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Investment scale: Hu Ge behind 500 million
In the context of the film and television industry, an investment of 500 million is not a small amount for a work. Hu Ge's major investment shows his unwavering confidence in the work. After three years of preparation, from the initial idea to the final presentation, each step has condensed countless efforts. However, whether such an investment is worth it still needs to be verified by the audience and the market.
Production team: a combination of world-famous directors and top actors
When it comes to this work, it's easy to think of the production team behind it. The joining of world-famous directors and top actors such as Hu Ge, Tang Yan, Ma Yili, etc., makes this work have a high guarantee in terms of production level. But in the film and television industry, popularity and actual effect are not always positively correlated. A successful work often needs more elements, such as plot, aesthetics, and audience acceptance.
Content controversy: The boundary between Shanghai and Chinese-language TV dramas
Once Upon a Time in Shanghai" as the background, coupled with the label of a Chinese TV series, makes the expectations for this work quite high. However, when the audience started, there was a divergence in the acceptance of its content and style. At the same time, Hu Ge, who has been influenced by literary masters such as Jin Yucheng, hopes that this work can reach the height of the Mao Dun Literature Award, but how to balance business and art is a challenge that every director and actor needs to face.
Production style: Wong Kar Wai's influence and unique aesthetic
Wong Kar-wai's style has a unique place in the film and television industry. The photographers Bao Dexi and Chen Xunqi, who have worked with him, have injected a strong artistic atmosphere into this work. However, whether Wong Kar-wai's style is appropriate and whether it is consistent with Hu Ge's original intention has become the focus of discussion. The selection and use of shots and lines are similar to Wong Kar-wai's classic works such as "In the Mood for Love" and "Chongqing Forest", but in the new context, whether it can be recognized by the audience remains to be verified by time.
Market reaction: the collision of traffic expansion and domestic entertainment cultureIn the current film and television market, traffic has become an important criterion for judging the success of a work. The joining of stars such as Hu Ge and Tang Yan has undoubtedly brought huge traffic to this work. But whether the traffic can be converted into real word-of-mouth and audience recognition is still unknown. Under the influence of domestic entertainment culture, the audience's aesthetics and requirements for works are also changing, which is a new challenge and opportunity for Hu Ge and his team.
Towards the future of film and television exploration
Hu Ge's new drama of 500 million yuan has undoubtedly brought new exploration and thinking to the film and television industry. Regardless of the market's reaction, he has made a positive contribution to the development of Chinese-language TV dramas. In this era full of uncertainties and opportunities, it is expected that more film and television works can find a balance between business and art, and bring more excitement to the audience.
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