In the recently hit TV series "Ice Hunting", the heroine Yao Anna cooperated with Zhang Songwen, but it sparked heated discussions among the audience. Although Yao Anna's presence in the play is not high, the discussion she has sparked on the Internet is very interesting. Many viewers said that fortunately, Yao Anna and Zhang Songwen did not have many rival scenes, otherwise her performance might affect the viewing effect of the whole drama, and even make the audience choose to give up chasing the drama. Looking back on history, Yao Anna played a supporting actress in the travel romance drama "To a Windy Place" starring Liu Yifei and Li Xian, and also received a lot of praise. The audience praised her performance naturally, but this time she was promoted to the heroine but was ridiculed by the whole network, what is wrong? In my opinion, there are two reasons for this.
First of all, from the image point of view, the policewoman played by Yao Anna really pulled her hips in the play. Yao Anna's image design relies on the director's "trendy" aesthetics and stereotypes, and the image of the policewoman she plays in the play is so simple that it will unconsciously remind people of the image of a tomboy. As we all know, the more simple the dress, the higher the requirements for appearance, and Yao Anna's own appearance is average, such an image design is in stark contrast to the previous impression of the heroine, and the audience will have a big sense of gap. In addition, when she played the role of a female undercover agent, her dress was even more ridiculous. She wears a big wavy hairstyle, black fishnet stockings, small suspenders and shorts, coupled with her poor posture management, which is reminiscent of the image of a ** big guy. Many people should have seen a clip called "I Am Wang Gang" on the Internet, and Yao Anna's dress can be said to be no match for Wang Gang. What's more, her performance in the play is expressionless all the time, like a robot, or suddenly glaring, like a zombie, such a performance is unacceptable to the audience.
Secondly, the audience naturally resisted the identity of Huawei's second princess. Looking back on Yao Anna's development in the entertainment industry, from her debut as an "exceptional princess", to crying and asking why everyone likes her sister more than her, the audience has always had a negative impression of her. Yao Anna herself does not have the hardware to be a star, and she is not studying this major, but she has to forcibly squeeze into other people's fields to get a piece of the pie, which makes the audience look at her with a strict eye from the beginning. In contrast, the grassroots daughter Yang Chaoyue has received a higher degree of tolerance from the audience. Some people believe that as a capital, it is acceptable for a princess to enter the entertainment industry, which does not prevent others. Of course, Yao Anna did not hinder others, but she invisibly got the preferential treatment of capital. For example, isn't there a more suitable heroine in "Ice Hunting" this time? Therefore, when she plays a supporting role, everyone will feel that it is irrelevant, and will even give high praise to her performance, because she is highly compatible with the role of Xie Qin, and her performance is naturally popular. However, when she became the heroine, negative comments such as "bringing capital into the group, and the mentality floated" also came one after another. And when she gets a chance but doesn't do well, the negative comments are naturally more serious. Chasing dreams is worth supporting, and capital entering the circle can also create better creative conditions for the industry, but the premise is that capital should not easily touch what it cannot currently grasp. Yao Anna, since she has anger in her heart, why not turn it into a driving force, start with a supporting role that suits you, and hone her acting skills step by step? Huawei's second princess may not be able to become the next Zhao Liying. Steady and steady, this is a more suitable development path for her.
As far as the whole incident is concerned, it is not only about the performance of an actor in the play, but also about the prejudices and expectations of the audience about the actor himself. Yao Anna, as a princess who entered the entertainment industry with capital, whether it was the outside world's expectations for her or her own expectations for herself, were too high. Audiences will inevitably have some biases and harsh standards when looking at her performance. And Yao Anna may not be doing well enough, but she deserves more inclusion and opportunities to show her talent. As an actor, she should be able to improve her acting ability through continuous efforts and precipitation, so that the audience can expect her again. In this entertainment industry full of opportunities and challenges, Yao Anna can prove her worth with her practical actions and pursue her dreams.
Finally, we can think about the impact of the whole event from multiple angles. For Yao Anna, she can see this experience as an opportunity to grow through harder performances and continuous learning. For the audience, they can also be more tolerant and understanding of Yao Anna's performance. For the entire entertainment industry, this event can make people more rational to examine and evaluate the performance ability of actors, as well as the impact of capital on the entertainment industry. Finally, we can ask some questions: how will Yao Anna develop her acting career next? Will the audience give her a new chance? Will capital in the entertainment industry tend to be rational? We'll see.