even more absurd to play the great wilderness", which is written in the steganography of Qin Ye's "nearly seventy years old", which is the "Jiashen" great wilderness of the Zhu family during the three hundred years, that is, the great barren mountain of Nuwa's stone refining. In the annotation of Lin Ruhai's "Doctor of Lantai Temple", he said that this official name was "absurd", which concealed the historical coincidence of the "absurd performance of the Great Wilderness" of the Twelve Tombs of the Ming Dynasty that flourished in the Muzi generation and died in the Muzi generation.
History and stories are closely linked, and "The Story of the Stone" is written about the history of Zhu Ming's family, and it is by no means the Jiangning Cao family.
The book goes on to write that Mrs. Qin Ye died early, "because she had no children that year, she hugged a son and a daughter to Yangshengtang." Who knew that his son was dead again, [Jiaxu side batch: one meal.] Only a daughter is left, and her nickname is Ke'er."
The "health hall" in this description was once interpreted as "nursery hall", Qin Keqing is the daughter of the abolished prince Yinren. Yinren was deposed for the second time and was confined by the Zongren Mansion, but secretly smuggled out a daughter (or a son) by delivering water, digging dung and the like. After the daughter was smuggled out, she was sent to the nursery. Because a small bureaucrat has no children, he went to the nursery to adopt this person with the status of a princess.
This little bureaucrat had a little "connection" with the Jiangning Weaving Mansion, so he gave this girl who might become a princess in the future to Cao Yin, who had a close relationship with Yinren, and the Cao family hid the descendants of the sinners, and used it as a bargaining chip to participate in the "Hongxi Rebellion Case", thus the family affairs died.
This kind of statement can really be described as "more absurd". Is there such a record in historical sources? If not, you can't guess the riddle without permission. Not to mention that the matter of the abolished prince smuggling his children is unprovable, even the conclusive "Hongxi Rebellion Case" is also unsubstantiated.
When this series starts talking about Qin Keqing, I interpreted the "Twelve Hairpins of Jinling", talking about the Twelve Tombs of the Ming Dynasty and the Twelve Generations of King Jingjiang of Guilin. These people are all emperors and vassal kings, are there female emperors and female vassal kings in the history of the Ming Dynasty? Therefore, the "one son and one daughter" that Qin Ye raised from the health hall cannot be ignored.
And, from the "two stands", it is composed of two vertical characters. The son (son) held by Qin Ye died, but the daughter (son) survived, and it was indeed about "abolishing the establishment", but it was definitely not the struggle for the throne in the Hongxi rebellion case. "Born in the last days", "all birds come from the last days", may I ask, is the prosperous era of Kangqian the "last days"?
The ancients called the son only one word, "son" or "son", called the daughter, but also only "female", and the girl called "woman". Qin Ye hugged two "sons". The traditional Chinese character for "儿" is written as "兒", and the two "children" are the "Ni Er" in the Four Heroes of the Red Mansion.
The character of Ni Er has to be talked about specifically, and I will briefly talk about it here to prove Qin Keqing's true identity.
According to "Ming Shilu", the Zhu family is from the country surnamed Cao. Shushu reigned for 15 years, and in 782 B.C., he abdicated the throne with Xia's father, and he lived in the indiscriminate and obtained one-fifth of the territory of the country. The second son of Gongyi Yan (the younger brother of Xia's father) was sealed in the country of Xiao Yi. This is the "Three Kingdoms" in history, so "Water Margin" uses Lin Chong's "three-legged standing" in Liangshan, using this history as a metaphor for the rebellion of Zhu Ming's domain.
Between 369 and 340 B.C., Xiong Liangfu, the king of Chu Xuan, destroyed the kingdom of Yi, the state of abuse, and the kingdom of Xiaoyi. Among them, in order to avoid killing, the Xiaoyi people changed to "Er", and later added the word "亻", which was later the surname Ni. The first generation of monarchs of the State of Yi was named Cao Yu (Xia), Zhu Lou therefore had the "Four Heroes of the Red Chamber", and Xiao Yi Guo was the second son of Duke Wu, so there was "Ni Er".
So, why did you write a Ni Er in "Dream of Red Mansions" who is similar to Niu Er in "Water Margin"? The doubts in this will be interpreted when it comes to the relevant plot. All in all, the "one son and one daughter" that Qin Ye raised from the health hall is hidden in Ni Er, and what he wrote is the history of "Zhu Lou".
Chu and Di are "the same clan", and they are all descendants of "Qin (Chu Kui)" Wu Hui. "Ni Er", this character is also a steganography of the Zhu family.
"Water Margin" is written about the Zhu family's fire and merger, and "Dream of Red Mansions" is written about "walking water". "A son and a daughter", the son died young, that is, he was "merged" by his daughter. Qin Keqing's nickname is Keqing, but what is written here is "Ke'er", Ke, Ken, Ken is "stopping the moon", implying the demise of the Ming Dynasty. "Li" plus "Ke" is a "strange" word, but "Qi" is "can't stand, but it can't stand", or the implication of the demise of the Ming Dynasty.
