Zhou Bingkun in "The World" is a typical honest pimple, but whenever someone encounters something, he will be enthusiastic to help, and it is the same regardless of whether he has that ability or not, but a bad person like Zhou Bingkun is actually the most unlikable among friends, not that Zhou Bingkun's person is not good, the main thing is that after he became a thousand-armed Guanyin, he had to help, but if his ability is not enough, he will naturally fall behind.
The National Day family is already so poor that they can't open the pot, Zhou Bingkun originally wanted to give him the old house to live temporarily, who would have thought that there was a problem with his new house, and he had to take the National Day away, but fortunately, Zhou Bingkun was still righteous, and he also found a job for the National Day, and even gave him money to rent a house, so he couldn't let his brother live on the streets. Otherwise, Wu Qian would have fallen out with Zhou Bingkun a long time ago, and maybe she wouldn't even move the house.
It's not good to catch up with the family, because he was deceived by someone about his investment and almost went to prison, how could Zhou Bingkun let this happen?simply found his brother, and his brother entrusted someone to solve this matter, and finally caught up to earn money as he wished, and all of this was due to Zhou Bingkun. But Zhou Bingkun helped so many people, but he refused to help Qiao Chunyan, even if Qiao Chunyan just asked him to find Zhou Bingyi.
Qiao Chunyan's work road is very bumpy, although her ability is good, but she is always brought to the ** house, seeing that her family has no place to live, Qiao Chunyan is stuffing money and stammering, but the leader does not appreciate it at all, in desperation, Qiao Chunyan can only beg Zhou Bingkun, hoping that he can help him through his brother's relationship, but his godbrother, who he has always trusted, did not understand his pain and refused, which made Qiao Chunyan very sad, and immediately quarreled with Zhou Bingkun.
Zhou Bingkun doesn't owe anyone love, it was a good thing to help, but because he helped this and didn't help that, he became an enemy in Chunyan's eyes, and it was also because of his godsister's aggressiveness that Zhou Bingkun was completely sober, it seems that he can't be a thousand-armed Guanyin in the future, it's easy!And there is only one principle for him to help, not the kind that is so poor that he has to sleep on the streets, or he was wronged and almost went to prison, Zhou Bingkun doesn't care!
Qiao Chunyan's life over the years should be the best among the brothers, after all, everyone is already a vice president-level figure, and there is no shortage of money to spend on weekdays, even if the house is taken away by the unit, Qiao Chunyan can also sell another house through her own efforts, and she can still rent a house to live in if she is not good!But she just wants Zhou Bingkun to pull her brother's relationship, which is obviously not treating herself as an outsider!
It is natural to ask people to do things, but should the poor be vampires?This is a typical moral kidnapping, Zhou Bingkun's refusal is right, but it is Chunyan's unreasonable trouble, committing the biggest taboo among the poor, speaking of her career is bumpy, but compared to catching up with the National Day, Chunyan's days are too nourishing, in this world, people are the most greedy animals, only thinking about making themselves better, completely ignoring whether others can help themselves.
"The World" is a long story created in the most traditional and simple way**, full of sincerity and a sense of mission. With his nearly 70 years of life accumulation, life experience and wisdom, the writer has fulfilled his wish to "write a work with a sense of age that reflects the life of urban commoners". I feel that the author wants to give an answer to himself as a writer and an intellectual, and also to give an answer to such a new era in which he lives.
The writer said that he has lived in the city since he was a child, and he has a better understanding of the life of the people at the bottom of the city, and he used his outstanding creative talent to fictionalize a real "world" for us: the life of the people at the bottom of the earth house in the Gongle District of City A for half a century. **With the low-level people Zhou Bingkun as the core and radiating to all strata of the city, their living conditions and life processes are written from multiple angles and levels. The writer said that "The World" used words to draw a group portrait of the hometown people he knew and knew. Among them are middle- and high-ranking cadres, university professors, public security officers, cultural curators, newspaper editors, businessmen, directors, and ordinary people, as well as many more on-the-job and laid-off workers......In the changes of the times, their fate has been ups and downs, and each of them has both a clear imprint of the times and a distinct personality.
Li Jingze, vice chairman of the Chinese Writers Association, said: "The World" effectively portrays the changes of the times, especially the characters in the changes of the times, and they repeatedly ask us: What can people be?What should a person be like?Those people, those spiritual images, can stand. Liang Xiaosheng believes that literature and art are to enrich our lives, but also to make people's hearts evolve towards goodness and beauty, and the creation of "The World" is to intuitively tell people about the development and changes of Chinese society in the past 50 years. Only by combing through that era can we understand the development of Chinese society. He wants young people to know what China was like in the past, how generations of Chinese lived, and how we got to where we are today, so as to help them in their lives. This is a writer's sense of mission, he is nearly 70 years old, it took three years, more than one million words in handwriting, using words to paint portraits of the people, and to create a biography for the times!
Literature and art should be people-centered, keep pace with the times, and lead the spiritual fashion with "Mingde". Only with the support of "Mingde" can we write and record the great practice of the people and the progress requirements of the times, highlight the beauty of faith, promote the Chinese spirit, and unite the strength of China. "The World" sets a model for the creation of contemporary literary works.
With the solidity of realism, "The World" finally wrote the life history of the low-level civilians in the city for more than 50 years, which is really admirable. To some extent, it can be said that "The World" has created a tradition of its own: a tradition of writing about the common people at the bottom of the city in the form of a monumental work. Such a heavy work has been rare before, and it will not be seen in the future. Liang Xiaosheng undoubtedly carved out a path with his stubborn enthusiasm. For him, it is to comfort himself, and for contemporary literature, it is to be outstanding and attract more comers.
In general, the TV series has been filmed very well, but there are still many deletions compared to the original work, and many details are described more thoroughly in the original book
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