100 help plan
There must be a man in your circle of friends.
Late at night**, with emo copywriting——
In my life, I am walking on thin ice. ”
Today, most people may not be able to figure out why this middle-aged man became popular overnight, I heard that those who can understand this stalk are post-00s, and if you don't play, it means that you are old.
But there is no way, when I hear this, Sir always thinks of a person-
Walking on thin ice.
Starring Jet Li.
One failed in word-of-mouth that year, and Douban was only 65. In recent years, it has gradually been taken seriously, and the score has risen to 78, and then to today's movie that is out of the circle with lines in unexpected ways.
Sir thinks that this movie is more worthy of being seen than a stalk.
Let's see if we've stepped out of that river, the river of history that walks on thin ice
Vote for the name
Times are sinister
The prototype of the story of "Casting a Name" is the "Stabbing Horse Case", one of the four strange cases of the late Qing Dynasty: 1870, the origin is unknownAssassin Zhang WenxiangSingle-handedly assassinated Liangjiang, who had not long been in officeGovernor Ma Xinyi
* Later, Zhang Wenxiang named Zeng Guofan to try the case, otherwise he would never speak.
Some people say that Zhang Wenxiang is Ma Xinyi's sworn brother, and the brother is against each other because of women.
Some people say that Zhang Wenxiang and Ma Xinyi, a protective umbrella and a bandit leader, killed each other because of the uneven distribution of spoils.
Some people also say that Ma Xinyi's death involved the political game between Zeng Guofan's Hunan army and the late Qing court, but it was not because of the collusion of interests and a political compromise.
In short, the matter is big, deep and wide, and confusing, giving future generations rich imagination and space for second creation.
In the 1973 Shaw Brothers production of "Stinging Horse", Zhang Che chose to use martial arts films to set up the background of the story, and used the template of male legends to build character relationships, and the whole stayed at the level of cannibalism between brothers in the rivers and lakes.
Chen Kexin's choice is different.
The court, officialdom, brothers, women, all the elements of the horse stabbing case, he has in the movie, but he is not the protagonist.
When these obvious labels are removed, what is the first thing that "Casting a Name" wants to construct?
Era.
What kind of times was that?
160 years ago, in China, in the late Qing Dynasty, there were rebellions and internal and external troubles.
A set of shots is enough to write about its sinisterness.
The bandit leader Jiang Wuyang (played by Takeshi Kaneshiro), the military boots of Pang Qingyun (played by Jet Li) at a glance.
At this glance, it seemed to him that he was already the new owner of these boots.
But there is still one question: is this my code?
So he stepped forward and compared his foot with Pang Qingyun's, well, it fits.
Needless to say, "Take off your shoes and give them to me."
Change your face, draw your knife, and get straight to the point.
If you can solve it with your hands, why bother with your mouth.
If you want to wear, you will rob it, and if you want to eat, you will also grab it, and if you don't give it, you will beat it, and you will kill ......Violence is the most important pass, and the law of the jungle has become common sense in society.
If you can beat it, you are a bandit, but if you can't beat it, you are the people.
The reason for this is that the court is corrupt, there have been wars for many years, the land is barren, and there has long been no food, and the people are dying.
However, the officials and soldiers came to loot the villagers at night for food, but the villagers dared to be angry and did not dare to speak.
Because the Qing soldiers had a gadget they didn't have: a gun.
When the number of people no longer becomes an advantage, the food chain in "Casting Names" is formed.
It is not morality, law, civilization, or capital that determines rank.
It's violence. In the film, when this gang of bandits took the initiative to surrender, became Qing soldiers, and got their own guns, they immediately shouted the highest slogan in the whole film in unison:
"Grab money, grab food, grab girls. ”
Money, food, and women represent the lowest physiological needs.
And the center of gravity is a "grab" word.
The violent logic behind the word "robbery" is the key to understanding this movie.
An era in which everything can be solved with violence from top to bottom.
This is the deepest tragedy and despair buried in the sinister of an era.
And such an era has not been missed by most Chinese for two thousand years.
The people in front of the stage
What is the original meaning of the petition?
In the full version, the three male protagonists, in order to become brothers with different surnames, choose to kill an outsider each, and this murder is a vote of fame.
Those killed were just ordinary passers-by passing through their village.
Pang Qingyun, Zhao Erhu, Jiang Wuyang, the director has covered their "love" with a layer of blood of the times from the very beginning.