The Zhu family continued to stage the "division of the three kingdoms" because of the "feudal princes", especially in the Southern Ming Dynasty, there were "juxtaposed" emperors at the same time, which led to the ultimate ending of "playing the great wilderness more absurdly".
The book continues to write about Qin Ye: ".When (Keer) grew up, she was born with a charming personality. The factor has something to do with the Jia family, so they got married, and Xu married Jia Rong. That Qin Ye got Qin Zhong above the fifties
Qin Keqing described Na Na and romantic personality, these meanings have been interpreted in the previous article, and they are the metaphorical symbols of Zhu Mingjia. Among them, the word "Yuanna" is the Ming Dynasty Liangjing, or Sandu. Birds, both refers to Fengyang and refers to the land of the Vermilion Bird where the Jinling of the Ming Dynasty is located. Na, the word "female" means Xinjing, the place where Xuanwu women stay in the north of the Ming Dynasty. Remove the female side, that refers to the Xiyi country, which is also the reason why the book is written about overseas countries many times.
The "Southwest Yi Liebiography" in the Historical Records of the Southwest refers to the area of the southwest today. During the Southern Ming Dynasty, the king of the Zhu family moved here. Moreover, Zhu Youlang once fled to the "noodle shop" for refuge.
Yuan Na is such a meaning, and "Merry" directly hides Chongba - this meaning has been interpreted in the previous article and will not be repeated. It is precisely because of these "connections" that Qin Keqing "married" to Ning Guofu. When interpreting Qin Zhong, there is a comment in Yan Zhai: "The name is jade before marriage, and the surname is Qin when you come", and the word "marry" is "family girl". "Marrying" is closely related to the story of Jia Tanchun, Tanchun Qingming's "distant marriage", and Qin Zhong's "shyness" and "slow (man)", are all steganographic histories of Zhu Youlang's refuge.
Melon, in ancient times, was written as "苽" and "蓏", a gourd on a vine in the shape of a pictogram, which implies a gourd temple. The fire caused by the explosion of the gourd temple is what Qin Keqing said when he asked Sister Mengfeng, and the ultimate metaphor is that Zhu Youlang was killed by Wu Sangui in Jinchan Temple, and then incinerated with firewood.
The gourds are all "grassy", which means that the surname Zhu comes from the surname Cao. The gourd, the purple gourd of the Yinjiao King of Pingdingshan in "Journey to the West", was left by Nuwa when she was refining stones to make up for the sky. In Sun Wukong's words, the purple gold gourd is a pair of male and female on a vine, and the "gourd" in "The Stone Record" is just true and false.
Zijin is the Purple Mountain, symbolizing the Jinling of the Ming Dynasty. Hu remove the "grass" that is, Hu, that is, the Bodhi patriarch said that the monkey, "the tree falls down and the monkey is scattered", Qin Keqing's dream words imply the demise of the Ming Dynasty, and the descendants of the Zhu family "everyone needs to find their own door".
Qin Ye, Qin Zhong, and Qin Keqing are all emperors of the Zhu family, and the Jia family was originally a purple gold gourd on a "Ge". It's not that a family doesn't enter a family, Qin Keqing is not "married" to Jiafu, but the emperor of Jiafu.
Qin Keqing "painted Liang Chun and fell fragrant dust", and after Chongzhen, it was Nanming. "Twenty years of distinguishing right from wrong", the Zhu family fire reached an unprecedented climax in the eighteen years of the Southern Ming Dynasty.
Grandma Liu entered the Rongguo Mansion for the second time and said a wine order, "The flowers have a big gourd", and the big gourd of the Zhu family is a pumpkin. Grandma Liu had just made a big pumpkin, and Miaoyu and Xue Baochai wanted to divide it in Lucui'an, so they showed a strange tea set "Divide the Plant". Concave Crystal Pavilion couplet, Lin Daiyu and Shi Xiangyun also want to divide up: "Divide the melon and laugh at the green yuan, fight for the cake and laugh at the yellow hair."
This is the "relationship" between Qin Ye and the Jia family, Qin Keqing was originally the emperor of the Jia family, how did he become a climbing branch?
When it comes to the tea set of the Kuecuian, we can't help but talk about the first treasure presented by Miaoyu: the colorful small cover bell of the kiln. Wucai, which means the five elements of the Zhu family, is a kiln, which refers to the porcelain fired during the Chenghua period. Chenghua is the name of Zhu Jianshen of Ming Xianzong, and Zhu Youzhang, the son of Zhu Jianshen, grew up in the "Health Hall".
Zhu Jianshen was fortunate to be Concubine Wan and did not give birth to children. Later, the palace maid gave birth to Zhu Youzhang, and in order to prevent Wan Guifei**, the palace people adopted this little prince and did not return it to Xianzong until he was six years old. Ming Xianzong succeeded to the throne at the age of seventeen, and the name of Ming Xiaozong Hongzhi began to count from the age of eighteen when Zhu Youzhu was eighteen, but the succession was at the age of seventeen. Therefore, Qin Ye was "nearly seventy years old, and his wife died early".
