After watching it, I really like it, and I think the most intuitive feeling of the audience being moved is in the wonderful place, some viewers can't help but ask the person next to him what the actor is called, he asked Lei Jiayin and Zhao Liying hahaha.
First of all, the logical division point of this movie is very good, very smooth, and the skills of the director of Yimou are there, although this time it is to use the most plain lens language to talk about the small family and the parents, and there is no show-off (emo is the director of the Double Olympics after all, and it is easy to show off skills) But it perfectly achieves the profound meaning in the most simple events, which will make people feel from the bottom of their hearts that it is worth the ticket price, and it is a good movie.
Second, under the background of the Spring Festival family carnival, Director Zhang respected the needs of most people, in front of the giant screen, when everyone was holding their breath and immersed in the plot, those laughter and tears were particularly touching, and the real laughter in our hall came and went, and the atmosphere was very good. I didn't even want to take a few sips of Coke and completely immersed myself in it.
Third, the actors' performances are really remarkable, each character has "emotions", those contemplative, indignant, and joyful, very natural, as if the people around him are jumping on the screen, Ma Li is worthy of being a senior comedian, and the kind of skill that makes the audience laugh in small details is too strong. I like to watch Lei Jiayin Ma Li and several other actors quarrel, the emotions are strong, the words are trembling, like an inseparable protective cover, and what is in it is the sense of drama.
Let's talk about my favorite branch, Wang Yongqiang and Hao Xiuping. I have long said that I am a person with a "mourning" aesthetic. I prefer people and things that are weeping and full of grievances. Hao Xiuping began to appear in the mouths of other characters, a disabled person with a five-year-old daughter. And after she appeared on the stage, she was ashamed to say that the whole play has the deepest vitality, like weeds, crushed by wind and rain, and covered with mud, but the hands that keep waving, a pair of eyes eager to be understood, as if looking at you through smoke and suffering, looking at thousands of audiences.
I'm begging you for help, but I hope you can understand, understand my sadness and helplessness, my husband's dog-like body is always in front of me. But the hard and dirty iron lock is like a moat, a copper wall cast by the ** people, and the people inside cry, shout, and hit the thick barrier with the fists of the people at the bottom. The outside world turned a deaf ear.
When Hao Xiuping cried in Daqiang (?) When I knelt down in front of him and begged him to testify, I did not cry, and the hoarse voice was a restless soul, echoing in the unfinished building. Look at me, look at me, I can't hear your voice, I wonder what you mean, who can protect me.
On the rooftop, the most beautiful picture in the movie appeared, and when she stretched out her hands, a sentence appeared in my mind: There is a lot of suffering in the world, send me to the clouds. Under the sky, in the eyes of all things, her figure fell so fast, and it seemed so slow that she could see her hair flying, and the suffering in the world had been suffered, what is the Fa?
I am very grateful to Director Zhang Yimou for his arrangement in the later stage, when Lu Lingling asked Han Ming with tears in her eyes, the law was clear, it was correct, it was to overpower the darkness of lawlessness, it was to stretch out your hands knowing that the price was huge, it was the endless hope, it was God who couldn't come, and I stood up. Han Ming, you, the suspended prosecutor who was pushed by life, did you see your young self at that moment, full of vitality, questioning law and reason, and bound to cry out for everyone's grievances and beat the drum.
Article 20 of the Criminal Code, at that time, was gentle, like a mother's voice, holding your frightened hand and soothing your trembling. Yes, the Fa has always been there, and it will always be there, sometimes it has entered a fork in the road, sometimes it has been blocked by mud and sand, but the rushing footsteps will always move forward. With the light ahead, move forward fearlessly, although the search for legal truth will never be easy.
I think of Mr. Luo Xiang's discussion on substantive justice and procedural justice, substantive justice may be an ideal that cannot be obtained after a lifetime of catching up, but in the step-by-step procedure, we must pursue it as much as possible. Perhaps the judgments of similar cases in the past are vividly remembered, and it will take a huge overturning force to change them, but it is even more important to find the laws that the people really need and that have a caring temperature.
I think of the Zhu Ling case, I think of the Wang Kangfu case, just like the cases that broke out in the movie, those victims are speaking out and crying, some justice comes too late, and some justice is still hidden in people's hearts, out of ignorance of the law and fear of the situation, the full picture has not yet been revealed.
And what we need to do is to stop being afraid of proceeding towards fairness, are they at fault in the case of Zhu Ling Wang Kangfu, no, who is really at fault? It's worth pondering.
Go and ask, the sky and the earth, can make us think about this question in a short period of watching the movie, that is, success.
The tears of the victim are somehow *** will save the world. Thousands of years later, when we can overturn the case for them, justice will finally come.