Casting a name is not to create friendship, but to cut off one's livelihood - it is impossible to be the livelihood of a good citizen.
With atrocities as the foundation, these three people began to enter the Shura field of the times from this moment.
Become the "person in front of the stage" in the movie.
While violence is the passport of the times, the choice lies in who is violent, how it is used, and how it is maintained
Three protagonists, three personalities, three destinies.
And together, they drew different radii for the beings of that era, and jointly created the tragic fate of different paths in troubled times.
The story of the whole film is led out through Jiang Wuyang's mouth, and we might as well start with him.
The third brother Jiang Wuyang is very skilled, and he is a pioneer, but in fact, he has a simple temperament and does not pretend to be careful.
He is the smallest in the world, with three brothers as a radius.
In his heart, the world is big, and he is not as big as his two brothers.
So, when Natou killed in the name of the person, Jiang didn't look at the unjust ghost at all, but stared at Pang Qingyun the whole time.
By killing people, the three of them form a "family", which is crucial to Jiang.
In the movie, he uses violence to kill innocents indiscriminately, and he is not burdened the whole time, and only when he realizes that this family is about to collapse does he begin to suffer.
His radius is the smallest, and the violence is outward, so he lives the longest, and the sense of tragedy is the most down-to-earth - "the family is ruined".
The second brother Zhao Erhu is similar to Jiang Wuyang, thinking that in life, his brother is bigger than the sky.
But Jiang only recognizes three brothers, but Zhao thinks that fellow villagers are all brothers.
Zhao Erhu's world radius is a fellow villager, slightly larger than Jiang Wuyang.
There is a township party, which determines that Zhao can do more things and has greater ambitions.
In the troubled times, I pulled up a team to fight, grabbed money, grabbed food, and grabbed women, in other words, I don't care about the floods, I just want to keep my hometown safe.
After capturing a city, the dog and Xiaoqi committed military discipline by raping women, and when Pang Qingyun wanted to execute the two, Zhao Erhu pleaded with his eldest brother in public and tried his best to save them.
is born from the same root, why is it too anxious to fry each other", the illiterate Zhao Erhu has never known this sentence, but it resonates at the same frequency.
He's naturally a bully who kills people without blinking, but even such a person has a bottom line;
Not killing fellow villagers is that bottom line, which cannot be crossed.
However, he wouldn't have expected and couldn't believe that this bottom line, eldest brother Pang Qingyun crossed it in one sentence, and twice.
For the first time, kill the dog and Xiao Qi.
The second time, he killed fellow countryman Shi Jinbiao (played by Xiang Zuo) and others who took refuge in the Taiping Army.
It's just the first time, but it's Pang Qingyun.
The second time, Zhao couldn't bear it, and the other party was already restrained.
Zhao's belief as a soldier and general collapsed at this time, because it completely deviated from his original intention of leading people to surrender - to let the brothers live a good life, instead of fratricidal killing.
He couldn't explain what he had witnessed, for a simple reason: Pang Qingyun's world didn't match his radius.
Zhao Erhu measures the world with his fellow villagers, no matter how far he goes, his vision basically stays within his fellow villagers.
Pang Qingyun is measuring the world with the common people, no matter what his situation is, he always thinks of "helping the world".
For the sake of this ideal, he dared to ask for the people's life when he first met Cixi.
Anyone with a slight political sense knows that making such a request to the supreme leader on such an occasion is no different from begging for death.
Cixi agreed, not to mention that the treasury was half empty, and the people would only be grateful to Pang Qingyun;If Cixi didn't agree, the people would only scold Cixi for being mediocre.
This move is clearly contrary to the political wisdom shown by Pang Qingyun in the first half of the film.
Following Jiang Wuyang and his group to rob the Taiping Army, Pang Qingyun knew that this was definitely not a wise move for a group of mountain bandits who could only be regarded as a grass platform, so he only watched from the wall at first, and the two did not help each other.
If he wasn't sure that the bandits had the strength to win, he wouldn't make a move.
Even if he makes a move, he will only choose the decisive moment that can turn the tide of the battle in an instant, allow him to occupy the greatest military merit and establish his prestige.
So, when Jiang Wuyang was besieged by heavy troops and his life hung by a thread, he ended.
The battlefield is changing rapidly, and there is no hiding when you shoot.
Save people, solve the siege, capture the thief and capture the king, lock the victory, and do it in one go.
More subtle operations are yet to come.
