What kind of inspiration is hidden behind the lines created by the screenwriter? Straight to the heart, amazing yet unforgettable!
Every line seems to be gently scraped on our thinking, and after reading it, we can't help but exclaim: It's really sharp!
As the audience's aesthetics improve, the value of the script becomes more and more prominent, and it is a key pillar of the success of the work. However, in the face of high standards, some screenwriters are perfunctory, resulting in the script full of obvious logical flaws and embarrassing lines.
these"Laughs"In fact, the pain point caused netizens to cry out helplessly, the script urgently needs to be deeply polished and started all over again!
With the improvement of the audience's cultural literacy, some classic but slightly embarrassing lines in costume dramas are increasingly under scrutiny. Because they are too bizarre to fit the truth of history, they often make the audience laugh and then can't help but question.
Since he was a child, the third brother has won the favor of his father. This is a re-presentation of the relationship between the characters in the play to correct the original misunderstandings of expression.
In the scene of "New Huanzhu Gege", as soon as the baby was born, the emperor held it up and declared: "Look at his eyebrows and eyes, what a copy of me." However, the audience burst into laughter, because newborns shouldn't have such thick eyebrows.
Obviously, the screenwriter ignored this common sense of life, making the plot an unexpected comedic element.
Many lines in "Three Kingdoms" are frequent, such as Liu Bei's mouth"The rise and fall of the world is the responsibility of the husband", in fact, it is the words of Gu Yanwu in the Ming Dynasty, which is a rigid set of the Three Kingdoms era, which seems anachronistic and lacks historical basis.
In the play "The Great Eunuch", Zhou Jin accidentally quoted it"lost his wife and broke his soldiers"This idiom, however, originated in the Song Dynasty and does not match the background of Zhou Jin's time.
The problems behind it reflect the screenwriter's lack of depth of understanding of historical eras and negligence in the examination of historical details.
Although some of the lines seem peculiar, they unexpectedly leave a deep imprint in the hearts of the audience, such as"Ziwei, this is my grandson, you see how much his eyebrows and eyes look like me"This sentence is still often jokingly imitated.
However, we cannot deny the value of a work on the basis of these small flaws. After all, works such as "Huanzhu Gege" and "Kangxi Dynasty" still enjoy extremely high praise overall, although they may have some linguistic controversy.
As a fan of the drama with a unique taste, we look forward to the screenwriters from those"A work of lessons". When constructing a new plot, it is necessary to dig deep into the real details of history, but also to have innovative artistic processing skills.
In this way, we can create excellent plays with ancient themes, so that the audience can appreciate the harmonious integration of history and art in appreciation. At the same time, we also call for reflection on the creation of anti-Japanese dramas to avoid falling into the mistake of over-dramatization.
The original intention of the anti-Japanese drama is to carry cultural connotations, but the bizarre plots and character designs in some recent works are staggering and contrary to the truth of history, which not only deviates from the spirit of the Anti-Japanese War, but also misleads the public perception.
We need to return to rigor and recast the artistic dignity of historical dramas. "
New Bright Sword: Thunder Warrior tries to follow in the footsteps of the success of "Bright Sword", but fails to capture the essence and falls into the embarrassing situation of mechanical imitation.
Wang Yunshan, the protagonist in the play, should have been inspired by Li Yunlong, but he showed an incomprehensible greasy temperament, and what is even more peculiar is that when the war is full of smoke, he actually winks at the crowd at a tense moment and reveals an inappropriate ambiguous element, which undoubtedly deviates from the seriousness and tension that war dramas should have.
The image of the protagonist Guo Xunkui is also controversial, his hairstyle is always as bright as a mirror, and his posture is always surprisingly clean.
The female medical staff in the play seem to rely too much on makeup, which seems to be detached from reality and cannot truly reflect the war-torn era.
However, the reality of history is that the female medical staff during the Anti-Japanese War interpreted tenacity and dedication with practical actions, and they cared for the wounded day and night in the front-line hospitals, writing heroism with real dedication.
Although their clothes are mottled with blood countless times and their cheeks are plain to the sky, their charm stems from their dedication to life.
In the flames of the Anti-Japanese War, those heroines who devoted their time and energy to the treatment of the crisis were real angels and the most respectable women of the Anti-Japanese War.
As for the image of exquisite gentlemen such as Wang Yunshan and Guo Xunkui, they may be different from the standards of iron-blooded soldiers in that era.
A true hero is not afraid of difficulties, even in humble clothes. In contrast, Wang Yunshan's pretentiousness on the battlefield, excessive pursuit of appearance and performance, and his behavior are absurd and ridiculous, which cannot be compared with the true military spirit.
In the TV series "Let's Fight Devils", some scenes are shocking, especially the passionate scenes when the heroines visit their lovers, they are unabashedly provocative and bold and straightforward.
What is unacceptable is that the plot has developed to the point where the heroine openly takes out a pre-hidden grenade from the concealment of her body and detonates it, which is really jaw-dropping.
In the difficult years of the beacon fire, the women did not let the Chinese women show endless bravery, they defended their homeland with selfless dedication, and adhered to the truth of history and the glory of humanity.
Any attempt to distort the image of the pioneers is a blasphemy against history, and how can it not be filled with righteous indignation?
Railway Guerrillas is equally creative, giving its protagonist a magical power to his bike: riding it makes it feel like you can race against a train, jump over obstacles, and walk on the ground.
