On September 6, 2020, the archaeological excavation of the sacrificial area of the Sanxingdui site was restarted, and six "sacrificial pits" were discovered after more than 6 months of hard work, and major discoveries will be announced on the 20th. Sanxingdui is known as one of the greatest archaeological discoveries of the 20th century, revealing that the Yangtze River basin and the Yellow River basin belong to the mother of Chinese civilization, rather than from an extraterrestrial civilization or an independent system. In this archaeological reboot, amazing discoveries are expected.
The upper limit of the Sanxingdui civilization is 4500 150 years ago. According to archaeology, this civilization may have been formed after the Xia culture and the indigenous culture of the Three Gorges region entered the Chengdu Plain and conquered the original local culture. Compared with the Central Plains civilization, the Sanxingdui civilization was relatively backward in the Bronze Age.
Mystical Masks and Civilization Development.
It is expected that this excavation will reveal further bronze masks, and perhaps non-bronze masks dating back to the Bronze Age. Modern human evolution believes that the ancestors of the Chinese came from the Qinghai-Tibet Plateau, and discoveries related to the ancient Shu people may shed light on the origins of their civilization. In the ancient sacrificial dances such as dancing Chi Ge Day, people wear masks to carry out activities to exorcise ghosts and eliminate evil, which has a certain connection with the bronze face unearthed in Sanxingdui. As a result, this archaeological expedition may uncover pottery, clay, or jade masks dating back to the Bronze Age, revealing richer cultural creations.
The overlap of the old and the new pits and the evolution of civilization.
The six newly discovered "sacrificial pits" may show the phenomenon of overlapping the old and new pits, which does not mean a completely different culture, but a process of gradual cultural change. If you are lucky, you may find a text in the sacrificial pit to identify the people involved and clarify the false rumors. At the same time, it is expected that the silk that may be unearthed or the cultural relics that reflect the production of silk, because the character "Shu" is related to wild silkworms in the oracle bone inscriptions, and is related to the silkworm breeding business of the ancient Shu people.
Ancient Shu legends and realistic archaeology.
In ancient Shu legends, silkworm cong and fish are depicted as the ancestors of Shu and are related to the historical inheritance of the ancient Shu people. If words appear, it may be able to give a realistic basis to these legends, and sound the alarm bell of reason for some people who love to speculate.
CCTV's live broadcast will be from March 20th to March 23rd, looking forward to archaeological revelations and reinterpretation of the wonderful history of Sanxingdui civilization.
This article about the archaeological finds in Sanxingdui is really fascinating. It presents the uniqueness of Sanxingdui with wonderful depictions and detailed historical data, and it is thought-provoking that it does not come from an extraterrestrial civilization, but has the same root as the Central Plains civilization, showing the diversity and richness of Chinese civilization.
The author's introduction to the Sanxingdui civilization is very detailed, especially placing it in the cultural fusion of Xia culture and the indigenous cultural alliance in the Three Gorges region, revealing its historical origin and evolution. This view of cultural convergence powerfully dispels some of the illusory myths about the origins of civilizations and gives a clearer understanding of ancient cultures.
The most intriguing part is the discussion about the mystical mask and the development of civilization. The author links the ancient Shu people to the study of modern human evolution, and tries to explain the origin of the bronze mask. The association of this mask with ancient sacrificial dances foreshadows the possible discovery of more mask-making materials in archaeological excavations, perhaps revealing types of masks earlier than the Bronze Age, which is important for understanding the creativity of ancient cultures.
The author's explanation of the overlap of the old and the new pits and the evolution of civilization is also quite convincing. It is important to emphasize that this is not a collision of two completely different cultures, but a process of gradual cultural change. Their argument reasonably points out that overlapping pits may indicate a cultural shift in the tribe rather than a cultural invasion or the development of a completely different culture. This provides a new perspective for explaining archaeological phenomena.
Finally, the author gives an expected prospect for the connection between the ancient Shu legend and the real archaeology. If words appear, these ancient legends may be supported by more historical evidence, which will provide more corrections to some erroneous understandings. The end of this article is very exciting, and I look forward to more truths in the CCTV live broadcast.
In short, this article not only has a deep understanding of history, but also integrates scientific reasoning, and explains the importance of Sanxingdui civilization in simple terms. For a wide range of readers, this is an inspiring and thought-provoking article, and it is worth looking forward to the new revelations brought by more archaeological discoveries.
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