Pictorial poems are poems inscribed by the painter himself or others in the blank space of Chinese painting. The scope of the inscription poems is wide, including people, landscapes, flowers and birds, natural scenes, social phenomena, etc. The content of the poem may sigh at the artistic conception of the picture, or express emotion, or talk about artistic insights, which can receive the effect of complementing poetry and painting.
The inscription poem sprouted in the Six Dynasties period, and reached its peak in the Ming and Qing dynasties after the gradual development of the Tang, Song and Yuan dynasties. Nowadays, the inscription poem has developed into a perfect poetic genre. Many poets wrote inscription poems with splashes of ink, which became an indispensable part of Chinese culture.
Half of his life has become a man, and the independent study is howling in the evening breeze.
The pearl at the bottom of the pen has nowhere to sell, and it is thrown into the wild vines.
——Ming Xu Wei, "Grape Picture."
Half a life has become an old man, standing alone in the study and listening to the howling evening breeze.
There are pearls in the pen, but there is no place to sell them, so they can only be idle in the panicked wild vines.
When Xu Wei stayed in the Jingzhong Temple, he was attracted by a "Ink Grape Picture" hanging in the abbot's room. The abbot knew that Xu Wei was a great talent, and implored Xu Wei to inscribe a poem. Xu Wei saw that the abbot was sincere and difficult to shirk, so he wrote this poem.
Xu Wei is full of literary talent, but no one appreciates it. This inscription poem expresses the feeling that he has not met his talents, his ambition has not been rewarded, and the desolation of being lonely.
Xu Wei, the character is long, the name Tianchi, also known as the Qingteng Taoist, the Ming Dynasty outstanding calligrapher, painter, writer. He is good at painting ink flowers, dripping with ink, ancient and elegant, and has a unique style. His famous works include the scroll of "Ink Grape Picture", the volume of "Landscape Figures, Flowers and Birds", the scroll of "Peony Banana Stone Picture", and the nine-paragraph volume of "Ink Flower" made in his later years.
Insist that the green mountains are not relaxed, and the roots are in the broken rocks.
Thousands of blows are still strong, and the wind blows from east to west, north and south.
- Qing Zheng Banqiao, "Bamboo and Stone
The bamboo has its roots deep into the green hills, and its roots are firmly rooted in the crevices of the rocks.
After countless tortures and blows, the body is still strong, and even if you blow the wind from east to west, north and south, you are still tenacious and upright, and survive tenaciously.
This poem has a profound meaning, using the technique of supporting things and aspirations, through the tenacious and persistent quality of bamboo, expressing his uprightness, integrity and unyielding, and showing his arrogance and arrogance that he will never bow to any evil forces.
Zheng Banqiao (1693-1765), known as Xie, was an official, calligrapher, painter, and writer of the Qing Dynasty, and one of the "Eight Eccentrics of Yangzhou". His poems, calligraphy and paintings are all independent, known as the "three uniques", and he is good at painting orchid, bamboo, stone, pine, chrysanthemum and other plants, among which he has been painting bamboo for more than 50 years, and his achievements are the most prominent.
My family washes the inkstone pond tree, and the flowers bloom with light ink marks.
Don't let people praise the color, only leave the air full of goodness.
- Yuan Wang Mian "Momei".
There is a plum tree growing next to my inkstone pond, and the plum blossoms that bloom seem to be dyed with a touch of ink.
It doesn't need to be complimented on how beautiful the color is, it just cares about the light fragrance that permeates the sky and the earth.
This inscription poem is a poem by Wang Mian about the plum blossoms he painted.
The whole poem is a poetic and picturesque fusion, which not only reflects the fresh and elegant style of plum blossoms, but also expresses the author's noble taste and indifferent to fame and fortune.
Wang Mian was a poet, writer, calligrapher, and painter in the Yuan Dynasty. The character Yuanzhang, the number boiled Shishan Nong, he has profound knowledge, can poetry, and the Qingtuan Momei. Painting plum with rouge as plum blossom bones, or dense branches, unique style, also good at writing bamboo and stone, author of "Bamboo Zhai Collection", "Momei Picture Inscription Poem" and so on.
Three or two peach blossoms outside the bamboo, the prophet of the plumbing duck in the spring river.
Artemisia is full of short reed buds, which is the time when the puffer fish wants to eat.
- Song Su Shi, "Hui Chong Spring River Evening Scene".
Outside the bamboo forest, two or three peach blossoms are in full bloom, and ducks are playing in the water, and they are the first to notice the warmth of the river in early spring.
