Tao Hongjing's "Crane Inscription" is ancient and ancient, Yan Zhenqing's "Yanjia Temple Tablet" is majestic, and Huang Tingjian's "Pillar Inscription" is ...... and longitudinal and horizontalIn the history of Chinese calligraphy, there are countless large-character calligraphy works, each with its own style, leaving a strong stroke!
So how are the big-character calligraphy works of the four of them, can they be compared to the ancients? Let's go together!
Tian Yingzhang's regular script works, with a rigorous pen, meticulous, clean and crisp, dignified and beautiful, consistent with the style of regular script he usually writes, although it does not give people a particularly amazing feeling, but there are also many appreciables.
Tian Yunzhang's regular script works, with a steady pen, natural knots, appear not excited, gentle and subtle, with the beauty of the mean advocated by traditional Chinese culture, the pen and ink convey a kind of literati popularity, bookish atmosphere.
Lu Zhongnan's regular script works, absorbing the strengths of others, have both the steepness of "European style" calligraphy and the broadness of "Yan style" calligraphy, the whole gives people a very healthy atmosphere, full of feeling, it seems very imposing, he also said:"If you want to be big, you have to have a small hole"When you see his works, you know that this is true.
Ren Zheng's large-character calligraphy works are mainly calligraphy, and both official script and regular script, his calligraphy is mellow and smooth, the bones are strong, and the wind is chic, giving people a kind of "dancing in shackles" of the aesthetic feeling of doing what you want without exceeding the rules.
Qing Dynasty calligrapher Kang Youwei once said: "The list of books is difficult, so those who can write, to the world", the four of them can adhere to the ancient law, write a standard traditional large-character calligraphy, although not as high as the ancient calligraphy of the artist, but it can indeed be said to be a "clear stream" in the contemporary calligraphy world, worthy of the respect of every calligraphy lover of us.
History will eventually prove that it is the trend of the times and the people's desire to return the art of calligraphy to tradition, and only in this way can calligraphy be truly endowed with eternal vitality, and the works of contemporary "ugly calligraphy masters" will eventually be completely eliminated in the great waves of history.
What do you think of their large-character calligraphy works, which can be compared to the ancients? Welcome to leave a message to discuss!