Last year, I took a traditional landscape painting class, which was a challenge for me. Because there are very few schools that run traditional landscape painting classes, it is not easy to find teachers who can paint traditional landscape paintings well, and my traditional landscape paintings cannot boast of being good. But after all, I have a family history in painting traditional landscape paintings, and then I studied seriously from Mr. Shen Chongyun, and then I was seconded to the Provincial Friendship Store to paint traditional landscape paintings for export for several years. However, due to his stubborn nature and the influence of the times, his energy was not fully devoted to traditional landscape painting. It wasn't until retirement that I regained my love for traditional landscape paintings, so I went to many museums and private collections across the country to ** many traditional landscape paintings. Last year, I started a traditional landscape painting class, in fact, I wanted to put pressure on myself, hoping to focus on the study of traditional landscape painting after the old age. This traditional landscape painting was painted last year, and this time I found it and rearranged it. Traditional landscape painting pays attention to the inheritance of the trace, and it is necessary to make sure that the pen has a place. The shallow painting method I use in this painting is to drape linen, and the dots are a combination of bald pen dots and horizontal dots. In addition, the traditional landscape painting pays attention to poetry, calligraphy and painting, and the inscription of my painting is in the center of cursive, and the poem is:
The clouds move the trees, the wind fills the valley, and the waterfall birds sing the moon into the window.
The thatched house lives in Zen and the heart is far away, and the old tea is fragrant when reading poetry and books.