The 5th Intangible Cultural Heritage Crosstalk Conference has a total of four performances in three days, with a total of 28 programs of stand-up comedy, stand-up comedy and group comedy, and the performance venue is at the Shenzhen Grand Theater, which is broadcast live online for free at the same time, which is a well-known thing.
In fact, this is not all the content of the 5th Intangible Cultural Heritage Crosstalk Conference, just two afternoons before the first show on the 23rd and the second show on the 24th, there were two wonderful performances that were "hidden", and many viewers did not know.
1. Brief review of the second session.
The second day of the 5th Intangible Cultural Heritage Crosstalk Conference is the fifteenth day of the first lunar month, and the offline performance catches up with the Lantern Festival, and the start time of the online live broadcast is the same as the start time of the CCTV Lantern Festival Gala is eight o'clock, which means that both online and offline must rely on their strength to face the front, and the actors on the stage have also done their best for this.
Funny and funny "N Years Later" focuses on inspiration, Fu Qiang Wanyu's "Getting Better and Better" focuses on the contrast between the old and the new, Miao Fu Wang Sheng's "Commenting on Guan Yu" is a classic series of distorted interpretations that the two of them are very good at, and Fang Qingping's stand-up comedy "I want to lie flat" is a masterpiece close to the audience's life.
The best effect on the scene should be twin brother Guo Yang Guo Liang's "You Just Listen to Me", Guo Yang is suffering from a severe cold, and the haggard appearance that has just come on the stage makes people worry that he may be relatively silent, and the whole cross talk may become Guo Liang's heavy head.
Unexpectedly, in the live makeup cross talk performance, Guo Yang and Guo Liang turned the Infernal Affairs section into aerobic exercise, and the two of them rushed all over the field to throw their burdens, winning the highest decibel laughter of the night.
Liu Ying Haonan's "Fashion Commentary" made people a little confused, Liu Ying loudly denounced the chaos in the entertainment industry and the cross talk circle, and felt that the style of painting was a little wrong, but I didn't expect the half-truth and half-truth denunciation in front of it to be foreshadowing, followed by the burden of cross talk, which made people have to praise "good means".
The style of "Fashion Commentary" is similar to the two of them at the first intangible cultural heritage cross talk conference's "Nunchuck", combining popular elements with traditional classics, looking for a burden between the collision of the old and the new, don't look at this is a common theme in the cross talk world, the key is how you make it, Liu Yinghaonan's applause says it all.
After the program list of the intangible cultural heritage cross talk conference was released on the Internet, some netizens complained about how Li Jindou said "Shandong Second Spring", in fact, if you listen to the whole cross talk, you will find that Li Jindou Shi Fukuan's "Shandong Second Spring" is not so simple, it is actually a concentrated display of various abilities of learning and singing, and the two of them add up to the 150-year-old Li Jindou Shi Fukuan and win the full house.
It was also when Li Jindou Shi Fukuan was saving up for the bottom performance, and the number of people in the live broadcast room at the same time soared from more than 10,000 to 30,000, and the wonderful performance of the old artist was still quite appealing.
After the second performance of the 5th Intangible Cultural Heritage Crosstalk Conference, the data showed that the live broadcast had a total of 1.4 million viewers**, which is quite amazing considering that there are many Lantern Festival parties that are strongly diverted at the same time.
2. Two performances that were "hidden" in the snow.
For the vast majority of audiences across the country, the 5th Intangible Cultural Heritage Crosstalk Conference is indeed a total of four performances from 23 to 25, and in fact, there are two performances that are not known to the national audience, which is the condolence performance of Hangcheng Street, Bao'an District, Shenzhen on the afternoon of February 23 and the condolence performance of Meilin Street, Futian District, Shenzhen on the afternoon of February 24.
In this way, in the three days from the 23rd to the 25th, the actors who participated in the intangible cultural heritage cross talk conference had a total of six performances, one in the afternoon and one in the evening, and the time was very tight.
Don't look at it as a condolence performance, the lineup of these two performances is not inferior to the intangible cultural heritage cross talk conference in the evening, it is simply the same group of actors.
