If "It's Time" still carries a little jerky and nostalgia on the way to the pace of life, "Kepler" is the completion of the new era of Sun Yanzi's performance, from the narrative incision of the time context directly upgraded to the spatial structure, "Kepler" is a quiet and beautiful lake, bidding farewell to the arrogant, rebellious, and mysterious image of the past, and reflecting the audience's respective youth sustenance with an open attitude, and establishing a beautiful bridge between this symbol and the audience with ** itself.
The most rare thing is that her ** expression is always consistent with the current life senses, and her ** during this period always has a sense of looking back on life, just like the best youth literature is not necessarily born at a young age, even if it is calm and boring in a new stage of life, it can also deduce the cheesy "angel's fingerprints" into an irreproducible texture of an idol drama at the right time, and pick up a life sketch like "relatively happy" and sing the charm of the career summary in four or two thousand pounds, "good youth" One less point is an itch in the boots, and one more point is a welcome, but she balances a just right timelessness, and "Yintai" has refined the humanistic height through the contrast between voice evolution and generational changes, and the time and place have perfected her personality sublimation in the later stage.
Even if the idea of collecting songs is still old bottles of new wine, and the packaging plan is still in the limelight, it has also made a wonderful outside the framework under the leadership of the personality of "Stefanie Sun", and the mainstream diva boldly chose the private creation of an independent ** person as the main theme and even the title of the tour, and digested the lyrics handed over by the veteran of the record industry.
It's a pity that these "upgrades" are just a flash in the pan now, and even the large-scale tour that started with ** at the same time reveals a vague sense of returning to the light, "Kepler" may be the last good work that talent such as Stefanie Sun can complete, and it is also the opening of a generation of Chinese record singers who are tired and spreading.
Maybe Stefanie Sun just wants to tell you that no one can be young forever, and no one must be young forever, maybe the permanent existence of youth in memory is the best answer to the flow of time, just like the passing goldfish represented by "Kepler", which has already surpassed the meaning of the physical body in the ** world and fulfilled the spiritual hopes, after all, using "hidden in many lone stars or can still find you" to metaphorize the two-way relationship between the audience and the idol is really clever and moving, also from Hush's pen" The rain still keeps falling" isn't it the warmest love letter she sends to listeners who can be moved by her ** whenever and wherever they are?
The rain still keeps falling, you and I, as always, have been moved by her ** again and again, even if ten years have passed, we are all different from ourselves at that time, but aren't we all the same day by day more and more believe that there is always a star of our own in this universe, and I believe that at least there is ** can make people no longer lonely?
Because in 2014, when all the singers did not hesitate to become a high goddess, Stefanie Sun was willing to bend down and embrace the loneliness of all living beings so sincerely, and we found in her voice the sustenance that rumination is still used for ten years. How has love dried up? Can AI** replace the full and stable affection in these tracks? Even you and I walked hand in hand with one youth symbol after another from the origin of the universe, twinkling and shining each other.