The Spring Festival Gala, a cultural festival that carries the collective memory of hundreds of millions of Chinese, has attracted countless eyes over the years. However, in recent years, we have regretted that this joy seems to be fading away, and the glorious classics of the past have gradually lost their former brilliance.
They, the superstars who have lit up the stage of the Spring Festival Gala, are the imprint of the times and precious historical memories. This article will deeply analyze the ups and downs of several Spring Festival Gala regulars, whose trajectories are not only witnesses to the history of the Spring Festival Gala, but also a miniature mirror of social changes.
Let's trace their emotional twists and turns behind the Spring Festival Gala, taste their laughter and tears, and reflect on them to enrich the diversity of our lives.
Zhao Benshan, on the stage of the Spring Festival Gala'The king of comedy', every time he appears, he lights up the screen like a bright star. From the moment he was led by Jiang Kun, he conquered the audience with his unique charm, and although he went all out on stage, he still couldn't escape occasional accidents.
Those pressures and challenges made him feel deeply tired, and finally made the major decision to leave the Spring Festival Gala. In 1990, in the sketch debut of "Xiao Cui Says Things", he accidentally forgot the boxed lunch in the background, but fortunately, Song Dandan's witty reaction resolved this embarrassment.
In 2008, the artist, who had won the sketch laurel 16 times, witnessed the hardships of performance with tears when facing the creative bottleneck, and his and Song Dandan's hard work was difficult to continue the glory of the past, and that time, they felt an unprecedented struggle. "
With the precipitation of the years, Zhao Benshan's innovative spark gradually converged, and he once captured the hearts of audiences across the country with his witty words and vivid acting skills. However, the passage of time has also brought challenges.
In 2012, Harvin took over the directorship, and she injected a deeper educational connotation into the language programs of the Spring Festival Gala, and put forward strict standards for content and form.
In the face of such changes, although Zhao Benshan has tried to create many times and tried to cater to the new review norms, it is a pity that his works have not met the director's expectations.
In this collision of ideas, Zhao Benshan adheres to his beliefs and adheres to the root of the sketch - bringing pure joy and laughter to the audience, which is his eternal pursuit on the stage of the Spring Festival Gala.
Faced with a series of rejections, Zhao Benshan's mood was as cold as winter. He understands that being trapped in a set framework is difficult to give birth to his deep-seated passion for creation.
So, he resolutely bid farewell to the stage that gave him countless halos, and returned to his hometown with his talents and apprentices. There, their creative space can be expanded infinitely, and they no longer have to be subject to complicated rules.
Since then, the sketches of the Spring Festival Gala seem to have lost their souls, and the laughter and charm of the past seem to have gone away with Zhao Benshan's footsteps. The audience noticed that the Spring Festival Gala was missing Zhao Benshan, as if it was missing the humor and evocative power that reached people's hearts.
As time passed, audiences' anticipation for the Spring Festival Gala faded and they sought other novel ways of entertainment to celebrate this traditional festival.
Zhao Benshan's former sketch king era has become a legend, and his departure seems to mark the end of an era, and the charm of the Spring Festival Gala seems to be slightly dimmed because of this. Although we miss his laughter, we are eagerly looking forward to the emergence of new comedy stars in the bright night sky of the Spring Festival Gala.
Song Dandan, as a heroine in the comedy industry, her Spring Festival Gala footprints have witnessed her outstanding talent. With her profound acting skills and life-like performance style, whether she plays an energetic young girl or a vivid and humorous old lady, she can always accurately portray vivid characters, which is impressive.
Every time she appears, it is a new interpretation of the stage of the Spring Festival Gala, and we are full of expectations for her wonderful performance.
Song Dandan's artistic pinnacle work, she was first recommended on the stage of the Spring Festival Gala in 1989"Wei Shufen"A stunning appearance in the corner. This 29-year-old rural girl in Northeast China, dressed in a red cotton jacket and a green headscarf, her unique dialect accent instantly captured the hearts of audiences across the country. "
My name is Bai Yun, and my name is Black Earth"'s classic dialogues still echo in the depths of countless people's memories. The simple and lovely image of a rural woman she successfully created has won the deep love of the public.
In 1999, the cooperation with Zhao Benshan was the icing on the cake, her role as an old lady in "Yesterday, Today and Tomorrow", with her amazing performance and ingenious carving by makeup artists, made the audience almost mistakenly think that she was a real old drama bone.
