Hanshan, a little-known calligrapher of the Ming Dynasty, became a contemporary master of calligraphyQi GongThe most admired object. Qi Gongpraised Hanshan's calligraphy level far beyond Wen ZhengmingDong QichangEven for more than 500 years, it is difficult to find a calligrapher who can match him. Hanshan absorbed the essence of Wei and Jin calligraphy and incorporated itZhao MengfuDong Qichanget al.'s penmanship, these are all rightQi GongThe style of calligraphy has had a profound impact. However, nowadays, Hanshan's name is almost forgotten, and only a few people are aware of his existence. Born in the 25th year of Jiajing in the Ming Dynasty, Han Shan was born in Quanjiao, Anhui Province, and he was an erudite and intelligent elder. Although he chose to escape into the empty door, he integrated the ideas of Confucianism, Buddhism, and Taoism, and was respected by the world as the "Grandmaster of Zhongxing Ancestral Court". Hanshan learned the calligraphy of the Jin, Tang, Song and Yuan dynasties, especially the "two kings" penmanship, and absorbed itYan ZhenqingLi YongSong SijiaZhao Mengfuand other people's pen skills, creating works that are not only rigorous and orderly, but also full of vitality and beyond the mundane, and his calligraphy and cursive writing are particularly exquisite. His calligraphy works have been widely circulated to this day, among which is the book "Master Yongjia Zhenjue" in the collection of the Shanghai MuseumSermon songsThe pinnacle of his work was completed at the age of 66. This work is full of solemn and leisurely charm, taken from Wang Xizhi's "Holy Order", and is also integrated in the detailsMi Fu, Su Shi's characteristics. From the beginning of the pen to the end of the pen, he used the unique brushwork such as reverse front and center forward, forming a stroke that combines rigidity and softness, and is wrapped in iron. His knots are dangerous on the sides and open on all sides, showing the sum of XiMi FuThe style of handling. Judging from the whole volume of works, the thickness of his strokes, the retraction of the structure, the shade of the ink, and the density of the chapters are all varied, and the words are different, full of layers, with movement in stillness, and reality in the void. It can be said that his skill and creative approach are breathtaking.
Qi Gongto".Qi GongHis calligraphy style is highly sought after and widely imitated. The academic community has been retrospective".Qi Gongbody", and various hypotheses have been proposed. Some people think "".Qi Gong"Body" learned from Liang Shizheng, and some experts believe that it was receivedLiu Gongquanimpact. However, none of these hypotheses are supported by conclusive evidence. Qi GongI once described his experience of learning books, and his penmanship is integratedZhao MengfuDong QichangLiu GongquanCharacteristics of the three. This also happens to coincide with the mentorship of Liang Shizheng and Prince Cheng and others, so it came aboutQi Gongbody and beam, into a similar situation. However, a closer look at the ".On the quatrain of the bookcan be found,Qi GongThe most admired calligrapher is neither Xi, Xian, nor Wang Duo, but Hanshan. In his eyes, Hanshan not only inherited the essence of calligraphy in the Wei and Jin dynasties, but also surpassed Wen Zhengming in penmanshipDong QichangFor more than 500 years, few have been able to surpass him. Qi GongThe calligraphy style also absorbs the benefits of Hanshan calligraphy. However, to this day, few people know about this hermit calligrapher of the Ming Dynasty.
Hanshan was a calligrapher of little reputation, he was born in Quanjiao, Anhui Province in the Ming Dynasty, and was a wise elder who lived in seclusion in the mountains and forests. Although he didn't attract much attention, he had a unique eye and insight. Hanshan is known for his well-read books and high understanding, and although he chose to become a monk, his academic scope covers Confucianism, Buddhism, and Taoism, and he is respected by the world as the "Grandmaster of Zhongxing Zuting". Hanshan was an important calligrapher in the late Ming Dynasty, and he based on the "Erwang" brushwork, and also absorbed itYan ZhenqingLi YongSong SijiaZhao MengfuThe pen skills have created rigorous, orderly, vivid and vivid works that transcend the mundane. His handwriting and cursive writing are particularly masterful, and his works have been preserved to this day. Among them, the book "Master Yongjia Zhenjue" collected by the Shanghai MuseumSermon songsis considered one of Hanshan's highest achievements. Created when Hanshan was 66 years old, this work shows his mature brushwork and rich connotations. His treatment of knots, stroke thicknesses, and ink shades is varied, full of layers and dynamics. Hanshan's brushwork is unique, not only skillful, but also shocking and amazing, which is truly breathtaking.
Qi Gongto".Qi GongHe has become a giant in the contemporary calligraphy world, and his innovative and unique calligraphy style is deeply loved and admired by people. The origin of this style can be traced back to the Ming Dynasty calligrapher Hanshan. Although Hanshan's calligraphy works are not well-known now, his exquisite skills and unique creative techniques are rightQi GongIt had a profound impact. Through Hanshan's academic pursuit and innovation,Qi GongHe has created a unique calligraphy style that has become a masterpiece that has been handed down from generation to generation. Although Hanshan's name is gradually forgotten, his artistic spirit and wisdom have been passed down to the world and will forever influence future generations. As suchWang GuozhenMr. said: ".Qi GongBeing able to tell a story in the big picture, his explosiveness and imagination are really rich, and I think that's where his real achievement lies. "Hanshan andQi GongIt's all calligraphyLegendsTheir artistic achievements are not only reflected in their works, but also in their contributions to cultural heritage. Their stories and spirit will inspire future generations to continue to pursue the ultimate in art and inject new vitality into the development of traditional culture.