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Goodbye, Li Kele", I cried when I saw it.
I thought that female audiences would be more touched by this movie, but I never expected that the eldest brother in the front row would cry more fiercely than Tan Songyun in the film.
Halfway through it, I was taking out a tissue and began to wipe my tears, and when I looked up, the eldest brother took off his glasses to hide his face and sob.
I've already written a movie review before, click on the comment area.
Sure enough, everyone also cried, and even many netizens were full of emotion.
It can be seen that everyone is a person with a story.
From "Wading Through the Sea of Anger" to "Goodbye, Li Kele", it is also cut from the perspective of parents and children, and the storytelling techniques are different, presenting a completely different visual blockbuster for everyone.
On the one hand, Huang Bo and Zhou Xun, on the other hand, Wu Jing and Yan Ni, all chose to be released in a small schedule, and the box office was also good
Douban 76 points, it's okay, but it's too insignificant for both the director and the actors.
The new word-of-mouth trend also surprised me a little-
Except for the emotionally intense rhetoric, many viewers can't understand it.
In fact, after watching "Wading in the Sea of Wrath", I felt that this film was "both good and not good".
is obviously a bloody large-scale movie, but it makes some viewers feel bored, confused and even drowsy in the end, why is this happening?
The first reason is that it is too sharp and too negative.
To be honest, when I watched it, I could even see some of my fathers who looked like old gold on the big screen, irritable and jumping.
The two pairs of parents in the movie are not mentally normal, and none of them even really love their children.
Li Lie, played by Zu Feng, finally wanted to kill his son with his own hands, and Jing Lan finally gave up his son and ran out of the country directly.
Not to mention Lao Jin, even if he wants revenge, he feels that he has been humiliated, and even Nana's mother has never taken care of her children for so many years.
Especially Lao Jin, you can't even find any human warmth, crazy from beginning to end.
It's too vicious, too sharp.
This makes the audience who is a little bit substituted, where to put their faces?
In addition to the substitute parents, in my opinion, being too negative can also cause some discomfort in the heart.
The second reason is that there is a bug in the plot.
In fact, this kind of film that pursues visual effects is a bit buggy in the plot, which is acceptable.
However, as a work under the banner of crime suspense, and even escorted by a top director like "Cao Baoping", there are too many bugs.
Not to mention anything else, the clip where Li Lie suddenly went crazy and started beating Lao Jin already made me play hard.
The actors are all good actors, Zu Feng's sense of husband is simply bursting, but he can just do it, just like the spirit, which is a bit too difficult for people to accept.
The third reason is that the audience is not wide.
In the whole movie, the most poignant thing is the four words-
Family of origin.
There are many plots in the film that ordinary people can't understand.
For example, a punch that dried the opponent's teeth, such as throwing shoes, and a sentence of "I'm jealous that it took you away from me" made Nana's eyes light up.
For another example, Nana deliberately puts her hands in the refrigerator and comes back to get into the quilt for her boyfriend to warm her hands.
Nana has never tried to be truly loved, so she has been seeking love, and at the same time she doesn't know what true love is, so she will go further and further in deformed love.
Judging from the feedback from many viewers on social platforms, many people can't understand and empathize at all.
Perhaps, the people who really can't empathize are the ones who are nourished and grown up by love.
Compared with "Wading in the Sea of Anger", in terms of shooting angles, editing techniques, and the explosiveness of the actors' acting skills, "Goodbye, Li Kele" is actually incomparable.
However, word of mouth still stands.
I saw the second half of the storm start to cry.
The plot of "Hello, Li Kele" is like slashing your heart with a knife little by little, and you have already begun to be moved by the plot when you are unaware, and finally you can't hold back and start to break the defense.
Compared with "Wading in the Sea of Anger", "Hello, Li Kele" is more relaxed**, and it will not make people breathless.
The opening shows the death of your father, and when you think it will be sensational, you immediately turn the page and present the plot that integrates the laughter, without forcibly tearing, which is already very "friendly" for the audience.
In less than two hours, you can feel the love throughout.
Li Boyu, played by Wu Jing, shows his love for his children, his wife, and the whole family in a silent manner.
Pan Yanqiu (Yan Ni)'s love for Li Yan (Tan Songyun) and her husband is hidden in her heart.
Even if the two of them quarreled, from Yan Ni's eyes, she could see her inseparable love for her daughter.
All the characters in the film are full of the brilliance of humanity, and they know how to face death while shedding tears.
personally decided to cup, and after her husband's death, Pan Yanqiu did not even show a little sadness on the surface.
But why shouldn't she be sad and blame herself?
"What is bravery?”
"Courage is not looking back. ”
In just two sentences, it made people cry again.
When Li Yan held her father's mobile phone and saw the messages her mother had sent to her father for so many years, she cried and brought the mobile phone to her mother.
Pan Yanqiu turned on the lock screen and said the above two sentences, and she smiled.
"Courage is not looking back.
He was never crushed by the death of his husband, and he took care of the family and supported his daughter.
I often think "it would be nice if you were there", but I won't really give up or fall for your absence.
A simple story, only lines that poke people's hearts.
Coupled with the acting skills of Yan Ni, Wu Jing and Tan Songyun, how can you not shed tears.
In fact, "Wading in the Sea of Anger" and "Goodbye, Li Kele" surprised me very much.
The former can be said to be the largest in scale in recent years, and the blockbuster that can tear the mask of human nature the most.
The latter is a low-budget feature film, which depicts the plain story tactfully and easily, and is remarkable in all aspects, which is already very good.
Nowadays, father's love and mother's love are still hot topics of discussion in the film and television drama market.
Compared with the works of the early years, the concept of education seems to have quietly changed.
Perhaps, the state of entanglement between parents and children has already changed in the development trend of the times.
I don't know which movie you prefer?
end-Nanfeng entertainment circle
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