On the way back to the village in triumph, Pang Qingyun took the initiative to take off his military boots and gave them to Jiang Wuyang, who had been in love for a long time.
Judging the situation is a strategy;Improvisation, is to be alert;Insight into people's hearts and doing what they like is great wisdom.
All are together for great talent.
If you enter the army, you can get military merits, and if you retreat, he should not be the eldest brother.
Therefore, Sir thought that Pang Qingyun's self-destruction of his future in the court was not because he suddenly lost his intelligence or his personality collapsed, but because he was like this.
What is Pang Qingyun's true colors?
One that is distortedIdealist
Some people live by receiving money, some live by grabbing power, some live by protecting affection, some live by defending dignity, and he lives by practicing ideals.
The ideal is above all else, including himself.
Three people with very different values have become brothers, which is undoubtedly another vicious joke that only fate can play.
In such a joke, the three brothers walked hand in hand, with their own standards, towards the end of their fate.
The people behind the scenes
The three brothers are the protagonists in front of the stage of "Casting Names", and when you lift the curtain of the stage, you will find that the protagonist is someone else-
Master Di (played by Gu Baoming), Lord Chen (played by Wei Zongwan), Master Jiang (played by Wang Kuirong).
These three adults are not only the hidden protagonists of this story, but also thisThe protagonist of the times
The little people struggle between survival, death, and morality, and for the big people, these struggles are ridiculous.
When they have power, they cut off all their hesitation.
They never struggle, they just make the little people struggle.
The superficial story of "Vote for Fame" is how the three brothers made great achievements and how they fell apart;
Inside, it was a game of thrones within the Manchu elite.
When Pang Qingyun appeared on the stage, he had just climbed out of the mountain of corpses on the battlefield.
One of his brothers, more than 1,600 people, was wiped out in a death fight for three days and three nights, and the direct reason was that the friendly Kuizi battalion, which was supposed to fight side by side, stood by and watched the whole process.
Because the two armies are their own masters, and their factions are different.
Pang Qingyun was a member of Lord Chen, and his soldiers were the Green Battalion (the Green Battalion was composed of the Ming army and other Han troops incorporated by the Manchu Qing Dynasty when they entered the customs), and they were attached to the Han civilian group
The leader of the Kuizi battalion, He Kui (played by Shi Zhaoqi), is a person of Lord Jiang, and his soldiers are regimental training soldiers (similar to Zeng Guofan's Hunan army), which belongs to the local warlord forces.
From ancient times to the present, wars have never fought for good and evil, good and evil, but for interests.
The war in the late Qing Dynasty was particularly severe.
He Kui didn't help Pang Qingyun because Master Jiang and Lord Chen had a fundamental conflict of interest, and he wanted to use this to weaken Lord Chen's strength.
Compared with this purpose, the elimination of the Taiping army is not important, and it is not urgent.
That's why, when Zhao Erhu, who had won the battle, said in high spirits, "Take Suzhou first and then fight Nanjing", the adults burst into laughter, as if they had heard some big joke.
What they laughed at was not that the three brothers didn't have this strength, they laughed at Zhao Erhu's "innocence".
Zhao Erhu may know about war, but he doesn't understand politics.
The secret of politics was revealed by Pang Qingyun in one word:
When the battle is over, what do they earn?
War is a continuation of politics, and war is the core means by which warlords accumulate political capital.
Violence bulldozes everything, and politics envelops everything.
Therefore, even if Pang Qingyun had the strength to attack Suzhou, he could not get the authorization of his superiors.
The Taiping Heavenly Kingdom was able to be "arrogant" for 14 years, not only because of the weakness of the Qing army, but also because the warlords needed it to live longer.
But all these conflicts and contradictions will always be just a tacit secret of everyone in the power field.
For example, when Master Chen mentioned that Pang Qingyun had led a battalion of soldiers to annihilate the entire army before, his eyes glanced at Master Di beside him.
Behind Lord Di is the Manchu aristocratic group, whose status is above Chen Jiang and the others.
Lord Chen's intentions were vague and clear, he scolded Pang Qingyun in his words, but he "complained" to Lord Di who was the leader, this glance was to observe his reaction and speculate on his position.
After Pang Qingyun captured Shucheng, Di Chen and the others, who were relatively weak, saw the hope of overpowering Jiang and hurriedly wooed them.
How did Lord Jiang react?
I saw that after he arranged for He Kui to take over Pang Qingyun's defense, he said faintly at the end: Lord Di, Lord Chen, there will be no opinions, right?
