A Thousand Voices · The Last Sound of the Stone Drum
A series of exhibitions on the study of the literature of the Zhai Zhai
Curator
Plain white. Artist
Xie Xiaoquan. Exhibition Hours:
January 28, 2024 to March 10, 2024
The museum is closed every Monday, and the exhibition is scheduled 24 hours in advance
Exhibition Venue:
Langhe space. No. 21, Wanquanzhuang Road, Haidian District, Beijing.
Co-organizers
Junchen Investment, Wendai Tianqing Film and Television, Intelligent Creation Space Design.
Vida e&M (International).
A Thousand Voices of Gold and Stone, The Last Sound of Stone Drums" - a series of exhibitions on the study of Jinshi literature was quietly launched at the beginning of the new year in Beijing Langhe Space. The exhibition has been widely praised by the guests and scholars who have come to visit the exhibition one after another. As the beginning of a series of exhibitions, this exhibition presents more than 20 works of Mr. Xie Xiaoquan's recent research on stone drum rubbing, literature and calligraphy. Among them, 11 pieces of precious early Qing Dynasty stone drum rubbings are private collections, these works are not only old, orderly inheritance, well-preserved, but also Mr. Xie Xiaoquan with his many years engaged in the collection of ancient cultural relics, research of the profound skills, after many research and unique opinions, with ink and cinnabar inscription on the rubbing, so that this complete set of stone drum rubbing, in the dating scientific research, academic argumentation and other aspects of the extremely high artistic value and cultural relics research significance.
Former director of the National Museum of China, the sixth director of the Chinese Calligraphers Association, architect and calligrapher Lu Zhangshen.
Yu Muming, Chairman of the 1st to 8th New Party of Taiwan and Honorary Chairman of the New Party.
Lu Changhua, deputy director of the Hong Kong, Macao, Taiwan and Overseas Chinese Committee of the National Committee of the Chinese People's Political Consultative Conference.
Chen Lusheng, former deputy director of the National Museum of China, artist, art critic and art historian.
Lu Xiaobo, former dean of the Academy of Arts and Design, Tsinghua University, doctoral supervisor, and senior professor of liberal arts at Tsinghua University.
*Zhang Zikang, former director and professor of the Art Museum of the Academy of Fine Arts, doctoral supervisor, editor-in-chief of Art Museum magazine, and director of the China Artists Association
*Wang Ping, Chairman of the Board of Directors of the TV Calligraphy and Painting Digital Channel.
Tang Hui, deputy general manager of Rong Bao Zhai, president of Rong Bao Zhai Painting Institute, vice president of the Chinese Painting Society, director of the Chinese Artists Association, and member of the Chinese Painting Art Committee.
Zhou Yan, dean, professor and doctoral supervisor of the Department of Plastic Arts, School of Design and Art, Beijing Institute of Technology.
Liu Bochen, director of Beijing Culture and Entertainment Law Society, well-known young producer and director.
As well as Zhang Yuqing, Ju Shuwen, Zhang Jie, Hu Guo, Chen Du, Ye Xin, Xie Qihong, Hao Jianmin, Jing Lan, Xie Zitong and other guests attended the Yaji and watched the exhibition in turn.
Curator Wen Bai said that in recent years, rubbing, as an ancient and unique art form, has attracted extensive attention from many scholars, experts and art circles with its unique charm and profound cultural connotation. Mr. Xie Xiaoquan's series of exhibitions on the study of gold and stone documents begins with the stone drum text, aiming to take academic research, exploration and discovery as the main purpose, and use folk collections as the carrier to dig deeper into the cultural value and artistic aesthetics of gold and stone cultural relics, show the research tradition of gold and stone studies to the public, and promote the contemporary inheritance and development of gold and stone studies.
The exhibition will run until March 10.
Preface
The series of research on the literature of the Yang Zhai Literature takes the stone drums, bronzes, steles, epitaphs, inscriptions, statues, bricks and tiles, coins, etc. of private gold and stone documents as the objects, trying to verify the authenticity, discover the value, and proofread the version, supplemented by the joy of writing, and the joy of real life. The exhibition will be presented in four sections.
(Wen Xie Xiaoquan, the winter moon of the year is known in the fasting).
