Han Han and Jia Ling have a lot in common in making movies: they are of similar age, they have not received a high degree of education, but they both work their own, they have achieved good results as directors across industries, they are both adapted from their own experiences, they both focus on re-understanding father's love (mother's love), and they both have cross-themes.
The box office rankings in the first ten days of Spring Festival movies have always been the movies directed by Jia Ling and Han Han competing with each other, which also determines the common ground between them.
1. Both directors have low academic qualifications, but they both work their own.
Jia Ling and Han Han were both born in ordinary families in the countryside and were of similar age, Jia Ling took the college entrance examination and wanted to take the drama performance major, but she was unsuccessful, and finally went to study in the cross talk performance junior college classDo not have a high educational background；Han Han participated in the New Concept Essay Contest and initially accumulated fame, and then launched the first work "Triple Gate" while it was hot, and since then he has become famous, and he simply dropped out of schoolHan Han had no experience of going to college at all, relying on her sharp and humorous writing style and handsome appearance, her reputation is increasing day by day, while Jia Ling has been working hard for many years before gradually accumulating fame.
Although Han Han and Jia Ling do not have a high educational background, they have always insisted on studying and worked hard. Han Han will be the ** version after dropping out of schoolThe tax was all invested in racing, and through continuous learning, he won the rally championship several years in a row, which accumulated material for him to be a director in the future, Han Han devoted his energy to the writing of Sina blog, relying on pen battles with Bai Ye, Gao Xiaosong, Lu Chuan and others, and comments on current affairs, making him a "public knowledge" and "opinion leader". Jia Ling couldn't receive cross talk performances after graduation, working part-time everywhere to make a living, and then admitted to the China Broadcasting Art Troupe, worshipping Feng Gong as a teacher, and then began to emerge on the stage of cross talk sketches, and then participated in the 2010 Spring Festival Gala, and finally let more people remember herShe has been a hard and humiliating experience all these years.
Both of them changed careers to become directors after accumulating a lot of fame, and they both already had extensive contacts before becoming directors, which made their start very smooth.
Second, both directors put their own growth experiences on the screen to re-understand father's love (mother's love).
Han Han's movie "Riding the Wind and Waves" projects his own growth experience in it, the actor Xu Tailang himself is Han Han's best friend Xu Lang, the name has hardly changed, the actor meets his young father and head teacher in the town, we can see the restorationA lot of pictures of rural Shanghai in the 10s, through a series of youthful scenes with his father, the actor gradually understands his father's distress of not letting him go racing. "Hello, Li Huanying" also restored the picture of the ** decade, and put his failure in the college entrance examination on the screen. In both films, there are scenes of car accidents with his father (mother)., at the end, Jia Xiaoling, played by Jia Ling, suddenly woke up to Li Huanying's cooperation with her from beginning to end, just to make up for the regret in her heart.
The movies all focus on the history of the little people's laughter and bitter tears before they become famous, in "Riding the Wind and Waves", Xu Tailang followed his father to wander in the town from beginning to end, without a goal, and finally for the sake of righteousness, Xu Zhengtai was sentenced to six years. In "Hello Li Huanying", Jia Ling embarrassed her mother as soon as she appeared, ** The academic certificate of education made her mother a laughing stock again, in order to grab a TV, Jia Ling tried her best, and did not hesitate to weave blind lies to fight for it.
Third, they all borrowed from the technique of foreign film crossing (dreaming).
"Riding the Wind and Waves" and "Hello, Li Huanying" both borrowed from the techniques of foreign films. "Riding the Wind and Waves" draws on "New Difficult Brothers", and "Hello, Li Huanying" draws on "Happy Family". Coincidentally, both movies start with a car accident and then travel into the main topic, one with his father and the other with his mother, to further understand his elders.
Fourth, both directors are good at marketing and have achieved super high box office.
Up to now, the box office of "Hot and Hot" has exceeded 3 billion, and the box office of "Flying Life 2" is about to exceed 3 billion. Both of them are good at marketing in the early stageThe difference is that Han Han used his marketing techniques to the extreme in "The Future", while Jia Ling grabbed a stalk before the release of each movie and then promoted it indiscriminately.
Han Han's marketing method is to first give a look that is very different from the actor, and then gradually unlock the actor and linesHowever, the plot is not unlocked. Jia Ling grasped the point that could hit the audience's curiosity the most and then focused on publicity, such as **100 catties in a year.