The fifth elder brother Yongqi side Fujin, that is, the side concubine of Emperor Qianlong of the Qing Dynasty, was an excellent cultural figure, and her prototype was the Qing Dynasty's Zhihua. Today, she exists as a cultural symbol, both historically and in modern society.
When the time came to the Qianlong period of the Qing Dynasty, Zhihua was selected as the side blessing of the fifth elder brother Yongqi. She was born in a family of eunuchs, with a strict family education, solid cultural skills and keen judgment. After getting married, she not only became the wife of the fifth elder brother, but also a well-known cultural figure and calligrapher in the palace.
Zhihua is a famous calligrapher and painter in the Tongzhi period, and she was awarded the title of "female painter" in the "Purple ** Painting Academy". After becoming the side Fujin of the fifth elder brother, her status is even more prominent. She not only gave birth to four sons for the fifth elder brother, but also paid attention to cultivating their cultural literacy, teaching them calligraphy and painting herself.
Zhihua's three sons are versatile and successful. Among them, the eldest was named the king of the county because he was born under the identity of Fang Fujin, and became the pride of Zhihua. He had an outstanding painting and cultural background, and became a leading figure in the court and cultural circles of the time. Zhihua is proud and proud of his mother, and has also become the champion of the society's parents.
Zhihua was an excellent cultural person, and her calligraphy and painting works were widely acclaimed. She not only develops her own specialties in the palace, but also actively participates in social activities and public welfare undertakings. She raises funds for poor orphans and the elderly, sick and disabled, and provides them with basic living and medical facilities such as food, water, and medicine.
The social climate at that time was relatively conservative, especially in the court, where women had a very low status and were considered homely idlers. However, Zhihua was able to not only display his talents in the court, but also contribute to social welfare. Her courage and perseverance became a benchmark for the cultural world and the status of women in society at that time.
Zhihua's husband, Yongqi, the fifth elder brother, was a member of the imperial family, but he was eager to change the political and social conditions of the Qing Dynasty. He advocated for reforms to increase people's welfare and participation by phasing out bureaucracy and strengthening support for people's livelihoods. This has also become the basis and backing for Zhihua to participate in public welfare undertakings and pay attention to vulnerable groups.
However, Zhihua's family style was not perfect, and she was once considered by her father to be too devoted to calligraphy, painting and public welfare, and neglected to honor her parents. This also exposed the social and cultural rigidity of the Qing Dynasty, as well as the backwardness of ideology.
But despite this, Zhihua still adheres to its own beliefs, constantly respects the spirit of humanity and public welfare, and strives to make its own contributions to society.
Today, the name of Zhihua shines brightly in the long river of history. With her outstanding talent and morality, she became a model of the times and had a profound impact on future generations.
Zhihua lives in an era full of opportunities and challenges. The Qing Dynasty was a feudal society, and the status of women was severely suppressed, and there were almost no opportunities to show their talents. However, Zhihua did not retreat because of this, but bravely pursued his dream and worked hard for it.
Her family education and background provided solid support for her growth. She rose to prominence at court and won praise and recognition for her excellent calligraphy and paintings. After marrying Emperor Qianlong, she continued to maintain her academic Xi and artistic passion, while at the same time, she focused on nurturing her children and was proud of them.
Zhihua's maternal love and care have enabled her sons to receive a good education and training. They have not only made achievements in culture and art, but also paid attention to moral cultivation and social responsibility. The eldest son of Zhihua was named the king of the county by Jin because of his identity as a side Fujin and became a leader in the cultural circle of the Qing Dynasty. This is a silent inspiration, and it is also a dear testimony of Zhihua's mother.