Research paper on the stone drum text
One of the research papers on the stone drum text: the loss of the stone drum text. In the sixth year of Jiayou, Su Shi awarded Dali Commentary, and on December 14 of that year, he went to Fengxiang Mansion to sign the judgment, tried to hook and copy the stone drum text, made a stone drum song, and the poem said: The old news stone drum is now seen, and the text is Yu Lu Jiao Snake walks. Ming Li Rihua Liuyan Zhai Notes Volume 2 said: Dongpo first hook stone drum text, the seal is particularly complete, the sound interpretation is complete, far better than Pan Di, Xue Gong, Zheng Qiao. Dongpo has 702 words in the book, there is no real evidence, and it is suspected that it is based on the Tang Tuoben hook copy. Song Hu Shi will be the ancient inscription: the collection of the ancestors before the collection of the ancients, only nine characters. The book that Hu saw had 474 characters, nine more characters than Ouyang's revised book. Song Ouyang Xiuji Ancient Records: There are 465 people who can see the text, and more than half of the unknowable people are wiped out. Song Xue Gong of the past dynasties Zhong Ding style recognition of the law can be seen in four hundred and five pick up one word. Tianyi Pavilion Fan's Northern Song Dynasty has 462 words, it is a pity that Xianfeng was destroyed in Bingxie for ten years, and Fan's book has no print, only the copy can be seen to peek at its outline. The sound training of the stone drum of Yuan Pandi can be seen in 386 characters. The so-called Tang book of the Ming Yang Shensheng Nunnery can be seen in the 702 characters of the Tang Dynasty, and the truth is that he can see the Dongpo book from his mentor Li Wenzheng, and he made up and supplemented the fragments and wrote a book for the Yinyi of the Stone Drum Text. Anguo Ten Drum Zhai Pioneer Ben 501 words, Zhongquan, stamina each 408 cross, the impact is huge, its version of the forgery has been ironclad evidence, no matter what. 癸卯, the record of fasting.
The second research paper on the stone drum text: the stone drum text is based on the characters. At the beginning of the Ming Dynasty, the first line of the second drum was not damaged. In the Ming Dynasty, the second drum and five elements of the yellow silk are not damaged. At the beginning of the Qing Dynasty, the second drum and four lines of the word Di Xian were not damaged. Qianlong rubbing, the first drum and the first line of the right side of the horse are not connected with the stone flower. Xianfeng treats the root of the same thing, the last line of the fourth drum can not be distinguished, and the large stone flower on the right side is not connected. Guangxu Ben, the lower right wooden character in the tenth drum is not damaged. The first three books can be called rare books, and the king of the Forbidden City has even started to speak. 癸卯, the record of fasting.
The third research paper on the stone drum text of the Zhai: The art garden really appreciates the falsification of the Qin father and son. Recently, I have purchased the ** art garden true appreciation master Qin Wenjin, Qin Qing Zeng father and son published and printed the Han Dynasty Hou Boy stele base, the fine school found that the so-called rubbing, more cut and paste, patch hook copy coloring, by the Koluo printing, spread very widely, the impact is huge, the real mistake is not shallow, its counterfeiting is nothing more than the Song Tuo pioneer of the great stone drum text, the right of the book, the stamina. These three ** periods were born and later sold to Japan. If Kwok saw these three books in Japan, and in 1939 his research on stone drum texts came out, he had doubts about these three books. 癸卯, the record of fasting.
The fourth research paper on the stone drum text: the forgery of the stone drum text. The re-carving of the stone drum rubbing, because the stone is damaged, so it is not easy to pass off as the original stone, and the forgers have repeatedly made up for the lack of words in the brick carving, and the words such as yellow silk, Liu Zheng, and Di Xian are more common. 癸卯, the record of fasting.
(Wen Xie Xiaoquan).
Highlights of the exhibition
Exhibition view
Langhe space.
About the artist
Xie Xiaoquan. He is the deputy director of the Institute of Calligraphy and Seal Carving of the China National Academy of Painting. Outstanding expert of the Ministry of Culture and Tourism, member of the senior title review committee of the Ministry of Culture and Tourism. A native of Tongnan, Chongqing, he graduated from ** Academy of Fine Arts and Chinese Academy of Arts, and obtained a doctorate degree in fine arts. He has been engaged in the collection, preservation, publication, exhibition and research of ancient cultural relics in the Chinese History Museum, the China Cultural Relics Information Consultation Center and the National Museum of China for a long time. He used to be a research librarian, deputy director and deputy director of the Academic Committee of the National Museum of China.