So, why is such a history written in "Dream of Red Mansions"? The above mentioned "three-person wood", implying that the emperors of the three wooden characters of the Ming Dynasty died in the Ming Dynasty, and the emperors of the wooden characters experienced a total of three reincarnations in the Ming Dynasty: Zhu Di, Zhu Youjiao, and Zhu Youzhen brothers.
More importantly, it is necessary to lead to Jiajing, that is, the "Jia Jing" of Ning Guofu. Jiajing is the "daughter" from the "Yangshengtang". Zhu Jianshen won Zhu Youjiao, and later gave birth to more than a dozen children, of which the fourth son was Jiajing's father Zhu Youqi. In the twenty-third year of Chenghua, Zhu Youqi was awarded the title of king, and the domain of Anlu in the seventh year of Hongzhi. An Lu is what Jia Mu called "Lu'an".
Zhu Youzhang passed on the throne and Zhu Houzhao, that is, Ming Wuzong, Wuzong had no children, and after his death, Empress Dowager Zhang (see Wang Xifeng Lane Quan Tieji Temple) advocated that Wang Zhu Houxi enter Beijing as a "brother and brother". In such a situation, to inherit the throne, you must recognize the first emperor as your father, that is to say, as the emperor, Zhu Houxi should take his uncle Zhu Youzhu as the emperor's father - this is what Qin Ye "raised" in the book.
Wu Zong originally had a younger brother who died at the age of 3. After Wu Zong, his mother Empress Zhang selected An Lu Xing to offer Wang Zhu Houxi "brother and brother". Zhu Houxi was very happy to enter Beijing to take the throne.
However, as soon as Zhu Houxi arrived in the capital, he was unwilling to recognize his father, forcing Empress Dowager Zhang to submit. After a period of controversy, the temple was finally successful, and the late Xingxian King Zhu Youqi was put into the Zhujiatai Temple, and the temple was called Ruizong.
Zhu Youqi was in the twenty-third year of Chenghua (1487), and entered the Taimiao in the seventeenth year of Jiajing (1538) to get the emperor's title, a total of 51 years. Therefore, "that Qin Ye got the Qin bell above the fifties."
Ning Rong Ergong once said to the police fairy: "My family has been famous and rich since the Dingding of the National Dynasty, although it has been a hundred years", this history is written from Jiajing to the beginning of the Southern Ming Dynasty. When Qin Keqing asked Sister Mengfeng, she said, "Now our family is prosperous, and it will be a hundred years", which is from Wanli to the end of the Southern Ming Dynasty. Because, the Southern Ming Dynasty regarded the descendants of Wanli as the royal orthodoxy. And the emperors of the Southern Ming Dynasty are actually adopted sons from the "Yangshengtang".
Raising, that is, giving birth, giving birth, "entering." Elephant wood is born on the earth". Yangshengtang is the place where the Ming Emperor was born, how can it be interpreted as "Nursery Hall"? Qin Ye took a son and a daughter from the health hall, and the son died young, implying that Zhu Houzhao's brother died early and Jiajing succeeded to the throne. In the later documents, Qin Keqing's illness and Jia Jing's birthday were written in two strokes, which hid the history of Jiajing.
Zhu Houzhao's brother's story has actually been written in Lin Daiyu's story a long time ago, Lin Daiyu has a brother who is no longer there at the age of three. Therefore, Lin Ruhai "pretended to be an adopted son" of Daiyu. Coincidentally, Wang Xifeng is also a "fake son". A fake son is to hold an adopted son, just like Jiajing.
In fact, "brother to brother" is also a "fake son" in a sense. The next generation of emperors wants to worship the Taimiao and the ancestral tombs, aren't the previous generation of emperors their elders?
The biggest "fake son" in the history of the Ming Dynasty is Zhu Di, who inherited the throne of his nephew Zhu Yunwen. For this reason, Zhu Di took away the name of Jianwen and merged it into "Hongwu". Therefore, Zhu Yuanzhang has only been an emperor for thirty-one years, but he has "thirty-five years of Hongwu". This incident is hidden in "Journey to the West", "Emperor Taizongwen (Zhu Di is also this nickname)" Zhenguan year name has four more years for no reason.
The four emperors of the Southern Ming Dynasty were also "fake sons", including the Jingjiang royal family with Lin Daiyu as a metaphor, all of them were "fake sons". Therefore, Qin Ye is Qin Keqing's false father, and Jia Fu is a "false father", so there is a "false mother".
The false father is Jia Fu, and he is also the Jia family, and now Jia Fu. Jia Fu means to compete for the throne under the pretense of restoring the Ming Dynasty.
At this point, Qin Keqing's identity has been roughly revealed, and the next thing is the end of the Qin family. Jingzang secretly said that the section of Qin Keqing's ending "Lewd Funeral Tianxianglou" was deleted because of the use of historical writing, was this story really deleted?