The problem of shaping the weasel and the belt soil is essentially different. We can take a look at the outline of these two characters: Itachi: A person of his own clan has reversed from being considered a murderer who has lost his conscience to a big hero. The essence of the setting is the big hero. Obito: A sunny boy who blackens after a tragic experience and then repents. The essential setting is the villain. Did you notice a difference? The Itachi's own outline is problematic: how can a guy who slaughters his entire clan, men, women, and children, be a hero with great love, compassion, and kindness? How can he be a "perfect person", how can a person who has committed such an unconscionable act be praised by everyone? Is such a reversal justified in itself?
This is equivalent to setting Qin Hui as a patriot who worries about the country and the people and endures humiliation, he has no choice but to kill Yue Fei, and he has borne the infamy of the ages for the sake of thousands of people. Outrageous? It's so outrageous, but Anben dares to write like this, no matter how ridiculous Zhang Yimou is, he doesn't dare to really whitewash Qin Hui in "Man Jianghong". Of course, this is also because Qin Hui is a real historical figure, if Zhang Yimou is asked to write a script to depict a virtual character, he is afraid that he can also write a "Qin Huizhi" who worries about the country and the people and endures humiliation.
This is also why no matter how Kishimoto washes the ferret, all kinds of means are used, almost in order to wash the ferret, the entire Hokage is used to wipe the ass of the ferret, and there are still a lot of readers and viewers who don't pay for it: your outline is problematic, no matter how much you whitewash the readers and viewers who have a little brain, they can see that something is wrong, they will feel outrageous and bullshit, shit is shit, and then you make it look like chocolate, and then tell others how delicious it is, he is all shit, and he can't change in essence. And because you forcibly want this to become chocolate, you have to make a bunch of chocolate stick to the smell of, and the whole work must also be filled with the smell of. No, the soil is also stuck to the smell of.
In fact, there is no problem with the outline setting of Obito itself, and it can even be said to be quite templated: it is the routine of almost all blackening stream villains. And this routine will not directly make people bored with this set because they are used too much, on the contrary, the reader audience is still quite addicted to this set, as long as the reader's pen power can not be too crazy, the villain characters who come out of this template will have good popularity and reviews. is like the addition of the three elements of beauty, strength and misery, which character will not be bad in popularity, and even if the author has a high level and portrays a little more profoundly, such a villain can go directly to the sky. And Kishimoto was just crazy and pumped, and he gave Huo Huo a miserable blow.
This is what is often said "the formula is right, the generations are wrong", it is clear that as long as Kishimoto is a little more normal, Obito can become a rather attractive character, and it is a normal, charismatic character, instead of becoming the mask man with a confusing mental state. But I have to say that the amount of blood with soil is still quite thick, and it is so popular that Kishimoto is so popular. First: Obito's character design itself has its own charm, and the audience eats this set, which means that Obito is essentially chocolate, but it is hard and is made into a by Kishimoto. As for the second come: Even if Kishimoto goes crazy again, he doesn't dare to really write Obito as a pure low force, after all, Obito can be regarded as the final big boss-level character.
And the charm of a final boss largely determines the charm of a work.,If Obito is a low force as the final boss.,Then what is the protagonist group who works with Obito to the end ( Are you ninja world being played with such a "Kenji" in applause?) So what are you? This has also led to a very magical phenomenon: although the character of Obito, although he often looks like a dead female ticket and is born crazy, many people also think so, but if you take a closer look, his experience choices do have a very profound part, sometimes.
You can clearly sense that Obito is not a neurotic who only shouts "Rin", but he immediately uses a very crazy behavior to make you feel like he is just a simple madman. Kishimoto didn't dare to make Obito a simple psychopath, but at the same time, he didn't dare to make Obito a deeply charismatic villain. First, Kishimoto probably doesn't really like the role of Obito, I really think Obito is miserable, and I met such a father as Kishimoto. Second, in order to defeat a charismatic villain (Obito), it is necessary to create a more charismatic decent (Naruto), and it is much more difficult to create a decent person itself than to create a villain.
Look at Nagato and Madara, both of them are charismatic villains, and everyone knows how bad Kishimoto's handling of them is: Nagato was recognized by Kishimoto by the head of Naruto, and was forcibly admitted defeat by a mouth that was nothing** (even this loss itself was very controversial, many people felt that Nagato was not without a chance of winning at that time), and he also took his life to pave the way for Naruto. Not to mention Madara, Kishimoto didn't know how to get Naruto to defeat Madara in the end (not by force, but from a conceptual, decent standpoint).
Directly from the sky Kazuya collected Madara.,It's because Madara is a real big boss.,Kishimoto must make Madara full of charm.,Otherwise, I feel like Kishimoto can really let Madara go on the long door.,The old road with soil.。 This is the problem of the creation of the two characters of Itachi and Obito. If you ask me which character is worse, I can't say, but I hate Itachi and still have a bit of a liking for Obito (largely because he was so badly beaten by Kishimoto).