In recent years, the shaping of the image of "sister" in film and television dramas has attracted much attention. While pursuing family perfection, sisters often have to sacrifice themselves to become the pillars of the family. However, this image is already present in the 1981 work Shen Huangni. Shen Huangni gave everything for her family, but in the end she gave her life in love. This reflects the sadness that traditional women are unable to resist in this era.
A similar image of a sister also appears in other works. In "Desire", Wang Yaru becomes the arranged wife and mother of the family, sacrificing her own life. In "Chinese New Year", the image of my sister is even more cowardly, and she is instructed to work and calculate, and she can't resist. The sister in "Carrying My Dad to School" gave up her studies for her younger brother, and even offered the bride price. These images are just silently endured and selflessly dedicated in the midst of family difficulties, burdened with the pressure of traditional concepts.
However, with the advent of the new century, the image of women began to be represented. In "There Are Nine Phoenixes in the Family", the mother works hard to raise her daughters, and they have different personalities and are loved. Women no longer need to serve men and become more independent and confident. The elder sister Gao Weihong in "Peacock" is in the conflict between family repression and individual desires, and finally bravely challenges the authority of patriarchy through her independent and confident character. "Empty Mirror" focuses on the two sisters, who are no longer entangled in their parents' shortcomings and can choose their own lives independently.
During this period, the image of the elder sister was no longer limited to the traditional family role, and began to pursue personal happiness. In "Women Don't Cry", the sister no longer gives selflessly, but pursues her goals. In "Happiness to Ten Thousand Homes", He Xingfu has achieved a happy life through his own efforts. The sisters became more independent, strong and assertive, presenting a fuller and more diverse image.
However, with the emergence of the independent heroine, the audience is gradually dissatisfied with the traditional image of "good wife and good mother". The image of the elder sister has become richer, embodying the desire of women to pursue independence and rebellion. Sisters no longer need to be submissive, but pursue their own happiness and personal worth. For example, in "The World", Zhou Rong left her hometown in pursuit of true love, and chose to divorce after learning that her husband was cheating. In "Big Sister", the elder sister takes on parental responsibilities but is ultimately betrayed. No longer limited to family responsibilities, they begin to pursue their own happiness and show a strong personal charisma.
In general, different types of sister images are shown in film and television dramas in different periods. The traditional image of an older sister is often tied to family responsibilities and silent dedication, unable to pursue personal happiness. However, with the development of society and the awakening of women, the sisters began to pursue self-worth and a happy life. They have become more independent, strong and assertive, showing a fuller and more diverse image. The audience is no longer satisfied with the traditional image of the sister, but hopes to see a more realistic and three-dimensional female image.
Whether it was in the past or in the present, each era has created an image of a sister with different characteristics, and each sister has shown her own charm and courage. With the changes of the times, the image of the sisters is also evolving, reflecting the importance of the awakening of women's consciousness. Let's look forward to more wonderful performances of the image of many sisters, so that the audience can see a more real and three-dimensional female image.
Zhou Rong left her hometown in pursuit of true love, and finally chose to divorce; He Xingfu worked hard to make money to support his family, first of all, and finally lived a happy life; Shen Huangni lived for her family, and finally ended her life because of love. In these true stories, the sisters fight against adversity in different ways and pursue their own happiness. This caused the audience to ponder, should women sacrifice themselves for their families? Should women pursue personal happiness and fulfillment? These questions have led to reflections and discussions about the role of women.
These events have had a profound impact on society. More and more women are realizing their independence and worth, and are beginning to pursue their dreams and happiness. The audience's recognition and love for the image of the sister has also changed, and they are no longer satisfied with traditional family responsibilities, but want to see a more realistic and three-dimensional female image. This is an opportunity and challenge for the film and television industry, and it has also become the direction of thinking and creation for industry insiders.
To this day, the discussion about the image of my sister continues. With the development of society and the continuous improvement of women's rights and interests, the image of sisters will continue to evolve and enrich. We look forward to seeing more three-dimensional and diverse female images, and hope that each woman can pursue her own happiness and worth. The evolution of the image of the sister will continue to arouse the audience's thinking and exploration, let us look forward to more wonderful performances in the future.
To sum up, the evolution of the image of the sister in the film and television drama reflects the recognition and change of the society for the role of women. In the beginning, the sisters took on family responsibilities and were silently dedicated, bound by traditional concepts. With the development of society, the sisters began to pursue personal happiness and value, showing a more independent and diverse image. The audience's identification with the image of the sister has also changed, and they are no longer satisfied with the traditional family role, hoping to see a more realistic and three-dimensional female image. This has brought opportunities and challenges to the film and television industry, and has also triggered in-depth discussions and reflections on the role of women. As time goes by, the evolution of the image of the sister will continue to present new possibilities, affecting the audience's cognition and emotions. Let's look forward to the wonderful presentation of more sister images and explore the diverse possibilities of women in real life.