Movies are like **, they need deep and sincere emotions to touch the hearts of the audience. "Zhang Ailing's famous sentence seems to have been most vividly confirmed on the movie stage of this Spring Festival file. The Hollywood blockbuster "Argyle: Mystery**" premiered in the mainland, but unexpectedly suffered a box office cold snap, and mainland audiences seem to have lost patience with Hollywood's gorgeous polishing and big productions.
And in this boom of domestic films, "Article 20" ended with 18With a high box office strength of 5.1 billion, it is firmly in the box office hegemony of the Spring Festival stalls. The quality counterattacked, the attendance rate has become a magic weapon for success, and Zhang Yimou's directorial path seems to be ushering in a new peak. At the same time, "Flying Life 2" and "Hot and Hot" also performed well at the box office, showing the diversity and vitality of the Spring Festival film market.
Is all this the power of quality, or the audience's aesthetic fatigue of gimmicks? Behind the continued staging of the movie drama, we will reveal the wonderful stories of this Spring Festival movie one by one.
In the Spring Festival film market, the successful performance of "Article 20" has become the focus of heated discussions. With solid film and television skills and excellent quality, director Zhang Yimou successfully counterattacked when the film schedule was not as good as the top blockbusters in the same period, and won the five-day daily crown, and the impact of becoming the first director in film history cannot be underestimated.
In the victory of this domestic film, "Flying Life 2" has also attracted widespread attention with its excellent performance. Shen Teng's acting skills and audience popularity made the film gradually exceed the box office of 3.4 billion in a stable trend, becoming another strong king of the Spring Festival stalls. The audience's eagerness for a sequel to the film, as well as the continuity of the plot, became the key factors in the film's box office success.
However, what cannot be ignored is the controversy and performance of "Hot and Hot". Although the cumulative box office of the film reached 31 after the Spring Festival5.6 billion, but controversy and doubts are always accompanied. The attendance rate is at the bottom, and compared with blockbusters in the same period, the instability of the box office proportion makes the audience doubt the real quality of the film. In the case of continuous controversy, the film market is also full of variables for the future development of "Hot and Hot".
At the same time, the mainland premiere of the Hollywood blockbuster "Argyle: Mystery**" suffered a heavy box office setback. Audiences seem to have aesthetic fatigue with the way Hollywood blockbusters are made, and the average quality of the films exacerbates this fatigue. The film is expensive to produce and expensive to distribute globally, but the response from audiences has been far less than expected. The box office slump may mark the end of an era in which Hollywood blockbusters have been making waves in the mainland market.
In this transformative moment, the audience pays more attention to the depth and sincere emotions of the film. Domestic films have emerged, and the high-quality works represented by Zhang Yimou's "Article 20" have proved that quality trumps quantity. The audience's aesthetic fatigue with Hollywood blockbusters makes them more inclined to look for real and deep emotions in the film, rather than flashy appearances. This peak showdown in the Spring Festival film market may be an opportunity for domestic films to move towards the international market, and the audience has become the witness and promoter of this change.
In this Spring Festival movie feast, domestic films represented by "Article 20" showed the audience deep and sincere emotions. Director Zhang Yimou, who counterattacked the quality, proved the vitality of excellent works with his strength. At the same time, "Flying Life 2" and "Hot and Hot" showed their respective strengths, dedicating a diverse and interesting movie feast to the audience.
However, in the dismal performance of the Hollywood blockbuster "Argyle: Mystery**", we may see a signal of the audience's fatigue with gimmicks and the pursuit of real emotions. The revolution in the film market has been quietly coming, and the audience's pursuit of high-quality films will become the main theme of the future.
At this turning point, we should perhaps think about it: movies are not only entertainment, but also emotional expressions. The audience's desire for sincere emotions may be able to lead the film market in a more profound and authentic direction. This film journey of the Spring Festival file may be an introduction, leading us into a more exciting movie era. May our film road go farther and farther, and may every good movie leave a deep imprint in the hearts of the audience.