Recently, the big battle between Jay Chou and Taylor Swift fans has become a hot topic. This battle originated when Jay Chou posted a picture of himself at Taylor Swift's concert on social software, and said that Taylor's team gave him a great position.
Taylor Swift's fans have accused Jay Chou of buying his own PR tickets to get his position, thinking that he is touching porcelain. The remarks sparked a debate between Jay Chou fans and Taylor Swift fans, which subsequently escalated into a large-scale fight.
The emergence of this incident once again triggered a discussion on the evaluation of Jay Chou's works in recent years. His new ** "The Greatest Work" received general reviews, and the concert was also disappointing, and last year's "Christmas Star" caused ridicule. Many fans thought that Jay Chou was no longer so motivated, and his popularity began to decline, and he was eventually bullied by Taylor Swift's fans.
However, the overall decline of the Chinese music scene is mainly due to the mainland rather than Hong Kong and Taiwan. In the mid-to-late nineties, some unknown changes took place in the mainland world, which led to the gradual departure of the traditional system from the world. Popularity began to be affected by the mode of operation of commodities, and gradually lost its original charm.
At the same time, there are also problems with the definition of popular ** in China, and many people equate popular ** with commodities**, ignoring that popularity is the key criterion for judging whether ** is popular. In addition, the popular songs in the mainland market and the songs in the system began to separate, making people gradually think that the system is not popular.
In fact, the mainland music scene once led the Chinese music scene, but mainland audiences have turned to other ** genres. With the rise of talent shows and changes in the entertainment industry, mainland pop** gradually lost market share, and underground ** and the Internet ** began to rise.
Although there are still some masters in the Chinese music scene such as Jay Chou, Lin Junjie, Li Ronghao, etc., the influence of the mainstream music scene is obviously not as good as before. Therefore, we need to think about how to revive the popularity of Chinese, cultivate more outstanding people, and promote the development of the industry.
The decline of the Chinese music scene is a complex issue that needs to be analyzed and solved from multiple perspectives. Only in this way can Chinese pop** regain its past glory and usher in a better future.
Recently, a big battle between Jay Chou and Taylor Swift fans has become a hot topic. The controversy stemmed from Jay Chou's posting of his ** at Taylor Swift's concert on social software, and expressed his gratitude to Taylor's team for giving him a great position.
However, this move has sparked dissatisfaction among Taylor Swift's fans, who accuse Jay Chou of being in a position that he bought his own PR tickets, thinking that he is touching porcelain. This remark angered Jay Chou's fans, so the argument between Jay Chou fans and Taylor fans escalated into a large-scale fight.
It can be seen from this incident that Jay Chou's works in recent years have not been widely acclaimed, his new ** "The Greatest Work" has an average evaluation, and the concert is also disappointing, and his "Christmas Star" last year has caused a lot of ridicule. As a result, many fans thought that he was no longer so motivated, and his popularity had declined, and he was eventually bullied by Taylor Swift's fans.
However, the overall decline of the Chinese music scene is mainly due to the mainland rather than Hong Kong and Taiwan. In the mid-to-late nineties, some unknown changes took place in the mainland's ** world, which led to the gradual departure of ** in the traditional system, and the popular ** began to be affected by the operation mode of commodities and gradually lost its original charm.
At the same time, there are also problems with the definition of popular ** in China, and many people equate popular ** with commodities**, ignoring that popularity is the key criterion for judging whether ** is popular. In addition, the popular songs in the mainland market and the songs in the system began to separate, making people gradually think that the system is not popular.
In fact, the mainland music scene once led the Chinese music scene, but mainland audiences have turned to other ** genres. With the rise of talent shows and changes in the entertainment industry, mainland pop** gradually lost market share, and underground ** and the Internet ** began to rise. Although there are still some masters in the Chinese music scene such as Jay Chou, Lin Junjie, Li Ronghao, etc., the influence of the mainstream music scene is obviously not as good as before.
The decline of the Chinese music scene is a complex issue that needs to be analyzed and solved from multiple perspectives. How to revive the popularity of Chinese, cultivate more outstanding people, and promote the development of the industry has become an important topic in front of us.
Finally, we should think about what we should expect from the future of the Chinese music scene. Can we learn from the experience of the past? Perhaps, some questions can lead us to think deeply: Do we only see the plight of the Chinese music scene, but ignore the opportunities? Can we find more innovation and development direction in the popular **? Is the decline of the Chinese music scene an inevitable trend, or do we still have a chance to counterattack?
Only after a comprehensive and objective analysis of the problems of the Chinese music scene can we formulate a reasonable solution, revive the glory of Chinese pop**, and inject more vitality and hope into the future of the Chinese music scene.