Zhang Yixing's new status as a "staff member of the National Theatre of China" makes me feel very gratified. The transformation of social artists into screenwriters is not achieved overnight, and there must be a deep guiding force behind it.
Everyone is no stranger to Zhang Yixing's way of returning to China to make his debut, he was one of the high-profile "Four Returned Sons" at that time, and he was a figure with king-level charm in the idol circle.
However, ten years have passed, and except for a certain person who has been imprisoned, the development of the other three in the entertainment industry is not satisfactory.
Lu Han once set a Guinness record on a certain platform, with a salary of as high as 1 billion yuan, but now, except for occasional appearances in variety shows, he seems to have entered a semi-retired state.
Huang Zitao, who has also attracted much attention, can only rely on his own style even if he has capital as the backing, occasionally holding a concert with a weak box office, as well as film and television works with average reputation.
The performance of these two highlights that once they become top traffic stars, they will certainly have unlimited light, and fame and money can be easily obtained.
However, these are all subject to background limitations, and the high popularity and high income of traffic stars are not stable, and they need enough fan support.
However, these fans are attracted by unstable emotional values, so stability is not enough, which also leads to the risk that traffic stars may face aesthetic fatigue and market elimination at any time.
Relatively speaking, the capital behind social artists is full of utilitarianism, and their purpose is not to train artists to become kings and queens or actresses, they only need a tool that can make a lot of money quickly.
To survive in this market, you need to have your own strength as support. Compared with those social artists who lack a clear direction of development, Zhang Yixing is lucky.
He inadvertently joined a variety show group "Extreme Challenge" that is completely different from idol stars, in this group, Huang Bo, Sun Honglei and Huang Lei have enough resources and experience, and there is even a lack of capital.
Such resources undoubtedly have absolute guiding power for Zhang Yixing, who originally lacked a clear direction of development. The development direction of artists in recent years can be seen that he has begun to develop towards Chinese style and individuality in singing and dancing.
In recent years, several high-profile senior artists have emerged in the entertainment industry, who have shown excellent expressiveness and are gradually developing in the direction of powerful actors.
At the National Theatre of China, Zhang Yixing and Sun Honglei appeared together, showing a stable development trend.
Although Zhang Yixing was initially admitted to the hospital as a special contract worker rather than a staff member, after several years of investigation, he eventually succeeded in becoming a regular employee of the National Theatre.
This background not only adds more qualifications to his future script selection, but also makes him more confident in the face of market volatility. In today's fiercely competitive entertainment industry, such a choice can be said to be very wise.
Another artist with a similar experience is Wang Yibo. In the past few years, I didn't pay much attention to Wang Yibo and Xiao Zhan because their fans were very aggressive.
Even if you try to comment fairly, pointing out a little bit of their shortcomings can trigger a lot of negative reactions. But now, that has changed, as the two artists' transition has begun to bear fruit.
Wang Yibo received Wang Han's attention in the variety show "Everyday Upward", showing many unexpected sports skills, which laid the foundation for his transformation.
Although he is not good at hosting with few words, the team positions him as a "sports player", but it was this unexpected opportunity that allowed him to participate in "This is Hip-hop" and find a path for him as an extreme sports artist.
Whether it is hip-hop dancing and skateboarding in the circle, or motorcycle racing outside the circle, he perfectly interprets this image and has become a pioneer among similar artists. As long as he can play steadily, he will be invincible in the entertainment industry.
The "fan circle" culture is just the icing on the cake for him, and he has embarked on the road to success by his own efforts. In comparison, Xiao Zhan's acting career is not smooth.
The high popularity at the beginning brought restrictions to him, although he had talent, but the scripts and roles he got later failed to train his acting skills, and worse, he was also manipulated by the market and became a victim of the entertainment market.
Despite his strong fan base, there are doubts about whether he will be able to stay thriving for the next five years due to the lack of options and the slow pace of his transformation.
When it comes to acting traffic artists, we must mention Yi Yang Qianxi in the TFBOYS group, who is heading towards the big screen. Personally, I think that the big screen is more likely to produce classics and masterpieces than popular costume dramas.
The young artist has stepped out of the label of idol artist, and the market has given "Young You", "Bloody Choir" and "Life of Pi" high box office and enthusiastic praise, which indicates his success.
Similarly, Zhu Yilong is also striding forward on the road of the big screen male god. He first became a male god of film and television dramas with popular dramas, and now he is more focused on the big screen.
In just two years, his personal box office exceeded 5 billion, proving that he has successfully transformed into a highly anticipated big-screen actor.