InChaoshanThe region has a custom of a deity full of violence and wildnessChenghaiThe salt stove drags the god activity, and it is the twentieth day of the first lunar month every year.
On the first and twenty-second days, it was staged in Shangshe Village. This event brings together the "Big Master", "Second Master", "Third Master", "Holy Master" andMazuThe five gods, as well as the two major camp methods of "Wenying" and "Wuying", among which the drag god link in the "Wuying" is particularly exciting. The strong men of the participants smeared soybean oil on their bare crotches and rushed to carry the statue of the god in a parade, the scene was frenzied and intense, as if it was a real wild carnival. This scene makes people feel an instant sense of intensityMasculine, as if you are in an ancient and mysterious world.
ChenghaiThe custom of dragging the gods of the salt stove originatedChaoshanregion, known asChaoshanOne of the region's most famous and wild deity customs. Drag the gods is often fixed on the twentieth day of the first lunar month every year.
On the first and twenty-second days, it was held in Shangshe Village, attracting many villagers and tourists to come to watch. Over the years, this custom has become a unique feature of the regionCultureSymbols, embodiedChaoshan peopleDevotional worship of the gods and fanatical pursuit of life.
ChenghaiThe custom of dragging the gods of the salt stove is rich and colorful, and the participants include the "big lord", "second lord", "third lord", "holy lord" andMazuand other five gods, forming a unique system of gods. In the activity of dragging the gods, Wenying is responsible for inviting the statues out of the temple and parading around the village to be worshiped by the villagers; The martial arts stage, on the other hand, is more intense and embodies the masculineMasculine。This deity ritual embodies the enthusiasm and devotion of the local villagersChaoshan peopleUniqueCultureSpirit.
1. The origin of the custom of dragging the gods in the salt stove:ChaoshanThe region has had worship and belief in the gods since ancient times, and the custom of towing the gods in the salt stove evolved on the basis of this tradition. Through the procession and worship of the deities, the villagers express their reverence for the deities, while also passing them onChaoshanThe region is uniqueCultureTradition.
2. The background of the custom of dragging the gods of the salt stove: asChaoshanOne of the region's most iconic deities, the Salt Stove Drag Ritual attracts tourists and curious villagers alike. This event combines the worship of the gods with a parade performanceChaoshan peopleThe people's devout belief in the gods and their love of life.
The "Wen Ying" and "Wu Ying" in the custom of the salt stove drag the gods are two important camp methods, which respectively show the customs and performances at different stages. In the "cultural camp" stage, the strong men invited the statues of the gods from the temple and marched around the village to accept the worship of the villagers, demonstrating their respect and etiquette for the gods; The "Martial Camp" is more challenging and intense, reflecting a wild and carnival atmosphere.
1. Cultural camp: In the "cultural camp" stage, the strong men invite the statues from the temple one by one according to the designated route from the afternoon to the evening of the twenty-first day of the first lunar month, and parade around the village for a week to accept the worship of the villagers. This link showsChaoshanThe traditional beliefs and ceremonial norms of the deities of the region reflect respect and devotion to the deities.
Expanding: In the literary camp, the statue of the god is dressed in brocade, one step at a time, as if the true god descends to earth, the villagers kneel down sincerely, the cigarette smoke is around, the bells and drums are noisy, and the atmosphere is solemn and solemn. Every procession around the village is a worship and following of the gods, and it is inheritedChaoshanAncientCultureTradition awakens people's deep awe and belief in the gods.
2. Martial Camp: The "Martial Camp" is more intense and challenging, especially in the activity of dragging the gods, which officially starts at 3 o'clock in the afternoon of the twenty-second day. The participants are strong and powerful, with their bare crotch coated with soybean oil, and once they grab the idol, they have to drag it down, and the scene is like a sceneBeastsThe battle is full of elements of violence and challenge.
Expanding: The scene of dragging the gods in the martial arts camp is varied, and the scene of the strong men snatching the portable shrine is comparable to the fierce battle in the fighting arena. The strong men who protect the gods are slippery and difficult to grasp because of the soybean oil, while the people who want to pull the gods show their abilities and do their best to indulge in their indulgences. They attacked the pool, and their bodies almost collided, as ifBeastsFighting, this frenetic and wild activity of dragging the gods, makes people feel like they are in the tribal sacrifice of primitive times.
The custom of salt stove dragging the gods has a deep meaningFolkloreCultureThe heritage and long historical inheritance not only demonstrate the local people's pious belief in the gods, but also carry the fanatical pursuit of life. This custom shows the local people through the procession of the gods and the activities of dragging the godsCultureThe unique charm of the spirit has been passed down to the present day and has become the spiritual sustenance and joy of life for the local people.
1. The significance of the custom of the god of the salt stove: The custom of the god of the salt stove is not only the worship of the gods, but also a kind of dance between man and the gods, and the integration of the gods and humans is realized in the wild and carnival. This event showcases local traditionsCultureThe unique charm that inspires people's love of life and reverence for the gods is uniqueCultureValue and significance.
Expansion: The custom of the salt stove to drag the gods asChaoshanOne of the most representative deity customs of the region, it is not only a traditionCultureThe performance is people's reverence and gratitude for life and mysterious power. Through the carnival and fighting of the gods, the villagers showed their love for life and respect for life, giving new life and vitality to this ancient deity custom.
2. The continuation of the custom of the salt stove to drag the gods: After years of baptism and inheritance, the customs of the salt stove to drag the gods have continued to this day and have become the love and inheritance of the local peopleCultureHeritage. This custom is both a sign of reverence for the gods and a sign of reverenceChaoshanregionCultureThe inheritance and promotion of tradition allows people to feel the blessings of the gods in the carnivalThe meaning of life
Expansion: The custom of the salt stove to drag the gods asChaoshanRegion-specificCultureThe symbol, passed down to the present day, shows the love of life and the devout belief of the local people in the gods. Every year, the event attracts many tourists and villagers to participate, and it has become a gathering of people's wild and faithful activitiesCultureFeast, inheritedChaoshanThe region is uniqueCultureSpirit and attitude to life.
ChenghaiSalt stove drags the god custom asChaoshanregionalTraditional folkloreThe event not only shows the local people's reverence for the gods and love for life, but also one of a kindCultureInheritance and continuation of traditions. Through the procession of the gods and the activities of dragging the gods, people feel the blending of gods and humans in the wild and carnival, showing a primitive and fanaticalCultureStyle. After years of baptism and inheritance, this custom is still inherited and carried forward in the local area, and has become people's spiritual sustenanceCultureA source of traditional vitality. The custom of the salt stove dragging the gods is demonstratedCultureThe heritage and meaning not only run through the event itself, but also integrate into the lives of local peopleChaoshanRegion-specificCultureThe symbol shows the gratitude and awe of the local people for life and mysterious power.