On the 23rd, the performance lineup of Hangcheng Street, Bao'an District was Dou Chenguang, Chang Pengxu, Dong Jianchun, Li Ding, Jin Fei, Chen Xi, Wang Tong, Cao Suifeng, Dai Zhicheng, Zheng Jian.
On the 24th, the lineup of the condolence performance in Meilin Street, Futian District was Fu Qiang, Wanyu, Wang Tong, Guo Wei, Jia Xuming, Zheng Jian, Fang Qingping, Li Jindou, and Shi Fukuan.
Among them, actors such as Dai Zhicheng, Fang Qingping, Fu Qiang, Wan Yu, Li Jindou, Shi Fukuan and other actors are all rotating in a row, ending the condolence performance at five o'clock in the afternoon, and must rush to the Shenzhen Grand Theater, where the intangible cultural heritage cross talk conference was held, at seven o'clock in the evening, running back and forth while ensuring the quality of the performance, the requirements for body and ability are very high, especially for old artists like Li Jindou and Shi Fukuan.
The reason why the word "snow hidden" in the title of the article is in quotation marks, on the one hand, is because these two high-quality condolence performances have not been arranged for live broadcast, and the vast majority of viewers across the country cannot see them, which is equivalent to being "hidden in the snow" compared to the free live broadcast of the intangible cultural heritage cross talk conference.
On the other hand, it is aimed at some netizens who don't know the situation, they can't see these performances, and some people hold a one-sided view and evaluate the intangible cultural heritage cross talk conference with filtered eyes, and these performances are equivalent to being "hidden" by them.
3. The significance of intangible cultural heritage.
The China Broadcasting Art Troupe is a national intangible cultural heritage cross talk protection unit recognized by the Ministry of Culture and Tourism of the People's Republic of China, and they are one of the organizers of the Intangible Cultural Heritage Cross Talk Conference.
Many people don't know the nature of the China Broadcasting Art Troupe, on the one hand, they want to engage in commercial performances to generate income, and the number of commercial tours is quite large every year, for example, on the eve of the 5th Intangible Cultural Heritage Crosstalk Conference, they held a commercial performance at the Pingshan Grand Theater in Shenzhen.
On the other hand, the China Broadcasting Art Troupe also has to undertake the important task of cultural inheritance and exchange, and every year there are large-scale art season performance projects and foreign cultural exchange tasks that cover a very comprehensive range, such as the China Broadcasting Art Troupe has various performances abroad and at home during the same time period as the Intangible Cultural Heritage Crosstalk Conference.
The two condolence performances held during the 5th Intangible Cultural Heritage Crosstalk Conference are one of their daily performance tasks, and art must not only develop to the temple in style and level, but also sink to the side of the people.
In the condolence performance on the streets of Hangcheng, there are many elderly people in wheelchairs, who may not have the opportunity to see the performances of national-level groups, and may not have the ability to watch the best commercial performances, but they can now sit there and enjoy the cross talk brought by Jin Fei Chen Xi, who has just appeared on the Spring Festival Gala.
In the condolence performance on Meilin Street, there was a row of seats specially reserved for the hard-working sanitation workers, who were surrounded by the crowd, happily listening to the cross talk, and laughing as extras in Jia Xuming Zheng Jian's cross talk, singing happily with the prime minister.
There is no sweat and no dust at this moment, and this is the respect they deserve.
When Wang Tong and Guo Wei said cross talk on stage, they may not have noticed that there was a delivery lady next to the stage, she parked her beloved electric car next to the stage, sat in the car while eating and listening to cross talk, enjoying rare leisure and relaxation, and could have laughter without buying a ticket.
When Fang Qingping, who is accustomed to various big stages and well-known variety shows, performed on stage, a group of small audiences sat in a corner of the stage, Fang Qingping teased that he was too old in stand-up comedy, but he didn't expect a group of small flowers to "perform" on the same stage with him.
The elderly, children, delivery workers, sanitation workers. Through their smiling faces and laughter, we can generally understand the significance of intangible cultural heritage.
You can engage in commercial performances to generate income, you can also open live broadcasts to benefit the people, art can go to the palace, works can go down to the grassroots level, strive for excellence in art, and mingle with the masses in style, this should be the value of the vast number of literary and artistic groups including the China Broadcasting Art Troupe, the China Railway Art Troupe, and the China Coal Mine Art Troupe.