Is this the attitude of asking for advice?
It's saying, "Want to eat alone?"There are no doors.
The three adults will not fight openly, but only in secret;Always be kind and wealthy, and always smile and hide a knife.
The more the people in front of the stage break their heads, the more talents behind the scenes can be full of money.
Everything is kept secret, only to be understood, and the purpose is to artificially build a huge wall of power to isolate the vast majority of people so that they can be used for it.
The more powerful the person, the better at hiding in the shadows.
For example, the queen mother who sits in the world, from beginning to end, but hears her voice and does not see her person.
Cold guns and cold arrows are the norm in this era.
At the end of the film, the person who assassinated Pang Qingyun hid in the distance, and released a cold gun with the roar of the salute.
Similarly, Zhao Erhu died from one cold arrow after another, and he didn't know where he came from, and he didn't see the person who released the arrow.
As if to say:
In the era of the sound of cannons, the sound of gunfire is imperceptible, and the bullets are as thin as ants.
They still can't see through it until they die
It's everyone, everyone.
There's a great metaphor for this.
The Imperial Forest Army sent by the imperial court to execute Zhao Erhu saw only the scabbard and was completely faceless.
In this way, they can be anyone.
Some people take the initiative to hide behind the scenes, but more people are silenced by the times, and then erased like numbers and dissipated in the wind like cannon fodder.
After the tragic victory of Shucheng in the first battle, the living people were able to eat enough, and the dead people did not even have their bodies and ashes left, and there was a pair of broken straw shoes left.
and a few pieces of silver for settling-in expenses.
When Jiang Wuyang was giving a pair of soldiers' old mothers a salary, the subjective perspective and long view used by the camera, we couldn't see the mother's expression, and we didn't even know what she looked like.
It is those who do not want to be seen, who are constantly creating those who are not seen.
The former cannot see the latter even with a telescope.
They can only see themselves.
They created endless misery in the land, and in the end, it didn't even touch their clothes.
Ideal, bottom line
Casting Names provides insight into the limitations of people.
The limitations of a person who has the ambition to do the same are often more fatal.
Moral kidnapping made a request to Cixi, Pang Qingyun was not begging for death, he was just begging for success, and it wasRush one's fences.
It's not the first time he's done this.
As soon as they met, he advised Zhao Erhu to lead people to join the army, and to submit their names to Zhao and Jiang Na, who did not know the bottom;
With only 800 men under his command, he dared to lead a battle to the death with 5,000 Taiping troops
There were 10 days of grain and grass left, but he dared to issue a military order: take Suzhou in 2 days, and capture Nanjing in 8 days.
The recklessness of the situation turned him into a crazy gamblerEach one is a stud
If you are moved by his ideal of "the world is for the public", then you will definitely sigh for his "impulse" of "finishing his work in one battle":
Cixi has shown favor to you, why can't you sell yourself first and think about it in the long run?
However. Compared with the ambition of wanting to benefit the common people, no matter how hard you work and work steadily, no matter how slow a person's life is, it is too fast.
Towards the Republic", Li Hongzhang still said: A generation can only do the things of one generation.
And what can a person, even if he has the talent to heaven, change?
Changing the times is a long relay race.
What each generation can do is to run their own stick.
Then one person passes the baton to the next, and one generation passes the baton to the next.
It's a pity that this is a truth that Pang Qingyun couldn't understand until he died.
It was as if Pang Qingyun could not have realized that his ideals were fundamentally contrary to the political system to which he depended, and that the Qing court had only served the imperial power from the bottom to the top, but he wanted to seek a way for the people to survive and seek justice.
It turns out that no matter how big or small the world is, everyone draws a prison in a circle of different radii.
Ironically, the Taiping Heavenly Kingdom, which he tried his best to annihilate, happened to have an ideal similar to his, as the saying goes: "One family in the world, share peace" (Hong Xiuquan).
The fall of the Taiping Heavenly Kingdom was a rehearsal of his fate.
The reasons for Pang Qingyun's failure are not limited to this.
Pang Qingyun's impatience created an illusion for him, he thought that everything could be done quicklyAs long as you pay a sufficient price.
He ordered the execution of two younger brothers who had come out of order, ostensibly in the name of military discipline.
In fact, he wanted to change the base of the army under his command, to turn the bandits into a regular army, and to pave the way for his grand blueprint - in the past, you fought for yourself, and in the future, you will fight for others (the people).