The river beach is already overgrown with artemisia, the reeds are sprouting short shoots, and the puffer fish is about to swim back into the river from the sea.
This is an inscription poem written by Su Shi for his friend Hui Chong's "Spring River Dawn Scene".
Hui Chong was a famous painter and monk in the Song Dynasty, he was good at poetry and painting, and "Evening View of the Spring River" is his famous work. According to the painting, Su Shi sketched a vibrant early spring scene with a few brushstrokes, and the whole poem was filled with a strong and fresh breath of life. Now Hui Chong's painting has been lost, but this inscription poem has been passed down through the ages and is popular.
The wild water is uneven, and the sparse forest pours out frost roots.
Where does the boat go?The home is in Huangye Village, Jiangnan.
- Song Su Shi, "Two Autumn Scenes Painted by Li Shinan".
The twisting banks of the water show traces of the riverbed left by the old days when the water rose and flooded, and the sparse trees have fallen to the ground, revealing the roots as white as frost.
A flat boat is paddling fast, and it is about to float awayIt should be back to Huangye Village in Jiangnan.
Around 1088 AD, Su Shi and Xuandelang Li Shinan were in Bianjing. Li Shinan is good at painting, making "Autumn Scenery Pingyuan", and the poet has inscribed two poems and seven unique poems for his painting, which is the first of them.
The poem begins with the water and the trees near it, presenting the reader with a clear and distant landscape. Then push the gaze to the distance, blend the scenery into the feelings, create a distant realm, and give people a beautiful enjoyment after reading.
The clear water and Danshan reflect the cane quinoa, and the sunset is still in the west of the small bridge.
The slight groaning of the frightened brook bird flew into the depths of the chaotic clouds and cried.
- Ming Shen Zhou, "Inscription".
The old man walked on crutches among the green mountains and green waters, and the sunset slowly set, hanging diagonally on the west side of the small bridge.
The old man whispered softly, and inadvertently startled the brook birds, which flew into the depths of the chaotic clouds with their cries.
This inscription poem depicts a view of the stream at sunset. Through the static depiction of green mountains, green water, sunsets, small bridges, etc., a beautiful and quiet atmosphere is created, and then the birds of the stream are frightened, chirping and the old man whispering, bringing the still and silent painting to life.
Shen Zhou, whose name is Qinan, is known as Shitian and Baishi Weng, and is an outstanding calligrapher, painter and writer in the Ming Dynasty. Shen Zhou was the founder of the "Wu School" of literati painting in the middle of the Ming Dynasty, and was known as the "Four Ming Schools" along with Wen Zhengming, Tang Yin, and Qiu Ying. Since the Yuan and Ming dynasties, it has played a role in the field of literati painting, and his works include "Lushan High Picture", "Qiulin Old Picture", and "Cangzhou Interesting Picture".
A lily and a flat boat, a silk fiber and an inch hook.
A song and a bottle of wine, a person fishing alone in the autumn.
——Qing Wang Shizhen, "Title Autumn River Solo Fishing Map".
Wearing a hat and a robe, he sits on a small boat, with a fishing line and an inch-long fishing hook
Sing a fishing song and drink a bottle of wine, fishing alone on the river in this autumn.
This is Wang Shizhen's early years at the invitation of a friend, for the "Autumn River Solo Fishing Map" for the title of the seven uniques.
The whole poem describes the situation of a fisherman fishing on the river: a coat, a hat, a boat, a fishing rod, the angler sings and drinks at the same time, the fishing scene is vividly portrayed, but the leisurely picture inevitably reveals a little gloomy and loneliness.
Wang Shizhen, the word is true, the word is on the word, the number is Ruan Ting, and the number is Yuyang Shanren, known as Wang Yuyang, and the text is simple. He was an outstanding poet, scholar, and writer in the early Qing Dynasty. Erudite and ancient, poetry is a generation of masters. Good at all bodies, especially the seven uniques.
The waves are intentionally snowing, and the peach blossoms are silent for a team of spring.
A pot of wine, a pole body, happy as a nong, there are a few people.
——Five Generations Li Yu "The Fisherman, the Waves Intentionally Thousands of Snows".
The waves on the river are rolling like snow, and the rows of peach blossoms on the shore are silent, but they are in full bloom, and the spring is strong. With a pot of wine by his side and a fishing rod in his hand, how many free and happy people are there in the world?
This poem was inscribed by Li Yu for the famous painter Wei Xian in the Southern Tang Dynasty.
