Not long ago, Wufeng got up and boiled Netflix's "Marriage on the Other Side"!I feel that the plot and characters actually have a lot of room to play, but it may be due to time constraints, and there are some inexplicable and unsatisfactory feelings ......
Recently, Wu Feng Qi Nian has taken an in-depth look at the sacrificial culture contained in the Netflix hit drama "Marriage on the Other Side", from the burning of dead coins to the wonderful evolution of sacrifices, as well as the profound influence of Confucian culture on this thousand-year-old tradition. The scene of burning sacrifices in the play seems to open the mysterious door to Chinese social Xi, bringing the audience into a world of Chinese culture peeked into from the perspective of Westerners.
Burning Tradition: Death is like life.
Mrs. Lin in the play burns sacrifices in the underworld, which makes the audience wonder, what kind of sacrificial ritual is this?The article points out that the idea of "death is like life" in the Confucian cultural circle is deeply rooted in the hearts of the people, laying the foundation for the creation of a rich underground world. This idea can be traced back to the pre-Qin era, and there is a cloud in "The Mean": "Death is like life, death is like survival, filial piety is like death, and the end is the same." Confucianism emphasizes filial piety and regards "death as life" as one of the ways to express filial piety, so the burning of dead coins and paper offerings has been continued and developed.
The Mystery of Evolution: The Origin of Paper Money.
The article deeply analyzes the historical origin of the burning of dead coins, and points out that jade and silk fabrics were used for burials in ancient times, but due to the problem of tomb robbery in the Han Dynasty, paper money replaced the physical goods. "In ancient times, paper money was burned", which shows that the traditional funeral goods have been replaced by burning paper money in the Tang Dynasty. There are different theories about the reasons for the switch from burying paper money to burning paper money, or it may be influenced by religion, such as Hinduism and Taoism, which believe that fire can connect the two worlds of yin and yang, and give sacrifices to relatives or gods in the underworld.
The multifaceted nature of the sacrifice.
From the burning of dead coins to offerings, sacrificial culture has a long history in China. The article mentions that sacrifice evolved from the ancient Chinese ritual of "sacrifice", which is an act of offering and praying to gods, saints, or dead souls. Modern rituals no longer involve primitive worship rituals such as the worship of living creatures and burn offerings, but place more emphasis on the significance of commemoration. In addition to the religious dimension, sacrifices in Confucian culture also include the commemoration of dead ancestors, as well as people or things that are conducive to the survival and development of human beings. The article delves into the place of sacrifice in cultural integration, as well as the influence of Confucian culture on other religions and beliefs.
Fire Gods: The Origins of Ancient Rituals.
Looking back at the history of sacrifices, the article mentions that ancient rituals originated from offering food to the gods, and the purpose of burning millet was to offer it to the gods. This begs an interesting question: did the Han Chinese long believe that fire had the power to connect the gods, and only later expanded the scope of burning to worship their ancestors?Viewers are encouraged to leave comments in the comments to share their thoughts on the issue.
Epilogue. Through an in-depth interpretation of the burning culture in "The Marriage on the Other Side", the article presents the thousand-year-old precipitation of Chinese sacrificial traditions. Confucianism profoundly influenced this culture, and the practice of "treating death as life" permeated it, allowing the burning of dead coins and offerings to be passed on. This unique tradition not only carries the rich connotation of culture, but also reflects the multi-faceted changes in social development. By watching "The Marriage on the Other Side", the audience has a more comprehensive understanding of this mysterious and profound sacrificial culture.
This burning thousand-year-old feast allows us to peek into the mystery of sacrificial culture from "The Marriage on the Other Side" and feel the long inheritance of Confucianism.
Burning for a thousand years, the marriage of the other side of the Chinese sacrificial culture" This article profoundly analyzes the burning culture presented in "The Marriage of the Other Shore", through the historical origin of burning dead coins and sacrifices, the influence of Confucian culture and the multifaceted nature of the sacrifice, etc., so that I have a more comprehensive understanding of this mysterious and profound traditional culture.
First of all, the article triggered my deep thinking about the culture of incineration by interpreting the scenes in the play. The scene of Mrs. Lin burning the sacrifice in the play made me intrigued by the meaning behind this traditional ritual. When talking about the historical evolution of the burning of dead coins, the article reveals the reasons why paper money replaces physical goods, and through the records in the ancient "Feng's Wenjian Ji", I have a clearer understanding of the origin of paper money. This kind of historical inheritance and change has made the incineration culture gain a richer connotation.
Secondly, the article profoundly points out the profound influence of Confucian culture on the culture of incineration. By quoting the ** in "The Mean", death is like life, death is like survival, filial piety is like death, and the end is the same. The article expresses Confucianism's emphasis on filial piety, and regards "death as life" as one of the ways to express filial piety, which lays the ideological foundation for the culture of burning. The inheritance of this idea has led to the inheritance and development of the burning of dead coins and sacrifices, forming a unique style of Chinese sacrificial culture.
The article also shows the multi-faceted nature of sacrificial culture in many aspects, from ancient "sacrifice" rituals to modern commemorative significance, from the sacrificial in Confucian culture to the influence of other religions, all of which show the multi-level and pluralism of sacrificial culture. This gave me a more comprehensive understanding of the connotation and form of sacrificial culture, and realized that sacrificial sacrifice is not only a religious ritual, but also an important way to inherit culture and commemorate ancestors.
Finally, the article provokes the reader to think by asking questions, which makes me think more about the origin and development of the burning culture. In particular, on the question of the origin of ancient rituals, whether the Han people have long believed that fire has the power of channeling the gods is a very deep and enlightening point of thought. This way of guiding readers to think has enabled me to gain knowledge and the pleasure of thinking in the process of reading the article.
Overall, this article has given me a deeper understanding of Chinese sacrificial culture through an in-depth interpretation of the burning culture in "The Marriage on the Other Shore". The structure of the article is clear, the discussion is rigorous, and it shows the rich connotation of incineration culture through multiple dimensions such as history, culture, and religion.
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