Zedong Chen (Shanxi University of Finance and Economics).
Recently, in Dongyang City, Jinhua City, Zhejiang Province, Si Wen, the intangible inheritor of Pujiang guqin making skills, has just finished a nearly month-long guqin public welfare teaching and is preparing for the next event. Eight years ago, he and his teacher Qian Meihong began to embark on the road of guqin public welfare teaching and spread guqin art and culture. According to his statistics, the master and apprentice have trained nearly 4,000 students for free in the past eight years, of which the youngest is 7 years old and the oldest is 75 years old. (January 10, China News Network).
If the excellent traditional culture is the spiritual home that the Chinese nation can never leave, then the intangible inheritors like Qian Meihong's master and apprentice are more like musicians who play the songs of excellent traditional Chinese culture on the guqin, playing the mountains and rivers of the spiritual home of the new era. China's leaders pointed out that it is necessary to strengthen the protection and inheritance of intangible cultural heritage, actively cultivate inheritors, and make intangible cultural heritage bloom with more charming brilliance. I think this is also the expectation of Qian Meihong, Si Wen and other intangible cultural heritage inheritors.
Public welfare teaching spreads the guqin, and the mountains and rivers look for bosom friends. With the inheritance and development of traditional Chinese culture, there are more and more guqin lovers, and there are also many problems. And Qian Meihong's master and apprentice resolutely chose to face it when they encountered problems. There were few teaching points, and they established the Crescent Piano Society; The tuition fee is expensive, so they choose to directly open public welfare classes for free; There are not enough teachers, so they take turns in class, and they are so busy that they don't even have time for dinner ......"Looking for bosom friends in high mountains and flowing water", these students who are immersed in high mountains and flowing water are the bosom friends of Qian Meihong's master and apprentice, and they are also the bosom friends of Pujiang guqin intangible cultural heritage. It is said that bosom friends are hard to find, and four thousand bosom friends have been found in eight years, which is an opportunity for Pujiang guqin culture. This kind of opportunity is a pleasure for the inheritors of intangible cultural heritage.
The production summary is described in the mouth, and the history of the guqin is remembered. In the class, Siwen will also talk about the outline of guqin making, so that students can understand the traditional production process. Disseminating the history of intangible cultural heritage and publicizing intangible cultural heritage itself from a historical perspective is also an important part of the inheritance of intangible cultural heritage. Let intangible cultural heritage lovers immerse themselves in the long river of history, feel the mighty trend of the long river of history with a lonely sail, and realize an immersive scene-based interaction. This also inspires today's cultural industry workers to pay more attention to users' specific and vivid feelings about intangible cultural heritage, and use modern AR, VR and other technologies to display the history of intangible cultural heritage in an all-round and multi-angle way, so that the audience can experience the charm of intangible cultural heritage in a virtual environment.
The eternal cultural soil is the responsibility of passing on the intangible cultural heritage. In the past eight years, Qian Meihong's Pujiang Guqin intangible cultural heritage inheritance team has gone from being weak to now enthusiasts, and more people have understood what intangible cultural heritage is "internalized in the heart and externalized in action". In the author's eyes, "internalization in the heart" refers to the fact that Qian Meihong's master and apprentice are not only carrying the guqin on their shoulders, but also belonging to the cultural self-confidence and cultural responsibility that have been bred by the Chinese civilization for 5,000 years. Taking on a new cultural mission with a high degree of cultural consciousness and self-confidence is not only applicable to the inheritors of intangible cultural heritage, but also to each and every one of us. To use this idea to correctly guide cultural practice is to "externalize it in action." This requires schools to attach importance to the establishment of courses related to intangible cultural heritage, and also requires the law to strengthen the protection of intangible cultural heritage. This protection is not only to keep pace with the times of the Intangible Cultural Heritage Law of the People's Republic of China, but also to implement local intangible cultural heritage protection policies according to the diversity and regionality of intangible cultural heritage.
In short, the inheritance of intangible cultural heritage should not only be implemented in the inheritors, but also imprinted in the hearts of every citizen. Only by uniting the joint efforts of the state, society and individuals can the inheritance of intangible cultural heritage be truly realized.