The movie "Removing the Three Evils Around the Week" was released for 2 days, and the total box office exceeded 50 million. Douban score 83 points!
The movie "Removing the Three Evils in the Week" once again presents a deeply rooted allusion, which is derived from "The Book of Jin: The Biography of Zhou" and "The World Speaks New Words". The Zhou of the Jin Dynasty was originally an unavoidable prodigal, listed as the "three evils" along with the dragon in the river and the white-fronted tiger on the mountain. However, at the instigation of everyone, he bravely slay the dragon and the tiger and successfully eliminated the two scourges. In the process, Zhou Chu deeply realized his evil deeds and was determined to reform and embark on the right path. This film not only reproduces this historical allusion, but also conveys the profound connotation of courage and self-redemption.
The film cleverly adapts an old story into a "crime action movie" full of modern sensibilities. While the core idea still retains the essence of the original story, it boldly innovates in the form of presentation. In the film, the characters of Jiaolong and Evil Tiger are given a new life, and they are incarnated as the number one criminal on the wanted warrant - Aberdeen Lin Luk-wo. Chen Guilin, who ranked third on the list, was deeply inspired by the story of the Jin people's Zhou, and was determined to achieve his goal of going down in history by getting rid of these two criminals.
Although there are subtle differences between the film and the allusion in terms of the motivation of the action, the ultimate goal pursued by the two is the same. In the allusion, Zhou Zhi passively embarked on the road of eliminating harm under the encouragement of everyone; In the movie, Chen Guilin took the initiative to prove his worth. However, these nuances pale in the face of the grand goals pursued by the two, and together they embody the eternal themes of courage, justice, and self-redemption.
In the movie, the snake-shaped tattoo on Aberdeen's body and the eagle-shaped tattoo on Lin Luhe's back have become their distinctive symbols as villains. Chen Guilin also has two unique symbols: one is the children's watch he wears on his wrist and left behind after his grandmother's death; The second is the scar on the eyebrow bone that was cut with a razor by Aberdeen. These two logos are not only symbolic, but also deeply reveal the intentions of the creators. They show that Chen Guilin is not only deeply loved by the elderly, but also retains an innocent childlike heart. His seemingly "vicious" appearance is actually the result of the external environment. It can be said that through such adaptation and innovation, Chen Guilin's image has been very different from the archetype of Zhou in classical works, and has been endowed with new meanings and connotations.
From a modern perspective, the fists, kicks and guns wielded by the "cute" Chen Guilin are not simply aimed at his assassination targets, but symbolize a powerful counterattack and struggle against the environmental and social injustices in which he lives. In the film, the tragic experience of the hair salon girl Cheng Xiaomei profoundly exposed the ** behavior of the local gang, which is outrageous; And spirituality, which is full of ignorance, deception, and **, reflects the emptiness, loss, and despair of the human heart. Chen Guilin's campaign against gang leaders, spiritual masters, and their blind followers has gone beyond personal grievances and risen to a crusade against the entire sick society. This narrative technique allows the profound critical significance contained in the film to be fully displayed.
From beginning to end, "Eliminating the Three Evils Around the World" vividly depicts Chen Guilin's journey of self-redemption and purification. From rescuing Cheng Xiaomei and eradicating Aberdeen, to recognizing spirituality**, taking the initiative to surrender to the police Chen Ash, and then to trimming Cheng Xiaomei's face and haircut in prison, every plot has witnessed Chen Guilin's inner transformation and growth. As the story unfolds, the gloom of his mind is swept away layer by layer, and finally reveals the essence of brightness and purity. That's why when he is handcuffed and faced with so many cameras, his big smile seems so natural and genuine – a testament to his renewed life and his transition from chaos to order.
And the most shocking clip in the film is undoubtedly a scene that reveals spirituality. When Chen Guilin was deceived and was whipped by the so-called "Venerable", his weeping was not only a profound repentance of his mistakes, but also a manifestation of the peak of his desire and pursuit of redemption. However, it is quite ironic and absurd that such a profound enlightenment and awakening was actually achieved under the catalysis of a ** group. This plot not only enhances the dramatic tension of the film, but also triggers a deep reflection on human nature and social reality.
By repeatedly comparing the elements of "filth" and "purity", "Eliminating the Three Evils Everywhere" profoundly depicts how Chen Guilin struggles from the "quagmire" and seeks the process of self-purification. In the film, Chen Guilin uses all possible methods to wash away his past, and this persistent pursuit of "purity" is reflected in many details: his incomparable cherishment of the children's watch, his deep love for Cheng Xiaomei, his respect and obedience to Chen Gray, and the calmness and acceptance in his eyes when he finally subdues the law. These portrayal techniques rich in the characteristics of "big boys" not only rejuvenate the images of the surrounding places in classical works, but also make the contemporary Chen Guilin a rich, three-dimensional and multi-dimensional character.
The audience is attracted to this film, not only because of its so-called "large-scale" performance, but on a deeper level by the core power conveyed by the film. Whether it is the development of the plot, the shaping of the characters, or the presentation of the picture, or the cooperation of the first class, they are all serving this core and jointly building a fascinating story world. If you only stay on the surface of the film, and do not deeply understand and feel the depth and depth of the story, then you will not be able to truly appreciate the true value of the adaptation of "Removing the Three Evils Around the World". The reason why this film is loved and sought after by the majority of audiences is not because it relies on superficial "gimmicks", but because it deeply touches people's instinctive yearning for justice, purity and kindness.
The highlight of "Everywhere to Eliminate the Three Evils" is that it cleverly uses the most gentle song "The New Man" to contrast the most extreme **, and at the same time uses the most direct means of revenge to destroy the old order and rebuild new justice. Although the film is slightly rough in terms of plot twists, such as Chen Guilin's accidental revelation of spirituality** and other plots are slightly abrupt, these small flaws do not have much impact on the overall temperament of the film. In terms of maintaining the coherence of perception, the profundity of expression and the extension of meaning, "Eliminating the Three Evils Everywhere" has shown its unique charm and desirability.