It was worth sacrificing two lives for this.
It was worth shooting the 4,000 Taiping prisoners who had surrendered for this.
Then, he thought that it was worth sacrificing his brother Zhao Erhu in order for "every person to be fed" and "not to be bullied".
Finally, this "idealism" shows the fangs behind the halo - its innate violence.
Because it is pure, it hurts;Because of fanaticism, no matter the cost.
Pang Qingyun'sIdealHow high and far, hisBottom lineIt's as much as it sinks.
When he sees the vast number of beings, he does not see the living people in front of him;Even he was gradually domesticated into a slave of a grand concept, and he didn't know it.
But this is not the inevitable fate of every idealist.
There is also an idealist in the film, Huang Wenjin (played by Guo Xiaodong).
Originally, he was a wealthy businessman who sold his property 11 years ago and took refuge in the Taiping Heavenly Kingdom, in order to have the same ideals as Pang Qingyun.
Now, he is a general of the Taiping Army stationed in the city of Suzhou.
For the sake of ideals, Pang Qingyun disobeyed military orders and attacked Suzhou;For the sake of ideals, Huang Wenjin stuck to the end.
The two sides have been fighting fiercely for nine months, and they have run out of ammunition inside and outside the city.
Purgatory on Earth. If we continue like this, everyone will have to die.
The generals on both sides, the two idealists, must find a way to break the situation.
Pang Qingyun's choice was to kneel down and beg from his superiors, but it was useless, and he made a deal with his sworn enemy He Kui (but Pang Qingyun did not fulfill the contract), in exchange for 10 days of military rations.
In order to realize his ideals, he sold all his dignity and credibility.
Huang Wenjin's approach was to take advantage of Zhao Erhu's assassination to assassinate him, and he planned to die under his sword.
Because not being a soldier is his bottom line, and protecting the people in the city (from slaughter) is his ideal.
In order to realize his ideals and keep the bottom line, he sacrificed himself.
When the ideal and the bottom line met in a short battle, Pang Qingyun did not hesitate to abandon the bottom line, and then defended himself with "soldiers are not tired of cheating" and "this is war".
Huang Wenjin demonstrates an alternative path for idealists:
Stick to your ideals, but don't give up on the bottom line;
If there is a contradiction between the two, sacrifice yourself instead of others.
Using ideals as an excuse to indulge in atrocities, even if you get the opportunity to display your ambitions and achieve your ideals, you will be eaten up by past grievances.
This is the fundamental reason for Pang Qingyun's demise.
It is also the interpretation of director Chen Kexin-
In a troubled world, those idealisms that lack courage and responsibility are destined to bring disaster, become an excuse for atrocities, and a tool for killing.
Who are the heroes?
So idealism isn't right?
No. People who hold ideals in their hands must not be infantile and impatient, and must have patience, perseverance, and courage to pry open the window of the times and bring light and fresh air.
For this reason, even if you sacrifice yourself, you will not hesitate to do so.
Therefore, taking a closer look at "Casting Names", the real protagonist emerges - the Taiping Heavenly Kingdom represented by Huang Wenjin, holding the key to unlocking the dilemma of the times.
It's just that the use of this key and the opening of the dilemma of the times may take several generations and nearly a hundred years, at the cost of a mountain of corpses and a sea of blood.
But the first seed was sown, and the Awoken appeared-
Zhao Erhu. About his awakening, let's start at the beginning.
This is a time when there is no turning back at any time.
Just like the situation when the three brothers first met the three adults, there was wind and rain, lightning and thunder before and after, and there was no way to advance, and there was no way to retreat.
There was only a stone urn in front of him, and he knew that he couldn't get out of it, so he had to drill it.
So they learned one thing, they are always ruthless enough, cruel to themselves, and even more ruthless to others.
When he charged, he took the initiative to blindfold himself and cut himself off.
is such a bandit leader who only learned to kill others in the first half of his life, and in Huang Wenjin, who took the initiative to die under his sword, he really felt the nobility of dying generously and the weight of sticking to the bottom line for the first time.
The city of Suzhou became a prison because of the fighting between the two armies, trapping everyone.
Huang Wenjin volunteered to be the key to save everyone.
He died for others, for hundreds of people who had nothing to do with him.
"Vote for Fame" deliberately used a scene to symbolize the design of ** religious baptism, externalizing the shock that Zhao Erhu received in his heart at this time.
