The 21st episode of "Minglong Boy" is really special, it has changed the previous campus hot-blooded style and become a sweet love story film. A class of students seemed to be carried away, and the emotional entanglement between the five classmates jumped out of it in a "four-cornered love". The two teachers were not to be outdone, and the head teacher even came to join the battle, making a "teacher-student love". It's really a big surprise, a domestic TV series, alas!The audience's "stereotype" of them is not all your fault, and you can't escape the cliché theme of "falling in love". In fact, it is completely acceptable for you to insert some emotional elements into the main plot to make the characters closer to life and make the plot more twists and turns. However, it's a bit confusing that you spend an entire episode presenting the love scene in its entirety.
The focus of this play is on the eleventh class who wants to enter "Qingbei". Don't you say that falling in love doesn't affect learning, who believes that this is a wolf?In this TV series, "Qingbei" is the top university in China, and if you want to squeeze in, you have to be outstanding. This group of children is not from an illusory background, and they have fallen behind others, and now they have to be distracted, busy confessing, and falling in love, how can this make people calm?
Their emotional drama seems to have increased, but in this way it blurs the point. Cheng Yushan and Li Ran's performances seem to be just right, both loving and restrained. For middle school students, it is natural to have a crush on the opposite sex. Although the two secretly like it in their hearts, they both understand each other's psychology, so it's okay. After all, the original family is not glamorous, and they should focus more on their studies, in order to get rid of poverty, and change their lives with learning.
However, in order to show the strong feelings between them, the screenwriter insisted that Li Ran and Jiang Qinglang find Cheng Yushan's stepfather behind their backs. This kind of plot setting, which seems to be thunderous applause, but is actually bloody and cheesy, is tantamount to a reckless and illegal decision, I can't believe that this is something that a student who has entered the third year of high school can do. In fact, at this time, they should go to Lei Ming, the representative of the section, or Sang Xia, the squad leader, for help. This kind of reckless behavior not only fails to protect Cheng Yushan, but may implicate himself.
Jiang Qinglang was even more focused on falling in love, he completely abandoned reviewing homework and brushing questions, and only wanted to please Cheng Yushan. And Bian Xiaoxiao is even more pitiful, the plot at the beginning also makes everyone think that she is more rational and has the ambition to stay in the big city, and resolutely does not want to go back to the countryside to accept her parents' arrangement. But as a result, she doesn't study hard now, and only thinks about Jiang Qinglang in her head, and the plot is simply written by two people.
There is also Chinese New Year's Eve, and the screenwriter's arrangement is also messy. These five originally belonged to a class, and they were also with everyone when they watched the Spring Festival Gala, but after they came out, no one proposed a New Year's Eve party. Jiang Qinglang found a unique way to invite Cheng Yushan to celebrate the New Year's Eve alone, and he had to confess in public. I really want to know if he is chasing his dream of "Qingbei", or if he came to Class 11 to find a girlfriend. If they don't have the halo of the protagonist, their grades are so different, and their learning attitude is so poor, even if they can get into the same school, it's hard to say.
Although it is indeed understandable to make a youth idol drama, if the plot suddenly becomes "love", the audience may inevitably be disappointed. Everyone saw that the initial promotional slogan of "Minglong Boy" was "350 points counterattack on Qingbei", which attracted a large number of audiences to pay attention. What they look forward to focusing on is the process of striving for progress and changing their lives step by step. But now it seems that the style of painting has completely changed. Yu Yang was not spared, and on Chinese New Year's Eve, he was still messaging a mysterious person named "Wu Fan". As a result, the person actually disappeared inexplicably. The new character will definitely be unlocked later, what is the specific situation, the screenwriter is just whetting his appetite at present, and he has not clearly explained this problem, so he has to let everyone guess for himself.
The teachers in Class 11 are all adults. It's normal to fall in love or something, but when it comes to Xiaozhou and Sang Xia, the situation is a little different. I remember the moment when the two of them first appeared, it always made people feel like they had a story. Especially Tan Xiaozhou and Lei Ming, everyone already knew about this matter.
So it seems perfectly acceptable to add a little sweet detail to the two of them. Oh yes, in fact, these emotional dramas are also closely integrated with the main plot. Come to think of it, doesn't Lei Ming have to borrow money from Xiaozhou?Then it was this opportunity to borrow money that Xiaozhou had the courage to confess to him. In the end, there was a little bit of anti-transferees who were addicted - they originally thought that she and Lei Ming were the so-called "former couple", but it turned out that they were students taught by Lei Ming before. As for why Lei Ming rejected her, the reason behind it is of course justified, after all, her real identity is a "student".
The reason why Lei Ming politely rejected that "student" was that he never wanted to forget the tragedy of Zheng Qian back then. As an audience, I can't help but feel distressed when I see Xiaozhou encounter such a situation. It's not because she has any problems with herself, on the contrary, everyone admires her kindness and courage, it's just that fate makes it impossible for her to stay with Thunder for life. Xiaozhou is well aware of this, and has already made a resolution before a certain affectionate confession, "no longer immersed in painful memories, no longer complaining, recalling that good time forbearantly, saying goodbye and blessing each other gracefully".
However, the emotional context of this woman called Sangxia is particularly abrupt. Lei Ming's previous character settings were mostly to serve students wholeheartedly, and at the same time worked hard to raise the medical expenses needed for his father's illness. However, when he lost his loved ones, he was burdened with debts of up to 3 million yuan. In such a situation, how can you still have the heart to find a girlfriend?What kind of magic power did Sangxia have that allowed him to break through many difficulties and fall in love with it?
Commander Xiaozhou once mentioned that the middle-aged man who was pulling a banner to demonstrate was ordinary but full of confidence, and she immediately associated it with Lei Ming. Based on these clues, we can guess that her evaluation of Lei Ming is not satisfactory. On the one hand, she has a negative attitude towards Thunder;On the other hand, she has feelings for Thunder. Is this complex state of mind somewhat confusing?
Also, why can't many viewers take their eyes off this?The answer may lie in the fact that Sang Xia's treatment of Thunder is quite similar to Lei Lizhou's treatment of Thunder. Sang Xia can be described as a female copy of Lei Lizhou, unable to understand Lei Ming's inner world, unable to give absolute trust, sneering every time he sees an opportunity, or intentionally or unintentionally belittling Lei Ming, and even citing Lei Lizhou's example many times for comparison. Therefore, we can't help but ask, what kind of virtues does Lei Ming appreciate about her?Or is love actually a blind pursuit?
All in all, the emotional clues added by the recent "Singing Dragon Boy" are too cumbersome and excessive, and even affect the original theme of the play. Whether to pursue the depth of education and learning, or the breadth of romantic love songs, the audience's doubts are not unreasonable. While the audience is expecting to see a deeper theme, have you strayed from the point and focused too much on the romance plot?The audience is not opposed to all the love scenes, but they are dissatisfied with the imposed, illogical love elements. To create an impressive couple CP, you not only need passionate plot planning, but also vivid and powerful character creation and real and touching emotional depiction.