In recent years, Lei Jiayin has been a leader in the film industry, and many of the films he has participated in have been very successful. This year's "Hot and Hot", "Article 20" and last year's "Man Jianghong" and other works all show his wretched and distressing character characteristics. The audience often sighs, why are there so many scenes of Lei Jiayin? There is an incisive answer in the comment area: "The waste is really Lei Jiayin's ruling area". The characters he plays are all shy, hesitant, and passive, which makes people can't bear to scold him.
These wretched characters played by Lei Jiayin have attracted great attention and discussion on the Internet. The audience left messages saying that Lei Jiayin's wretched image makes people see themselves in life, and sometimes they feel resonance and thinking. Some netizens even said that wretched is not a derogatory term, they may know better how to live hard, how to persevere in difficult situations, and how to find a way out. Although these characters are nesty, they have a tenacious and kind side that makes people feel that they are the kind of friends, husbands or colleagues they can rely on.
Actors similar to Lei Jiayin include Bai Ke and Guo Jingfei, who are also well-known for their wasteful images. Bai Ke in "The Annual Meeting Can't Stop! The character in "has the characteristics of a top beta man and a chosen worker", he is pitiful but has no regrets. And Guo Jingfei played a breath-holding character in "It's All Good", which made people feel that he would never be angry.
The reason why this kind of wretched image is popular may be because when the audience is passive, hesitant, and aggrieved in real life, seeing such a character can make them find resonance. These wretched characters may bring more resonance and inspiration to the audience, allowing them to see a different side of life and cherish everything they have more.
On the web, many viewers defended the image of a wreck. They believe that wretching is not a derogatory term, but a person who can persevere and find a way out in a difficult situation. These characters may not have a passionate side, but they have a heart-warming gentleness and kindness. Their image of a wrecked bag may be a mirror on the movie screen, allowing the audience to see what they look like in difficult situations, and also making the audience more courageous to face the challenges of life.
After continuous heated discussions and discussions among the audience, the image of waste may become a unique existence. They may not change the world, but they can change people's hearts. The audience has a soft spot for Lei Jiayin, Bai Ke, Guo Jingfei and other wretched images, because they see the beauty and warmth in life in these characters.
The success of these images of waste has also provoked people to think about society. In real life, we may all have experienced moments of weakness and passivity, but it is these experiences that have made us stronger and more mature. We should cherish these experiences because they shape our character and way of thinking.
Despite the popularity of the image of the Waste in movies and TV series, that doesn't mean that the Waste is what we strive for. Audiences should draw strength from these characters and not get stuck in a wretched mindset. We need to be more courageous to face the challenges of life, keep forging ahead, and create our own value.
To sum up, Lei Jiayin, Bai Ke, Guo Jingfei and other wretched images have been widely welcomed and concerned in movies and TV series. Their wretched characters may bring more resonance and inspiration to the audience, allowing people to see a different side of life. Womb is not a derogatory term, they persist in difficult situations, find a way out, and have heart-warming gentleness and kindness. These images of wretched people may be able to bring some positive energy and make people more courageous to face life's challenges.
Interrogative question: Why is the image of a wreck so popular in movies and TV series? What are the different understandings and evaluations of the audience's image of wreckage? What enlightenment and reflection can the image of wreckage bring to people? What is the role of the image of a wrecked person in social and personal growth? Should waste be what we strive for? How can we correctly understand and make use of the phenomenon of waste image? Finally, will the success of the image of the waste lead to the creation of more waste themes?