Recently, the two dramas of "Big Buffalo" Chen Xingxu have successfully attracted the attention of many fans! "You Have Today" and "Our Translator" have become two works of topic. Because he was a fan of "Starfall", he also paid special attention to the drama of this male god, but when he chased down the two dramas at the same time, he found that there was an obvious gap in quality! There are also two big dramas starring a male god, but they present completely different artistic realms: one drama made me lose interest after watching a few episodes, while the other drama was very different. 01 "Today", which is not grounded
First of all, "You Have Today" is still relatively old-fashioned in terms of plot design, such as happy enemies, broken thoughts, and president's employees, and the logic of the plot is relatively confusing. The character setting also gives people a stereotypical and lack of novelty, and many viewers say that it is difficult to resonate! There are also some discrepancies between the props and sets of the play and the real workplace life, which is a little too taken for granted! It shows that the screenwriter still lacks some life practice. Although Chen Xingxu's performance in the work is acceptable, Zhang Ruonan was criticized for his exaggerated performance, showing off his appearance and not real acting skills! 
Today, viewers can discover many plots that are out of touch with real life. For example, the play depicts an ordinary white-collar woman living in a luxurious flat-floor apartment, which is clearly not in line with her income level as a junior lawyer. Although Cheng Yao has only interned in a law firm for one year and has never handled cases independently, she only received a basic salary after she changed jobs. Judging from her simple luggage, she doesn't seem to be wealthy, and even a hotel can hardly afford, such a background setting makes people question how she can afford to live in such a high-end small western-style building (is she taking the income of movie star Zhang Ruonan?). ）。This unrealistic plot arrangement is not only illogical, but also far from the realistic experience of most viewers. This "levitation" in TV dramas is often criticized as ungrounded because it does not reflect the real life conditions of ordinary people. For example, the heroine often falls asleep without removing her makeup, and the male protagonist becomes the president of the company at a young age, which are all unlikely to happen in real life. 02 A more in-depth "The Translator".
The new drama "Our Translator" quickly climbed to the second place in the hot search, followed by the hit drama "Flowers", showing its strong appeal. Against the backdrop of the proliferation of emotional dramas, this urban romance drama with a focus on professional women stands out in particular attention. Director Feng joins hands with a powerful cast to create this work, and its charm lies in the in-depth understanding of this high-end profession full of mystery**. Translators are not only language transmitters, but also cultural communicators, requiring deep language skills and a deep understanding of the relevant culture. 
In the play, Lin Xi, as the heroine, temporarily gave up her personal feelings and devoted herself to the translation career, and finally succeeded in the workplace. And the actor Xiao Yicheng has made achievements in the business world. While the plot and dialogue may also lack innovation, the fast-paced narrative and humorous elements make the whole show full of fun. There is another key point: there is a big gap between the two dramas in the comparison of the heroines, Song Qian can be sweet and salty, and can double interpret the ripe charm and the charm of the beauty. Compared with the younger Xiaozhang's blind display of innocence, the former's aura is more multifaceted, which makes people feel the introverted of mature women, and feel the perseverance and blooming in the low-key of career women! If Chen Xingxu, as the male protagonist of the two plays, let the two plays tie on the "male lead", then the heroine is the winner and loser! 
believes that in order to improve the quality of domestic dramas, I hope that our screenwriters and production teams need to be closer to reality and create a storyline that is both interesting and true, so that the audience can resonate and avoid the plot from being too ridiculous and bizarre. Through more reasonable script creation, domestic romantic dramas can truly get rid of the sense of suspension and win more recognition from the audience.