The whole word is lyrical with scenery, the spring river surges, the peach blossoms are in full bloom, a pot of wine, a fishing rod, the environment is fresh and quiet, the language is beautiful and simple, and the poetry and painting are integrated.
Li Yu, the word is heavy, the name is Zhong Yin, Lianfeng layman, known as the Southern Tang Dynasty Queen, Li Queen. Li Yujing calligraphy, painting, Tongyin rhythm, poetry and writing have certain attainments, especially the highest achievements in words. Li Yu's words, the language is bright, the image is vivid, the sentiment is sincere, the style is distinct, and his lyrics after his death are even more broad, the meaning is profound, in the late Tang Dynasty five pronouns are unique, and have a far-reaching impact on the later generations of words.
A different kind of quiet fragrance, and there is no place to urge the opening.
Ling Bo wants to go, and lives for the east wind.
Texa Xiao sparse, fighting for Naiqiu as promised.
Also left, half a wisp of cold incense, the first Xiangjiang rain.
- Qing Nalan Xingde, "Dotting the Lips and Yongfeng Lan".
The orchid exudes an unusual fragrance, which is elegant and tranquil without a hint of glitz. Its swaying posture in the east wind is like a Limbo fairy, soft and elegant.
Its leaves are so sparse, how can it withstand the cold autumn?So I left the half of the fragrance into the painting, and this Zhang Jianyang's wind orchid can be called the first in the painting.
In 1860, Nalan Xingde wrote this inscription for his friend Zhang Chunxiu's "Fenglan Tu". The whole word describes the different style of Fenglan, and entrusts Nalan with the expectations of friends, which is a masterpiece of lyricism through things.
Nalan Xingde, the word Rongruo, the number of Lengjiashan, the early years of the Qing Dynasty, the original name of Nalan Chengde, once changed his name to Nalan Xingde because of the avoidance of the prince Baocheng. Nalan Xingde has read poetry and books since childhood, both literary and military, and his style of words is "clear and graceful, sad and stubborn, high and far-reaching, and unique", and he is the author of "Nalan Ci" and "Tongzhitang Collection".
Draw a water on the 10th, and draw a stone on the 5th.
can do things without being forced to do things, and Wang Zai is willing to leave true traces.
The magnificent Kunlun square pot is hung on the plain wall of the high hall.
Baling Dongting in the east of Japan, the red shore water and the Milky Way pass, there are clouds with the flying dragon.
The boatman and the fisherman enter Puli, and the mountains and trees are full of sub-flood winds.
You Gong is far away from Gumobi, and it should be thousands of miles away.
Yande and state fast scissors, cut Wusong half of the river water.
- Tang Du Fu, "Drama Title: Wang Zai's Painting of Landscapes and Songs".
Draw a river in ten days and a stone in five days. He did not want to be urged by time, so he did it rashly, and after a long period of brewing, he calmly left the authentic works in the world.
The Kunlun square pot picture hanging on the white wall of the high hall, the mountains and peaks, towering and towering, are magnificent.
The river in this picture is like a silver ribbon flowing from the western part of Lake Dongting to the sea in eastern Japan, and the water on the shore is very vast, as if the sky and water are connected, and it is connected to the Milky Way. The picture is full of clouds and mist, erratic, and the clouds are flying.
In the midst of the stormy currents, the fishermen were struggling to steer their boats towards the shore, and the trees on the mountain were tilted by the strong winds.
Wang Zai's paintings are the best in the world in terms of composition and layout. He can paint the scene of thousands of miles of rivers and mountains on a one-foot square picture, as if he used the scissors of Bingzhou to cut half of the river water of the Wusong River!
During his stay in Chengdu, Du Fu met Wang Zai, a famous landscape painter in Sichuan, and was invited by Wang Zai to compose this inscription poem in the first year of the Shangyuan Dynasty (760). The poem begins by praising Wang Zai's serious and meticulous creative attitude. In the middle, the majestic mountains on the picture are depicted, the magnificent water potential, the clouds are steaming, the picture is vast and vast, the waves are magnificent, and it is hearty. Finally, Wang Zai's painting skills were evaluated.
The whole poem is vivid and lively, swaying freely, and the combination of poetry and painting is seamless, reproducing this magnificent landscape picture for future generations, poetic and picturesque, integrated into one, and has always been praised by people.
The nine poems of the Northern Song Dynasty are fresh and distant, subtle and profound, and the scene is better written.
The winter in Yuanqu is appreciated by both elegance and vulgarity, which is unique and romantic, and encounters a beautiful winter together.