Many years ago, the moment I saw a sturdy male yak in northern Tibet, its state was really shocking and amazing.
Among the primitive animals that have been born for tens of thousands of years and have accompanied human beings for thousands of years, only the yak in the snowy plateau has never shed its ancient appearance.
As a purebred domesticated wild yak, it still perfectly inhabits the spirit of its ancestors in its roots, and is stoic and stubborn in the land of oracles with alpine humans.
In the Tibetan people's consciousness of survival, the yak is the greatest gift from the gods to them, and it is also the embodiment of the god who nurtures their lives. Therefore, as a symbol of the deification of the original totem of the Tibetan people, the spirit of the yak is the aggregation of the divinity of nature, just like the sun, moon, stars, mountains and rivers are all the meanings of Tibetan life.
The dependence between yaks and the Tibetan people has long been condensed into a life relationship of blood and death. Among the many forms of Tibetan culture, the spirit of the yak is as ubiquitous as an oracle, drawing the meaning of life of the Tibetan people, inspiring the Tibetan people's will to live, and endowing them with a simple and kind nature and the beauty of singing and dancing.
Looking at Saburo's yak today, its spirit image appears in the wild thick pen and ink, breathtaking, like an oracle. In the gaze, he actually hallucinated that Saburo was like the soul of a yak, hidden in the painting, and was about to come out.
Woof!The spirit of the yak, the magic pen of Saburo.
Yao Xu. 
Mr. Gao Minli, pen name San Lang, born in Xi'an, Shaanxi Province in 1954, is an associate research librarian and the designer of the Xi'an city emblem. He has studied under Cai Liang, Liu Wenxi, Wang Ziwu, Gao Minsheng and other families. He is a member of the Shaanxi Artists Association, a painter of the Xi'an Chinese Painting Academy, the vice president of the Shaanxi Painting and Calligraphy Academy, and a painter of the Figure Painting Institute of the Shaanxi Chinese Painting Academy. A large number of works have been published in various newspapers, magazines, and television stations, and have been collected by experts and scholars at home and abroad. He has been included in the compilation of "Who's Who of Chinese Contemporary Artists", "Dictionary of Chinese Modern Artists", "Shaanxi Artists" and "Yearbook of Chinese Artists".
Appreciation of some of Saburo's works.
Photo: Yi Minting.
Edit: Creek.