After boiling, she calmed down, and the box office plunge of Hot and Hot revealed the pains of Jia

Mondo Finance Updated on 2024-03-01

The Chinese film industry has been surging recently, and the new film "Hot and Hot" by comedy queen Jia Ling and the masterpiece "Article 20" by master director Zhang Yimou have met in a narrow way.

Behind this battle for the box office, there are the audience's ardent expectations for high-quality film and television works and the market's in-depth reflection on the law of entertainment hits.

The dramatic transformation of "Hot and Hot" from the spotlight to the double gap between word-of-mouth and box office is undoubtedly a very enlightening event in today's Chinese film industry.

As another masterpiece directed and starring Jia Ling, "Hot and Hot" attracted the attention of a large number of audiences in the early stage of its release with its iconic people-friendly comedy style and highly topical plot setting.

The film takes the trivial life of ordinary citizens as the starting point, and uses exaggerated humor to show the emotional entanglements and life pressures of contemporary urbanites, continuing the consistent human fireworks of Jia Ling's works.

However, with the fermentation of word-of-mouth, market feedback has become polarized.

On the one hand, some viewers appreciate its down-to-earth performance and relaxed viewing experience, believing that the film continues the true portrayal of little people in Jia Ling's films, and has high entertainment and viewing value.

But on the other hand, some critics pointed out that "Hot and Hot" is slightly shallow compared with previous works in terms of narrative depth, character creation and theme mining, and fails to meet the audience's expectations for high-quality film and television works.

At the same time, "Article 20" has successfully won unanimous praise from the industry and the audience with director Zhang Yimou's profound film heritage and unique artistic vision, not only with strong box office performance, but also won many honors at major film festivals.

This undoubtedly intensified the comparison between the two films, and sparked a big discussion about the direction of Chinese film development - should it stick to artistry and ideological connotation, or should it cater to the taste of the public and pursue market benefits?

The challenges faced by "Hot and Hot" are actually a microcosm of the contradictions that prevail in the current Chinese comedy film industry.

Faced with the choice between business and art, creators need to find how to ensure that the story is easy to understand and has strong emotional resonance, while also taking into account depth and innovation, so as to achieve a true sense of "applause and popularity".

This event also provides a valuable lesson for the future development of Chinese comedy films: while meeting the diversified needs of the market, we must pay attention to content quality and artistic expression in order to achieve the sustainable development of the industry.

In "Hot and Hot", Jia Ling successfully created a series of vivid and vivid urban characters, with the help of a relaxed and witty story line, ** how modern people face setbacks in life, pursue happiness and realize self-worth and other profound themes.

The laughter in the film is cleverly and naturally designed, interspersed with warmth and touching, so that the audience can experience the mixed flavors of life while laughing.

However, in the process of pursuing entertainment and popularity, "Hot and Hot" does expose some shortcomings, such as the relatively simple story structure, the slightly rushed handling of some plots, and the lack of deep social issues.

Compared with "Article 20", although the two films are of different genres, the market feedback reflects the audience's thirst for depth and innovation in content.

With its exquisite narrative structure, plump and three-dimensional character portrayal, and deep insight into human nature and social phenomena, Article 20 has not only won word of mouth, but also set a new benchmark for Chinese film art creation.

This contrast has prompted film practitioners to reflect on the fact that comedy films should not only stop at shallow entertainment, but should learn from the successful experience of other genres, and strive to improve the artistic level and ideological connotation of the works.

In short, as a typical commercial comedy film, the success of "Hot and Hot" at the box office proves the market influence of Jia Ling's team and the audience's love for its comedy style; The challenge from Article 20 is a wake-up call for the comedy film industry: only by continuously improving the quality and level of works can we maintain lasting vitality in the highly competitive market environment and promote Chinese comedy films to a higher artistic realm.

In the future, creators need to continue to explore and try how to balance commercial demands and artistic pursuits, so as to create more excellent works that can both touch people's hearts and lead trends.

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