In 2021, "Black Widow" was introduced to Chinese mainland, and domestic Marvel fans were excited and looked forward to it. This once again reflects the huge influence of Hollywood films, which not only export film content, but also achieve reverse output.
Although overseas films have a wide audience, the strength of our domestic films is equally strong. For example, Chen Kaige's "Farewell My Concubine", Zhang Yimou's "Alive", Jiang Wen's "The Devil is Coming" and other works are all classics that have led Chinese films to the top of the world, comparable to Hollywood films, and are treasures in the history of Chinese films.
Chen Kaige is good at capturing the subtleties of the characters' emotions, and in "Farewell My Concubine", he skillfully uses the alternation of cold and warm tones to successfully outline the complex and changeable emotional world of Cheng Dieyi.
Whether it is warm, cold, depressed or distorted, it deeply portrays the tragic fate of the drama in the ** period, which makes people empathize.
Zhang Yimou, the "national teacher" in the film industry, is impressive in his use of color. The bright colors he used have left a deep mark not only on the history of Chinese cinema, but also on the history of world cinema.
Whether it is "Alive", "Red Sorghum", "The Red Lantern Hangs High" or "Shadow" and other masterpieces, they all let us appreciate the shocking power of visual impact.
Among the fifth-generation Chinese directors, there are two"Genius"Directors, Jiang Wen and Zhang Yimou. Their use of color is unique. Jiang Wen's films "Evil Does Not Prevail", "Let the Bullets Fly" and the masterpiece "The Devil is Coming" are full of his unique black humor.
This kind of humor is full of playful and romantic elements, and it is very extreme crazy, which makes him unique"Ginger style"。
Taking "The Devil is Coming" as an example, director Jiang Wen shows another perspective of war with his unique black comedy style. The film won the Grand Prix at the 2000 Cannes Film Festival for its inherent drama and absurdity.
The Devil is Coming is presented in black and white style and rough images, showing a strong wildness and ferocity. Jiang Wen's unique absurd techniques and dramatic plots ruthlessly expose the kindness, ignorance and selflessness of human beings during the anti-Japanese period, like a sharp blade directly piercing the hearts of the audience, which is shocking.
Don't wait until it's irreparable. From the beginning of black and white to the end of blood red, Jiang Wen uses three colors to depict the human instinct to blame and punish others in the face of disasters and misfortunes, and this work has been praised by film critics as the pinnacle of director Jiang Wen.
21 years have passed, and this film is still hailed as an unsurpassed classic, which fully proves Jiang Wen's uniqueness in film artistic expression, which makes people have nothing to say.
In the short film released by OPPO recently, Jiang Wen shared his views on the "ideal mobile phone", which also fully demonstrated his unique insights on artistic creation.
Jiang ** tone, mobile phone photography should also pay attention to color, even if the shooting is black and white**, there must be a sense of color. His words are full of awe for art and a fanatical pursuit of color, which coincides with OPPO's philosophy.
Therefore, the cross-circle cooperation between the two is not accidental.
In the three years since filming "Evil Does Not Prevail Over Justice", Jiang Wen has kept a low profile. However, this time he returned as an OPPO image explorer, which surprised many fans.
Jiang Wen is a perfectionist with a reverence for art. In the process of film creation, he strives for perfection in all aspects of the script, characters, props, light and shadow, and even lines, and constantly pursues transcendence and perfection.
As Zhang Yimou said, he is a director with a passion for excellence and ambition to surpass contemporary Chinese cinema.
With his unique wildness and strong sense of artistic aesthetics, this film genius has become a blockbuster in the film industry. In 1995, his ** work "Sunny Day" was born, which brought great surprises to the audience.
The film was not only a huge success at the box office, but also shined at the Venice Film Festival, and finally topped the list of the top ten best films in the world in the 95 year by Time Magazine, leading Chinese films to open a new chapter.
Although director Jiang Wen does not have many works, only six, this does not affect his status in the film industry. His works are all classics, his creative attitude is rigorous and serious, and every work is worth looking forward to.
This is undoubtedly a clear stream in the film industry, and it also reflects his respect and love for film creation.