He played the role of garbage husband and received a lot of criticism, but he said that he was hap

Mondo Education Updated on 2024-03-03

On March 2, 2021, Lee Yi-geng, a well-known Korean actor and actor, disclosed his experience of becoming a "national garbage husband" due to the Korean drama "Please Marry My Husband" in the talk show "Lee Hyori's Red Carpet". Subsequently, this incident sparked heated discussions and criticism from netizens around the world.

In Lee Hyo-ri's show, Lee Yi-geng revealed the process of meeting her privately, which further attracted the attention of Korean netizens. He said that he contacted Lee Hyo-ri first and invited her to call him **, which reminded people of the previous *** incident between Lee Hyo-ri and Yoo Jae-seok. Lee Hyo-ri explained that she did not know about Lee Yi-geng's personal *** and that she had never had personal contact with Yoo Jae-seok. At that time, after chatting with Li Yigeng, she felt that he was a good person, so she asked him about ***

The actor, who played the "garbage husband" Park Min Hwan in the Korean drama "Please Marry My Husband", has constantly received criticism from netizens around the world. He reproduced some lines from the show on the show, and Lee Hyo-ri speculated that he may have received a lot of complaints from women because of this. But Li Yigeng said that he was very happy and felt good.

This incident has sparked great attention and discussion on the Internet. Many netizens recognized Lee Yigeng's role performance in Korean dramas, thinking that he successfully portrayed the character vividly, which is impressive. But some netizens questioned his role and plot, believing that the image of the "garbage husband" he played was too negative and stereotypical, and there was a certain insult to the image of women. This controversial role has also sparked discussions about gender stereotypes and the status of women.

Similar to this incident, similar situations have happened before. Some actors have been criticized and condemned by netizens after playing villain roles. For example, in the previous Korean drama "Sky Castle", actor Kim Kwang-kyun received a lot of negative comments for playing a role that many netizens are hostile to. These cases show that some audiences will not be able to separate the actor from the character, and it is easy to confuse the performer with the character itself, and thus develop bias or criticism of the actor in real life.

This incident had a certain impact on society. First of all, it sparked public discussion and thinking about the characterization of Korean dramas, and whether the presentation of female characters in the drama was impressive. Secondly, Li Yigeng was called the "national garbage husband" in the incident, which also highlighted the public's attention and discussion on issues such as family ethics and marriage concepts. Finally, in the incident, Li Yigeng had a positive attitude towards his role playing, and said that he felt good, which also revealed an artist's attitude towards role identification and emotional expression.

So far, there has been no update on the incident. But this incident has undoubtedly had a certain impact on the entire Korean drama industry. The relationship between actors and characters in reality has sparked reflection on cultural products and artistic performances, and has also strengthened the focus on how to deal with gender stereotypes and character portrayals in their creations.

To sum up, South Korean actor Lee Yi-geng has been criticized by netizens around the world for playing the "garbage husband" in the popular Korean drama "Please Marry My Husband", which has sparked widespread discussion. This event makes us think about the audience's identification with actors and characters, the construction of gender stereotypes, and the relationship between artistic performance and social values. The impact of this event needs to be observed and pondered, and it is hoped that such a discussion will promote the creation and expression of social issues that playwrights, actors, and audiences can focus on. How to deal with the portrayal of characters and gender issues in the work is still a topic worth thinking about and exploring.

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