Incredibly, the bike could easily withstand even heavy Japanese machine gun fire, even though it was a rarity for its time.
It's not a surreal fantasy character, it's just a mundane means of transportation. In this way, excessive interpretation and mythologization of history is actually whitewashing the war and deviating from its true connotation.
In fact, there is no such thing as the most speechless moment, only the more shocking situation.
In "Funny Tactics Behind Enemy Lines", the protagonist is full of creativity and transforms ordinary fruits and vegetables into laughs"Fruit and vegetable mines"- Bun thunder, cucumber thunder, carrot thunder, again and again are hilarious, and their power is amazing.
What's more, some people actually set a ** trap with urine, which is in this kind of actual combat"Eco-resourcefulness", it's simply an alternative black technology in the tactical world!
The guerrilla fighters of those days relied only on primitive mines instead of those bizarre and complex mines, and this over-exaggeration obviously deviated from the historical truth and ignored the heroic deeds of the ancestors who fought tenaciously in a difficult environment.
Of course, in the world of anti-Japanese dramas, the two heroes in "Anti-Japanese Heroes" are legendary. They are like"Miraculous"One of them is so brave that he can tear his enemies apart with a single grab.
While"Hawkeye"'s extraordinary ability is even more amazing, he shuttles through the world and instantly takes the enemy's head, as if it is a martial arts myth walking on the battlefield of resistance against Japan.
Every sacrifice in the War of Resistance Against Japanese Aggression is engraved with the tenacity of the nation, and the exploits of the heroes are not easy to come as in mythology. Turning history into a work of entertainment is actually blasphemy and disrespect for the spirit of martyrs.
The anti-Japanese drama that lacks historical awe and humanistic temperature reflects the frivolous attitude of the choreographers and directors towards serious history.
Call on relevant departments to strengthen guidance, urge screenwriters to stay away from too bizarre creations, promote the progress of China's film industry, and call on those screenwriters and directors with a sense of historical mission and artistic emotions to join.
We cannot pursue ephemeral attention at the expense of historical truth and human brilliance. Some modern drama lines have even been criticized as challenging the bottom line of the audience's wisdom!
In the hit suspense drama "Ten Deadly Sins", Zhang Han interpreted a unique role with superb acting skills.
The detective he plays makes astonishing assertions when solving the mystery"I don't think the twelve hands came from a single victim"Although this sentence is terrifying, it reveals the extraordinary nature of the case.
This surreal setting aims to challenge the audience's cognition and arouse the interest of solving puzzles with absurdity, but behind it is the depth of reason**.
The medical drama "Young Doctor" reveals the challenges of young doctors' growth, and the character of Ren Xianqi orders ** to prepare in a scene in the play"Nearly nine percent saline saturated"However, this high concentration almost equals a potential danger.
Professional doctors are well aware of its inappropriateness, and such lines are thought-provoking, revealing the misjudgment and growth of the characters on the road of medicine.
In the mythological comedy "Joy Every Day", there is a highlight clip that reveals this technique.
The goblins in the play try to use"Poison Soul Water"to frame others, yet in describing its characteristics, claim that it is"Intangible and odorless"However, the vivid green on the screen ruthlessly punctured this lie.
This obvious logical conflict is undoubtedly a disrespect for the wisdom of the audience.
In the field of cinema, there is a similar anecdote, and there is a hilarious scene in the comedy "Dances with Dragons": the heroine exclaims in surprise to the two-meter-long python: "I have never seen such a magnificent earthworm!" ”
This is talking nonsense with your eyes open! ”
Although modern film and television use bold innovation to attract attention, it is important to do it in moderation, otherwise the bizarre lines may transcend reality and damage the audience's intelligence and decency.
Dramatists need to skillfully blend artistic innovations to resonate with their audiences so as not to provoke dissatisfaction. Even though it is carefully planned to avoid plot flaws, it cannot resist the ubiquitous invasion of advertisements like ghosts.
Today's TV shopping ads are full of creative tactics, but they are often exaggerated and misinterpreted, as if to challenge viewers' understanding and make people question their authenticity.
Let's take the example of a hot-selling phone that was praised by advertising"The king of value for money", once advertised ** reached thousands of yuan, and now the surprise discount is only 998 yuan, which is exciting.
But pay attention to this"Original price"Not a historical fact, but a very attractive strategy.
The audience is immersed in the anticipation of unexpected surprises, but unwittingly falls into an elaborate shopping trap. When the real thing is in front of you, the quality gap is shocking compared to the dreamy image rendered by the advertisement.
The advertisement for the toilet cleaning product is ingenious, revealing the product's superior cleaning power through the characters' almost obsessive taste of the freshness of the toilet bowl after cleaning, which may have made some viewers feel underestimated.
Although some health care product advertisements are very powerful, promising that a certain capsule can multiply the wisdom and a certain liquid can resist cancer, and the name sounds quite high-tech, in fact, the claims of its efficacy are often difficult to verify, and most of them have not been scientifically proven.
They cleverly play into people's deep expectations for physical and mental health to portray products as miracle cures, but whether the actual results are as advertised is a question mark.
As viewers, our expectations go beyond entertainment consumption, and film and television should be a link of emotional communication, not just a provider of jokes.
Why not save your energy to the real warmth of life, like going home and enjoying that restful sleep?