He no longer affirms the meaning of killing, but instead sees the secret and invisible connection between people he doesn't know.
It is the kind of person who does not need to be named, but simply an innate connection with the human being.
There is a saying that heroes come out of troubled times.
People with ideals or people with bottom lines, who can be called a hero?
Before answering this question, it is necessary to understand the definition of "hero".
"Vote for Names" borrowed Jiang Wuyang's mouth to bring out a possible standard:
"Heroes can sacrifice for others. ”
And this person refers to someone who has no direct emotional interests related to him.
Ironically, this standard was actually set by Pang Qingyun, but he obviously did not meet it.
In contrast, among the three brothers, Pang never said that he wanted to be a hero, but Jiang and Zhao both had this as their goal.
But deep down, Jiang Wuyang didn't understand the true meaning of the word.
He only has family (brothers) around him, and there is no so-called ideal, so he cannot find anyone else to sacrifice for.
On the contrary, he, like Pang, whom he disagrees with, is always sacrificing others to fulfill himself.
What is the ideal?
It's not ideal to want to survive and live well;An ideal is necessarily a desire that transcends the needs of reality.
Zhao is thinking about it, that is, taking his brothers to live a good life, so Zhao has no ideals.
But he has a bottom line.
Because of the bottom line, he can't accept the practice of killing his own people, no matter how glorious the name of the ideal is.
This "own man" was at first a brother under his command, and later a fellow villager who defected to the enemy.
After Pang Qingyun ordered the surrender, he found his fellow townsman among the mountains of captive corpses.
I also saw the soldiers who died with their fellow villagers.
Seeing them holding hands with each other.
What cannot be broken free may be the chains, it may be the oppression of the authority of religion and religion, or it may be the blood of compatriots.
He gradually began to believe that it was not the people who accepted the name to be brothers, but people of the same flesh and blood, all brothers.
He was slowly able to see the dead, no different from him.
is different from Pang Qingyun, who came up and focused on the world.
The "own people" in Zhao's heart are real, flesh and blood, originated from the township party, and gradually expanded step by step with the battle and sacrifice.
Salvation from the top down is messianic arrogance, and bottom-up compatibility is the consciousness of revolutionaries.
The latter, the spark of the spark, can be like a fire cooking oil at a critical moment, sending out the power to change the heavens and the earth.
Of course, in the era of "Casting a Name", Zhao died when he was just a little Mars.
But just as Huang Wenjin woke up Zhao Erhu, Zhao is also gradually waking up the people around him.
This leads to the biggest ambition of "Casting a Name":
It's a playThe history of the awakening of the revolutionary forerunners
In particular, these pioneers were not local warlords, scholars, doctors, and nobles.
Rather, they were born from a reckless plain-headed people.
The film uses various imagery to show the oppression of the people in the great era.
On the occasion of Pang Qingyun's meeting with Di, Chen, and Jiang, the plaque on the heads of the adults was used to suppress Pang Qingyun, not the three big names.
Faithful and benevolent
The first of these four words: loyalty.
It constructs a kind of top-to-bottom constraint, which only establishes upwards, only from above, not from below.
It is the shackle of those who face it, the scepter of those who turn their backs on it.
Similar imagery appears several times in the film.
When it wants to bind men, it is the "filial piety and righteousness" of the book on the archway;
When it wants to bind a woman, its power is doubled, and it becomes "chaste and obedient" and "festival and heavenly praise".
is like Liansheng (played by Xu Jinglei), these high-ranking giants of etiquette and religion make her resist her fate and escape, no matter how she escapes, she can only return to the original point in the end.
All the people of this era are locked up in a huge social pyramid without friends.
Then the upper layer crushes the lower layer, and a self-consistent cannibalistic society is formed.
In Jiang Wuyang's Ling Chi play, which failed to be cut into the feature film, there is a microcosm of this society:
* Responsible for overseeing the work, the executioner is responsible for execution, the obedient people are responsible for cooperating, and the traitor is responsible for punishment.
Hundreds of millions of people have been divided into different groups that kill each other.
But they don't know that they are people with a shared destiny.
The background color of "Vote for the Name" is to use the inevitable tragedy of these three people in this great era to give an answer:
The old times are hopeless.
But the hope of the new age is never given by the Messiah.
Rather, it arises from every awakening, from every sacrifice.
Chen Kexin's answer, we have missed, but we don't have to pretend to turn a blind eye anymore.