In this work, Song Dandan portrays the role vividly and unforgettable with his excellent acting skills and vivid acting art.
In the history of the Spring Festival Gala, classic witty sayings such as "laying eggs" and "signing and selling books" have been loved by the public and have lasted for a long time with their unique humorous wisdom and sharp satire on society.
These lines are not only a cultural reflection of that era, but also an excellent embodiment of Song Dandan's comedic talent and deep insight. During her comedy period, her works are masterpieces, and the depth of the script, the three-dimensional character and the perfection of the performance all show outstanding artistic attainments.
Song Dandan's acting skills are perfect, she accurately captures the emotional turns of the characters, and uses vivid performance techniques to immerse the audience. Therefore, whenever her name is engraved on the program list of the Spring Festival Gala, the audience is full of anticipation and looks forward to her wonderful performance moments.
Although Song Dandan always maintains elegance and composure on stage, she is well aware of the high pressure behind it. Therefore, since 2008, she has taken the initiative to choose to retreat behind the scenes and no longer appear in the spotlight of the Spring Festival Gala as the queen of sketches.
On the eve of the 2020 Spring Festival Gala, she affectionately announced that this was the last time she stood on that familiar stage, out of respect for the years and her body, and she was willing to hand over this stage to a new generation of rising stars.
For her, the sketch performance of the Spring Festival Gala is not only a symbol of honor, but also an eternal stage of comedy art. However, with the changes of the times, the quality of the Spring Festival Gala sketches is uneven, and those works that can stand the test of time and make people have endless memories are becoming rarer.
We look forward to this comedy champion Song Dandan will continue to create more outstanding comedy masterpieces in the future, adding endless color and depth to the art of Chinese comedy."
Chen Peisi, a bright superstar in the comedy industry, is like an eternal treasure on the stage of the Spring Festival Gala. His sketch art, especially the tacit cooperation with Zhu Shimao, is as popular as "Eating Noodles", and he is full of laughter.
However, a copyright dispute brought his journey to the Spring Festival Gala to an abrupt end, which was not only his absence, but also a regret in the history of Chinese comedy. In the 1984 Spring Festival Gala, he and Zhu Shimao swept the audience with their superb acting skills without props, and through the vivid interpretation of "Eating Noodles".
Each of his works, such as "The Lead and the Supporting Character" and "The Cop and the Thief", shows his outstanding talent with simple plots, cementing his immortal position in the field of comedy.
The cooperation with Zhu Shimao, Gao Furong, etc., is a perfect match, and their stage cooperation can be called a model of comedy performance. ”
The glory is no longer there, and Chen Peisi was not seen on the stage of the 1998 Spring Festival Gala. He was once a comedy superstar of the Spring Festival Gala, winning the hearts of the public with his unique humor and profound irony.
The turning point came, and his copyright was made into a disc by CCTV without authorization, which led to a profound copyright conflict. In the face of such an infringement challenge, Chen Peisi chose to persist and defend the fruits of his creation through legal means.
After a protracted battle, he won a symbolic compensation of 330,000 yuan, which is not a small amount, but it demonstrates his determination and strength in the protection of intellectual property rights. This is not only a safeguard of his personal rights and interests, but also a strong solidarity with the rights and interests of all creators.
Although the bond with CCTV is broken and the Spring Festival Gala stage is insulated from him, it is a painful turning point for Chen Peisi, who once shined there. Faced with the question of whether he regretted it, he replied with great honesty: "No regrets." ”
He adhered to his principles, sacrificed the broad platform of the Spring Festival Gala, and chose to insist on himself. Today, although Chen Peisi's figure has faded out of the public eye, away from the hustle and bustle of TV screens, he has not withdrawn from the center of acting, but continues to burn his passion for comedy through dramas and stage plays.
He chose to keep his distance from the Spring Festival Gala and concentrate on the artistic path he identifies in, although the Spring Festival Gala once made him famous, he never compromised because of this, and consistently followed his own path.
Looking back on Chen Peisi's brilliant acting career, his great achievements in the field of comedy can be called an outstanding beacon in the history of Chinese comedy. We eagerly look forward to his return and ignite joy on the stage of the Spring Festival Gala again, as his sketches seem to be indispensable to the Chinese New Year.
As a timeless comedy master, his influence transcends time and deserves to be remembered and revered forever. With the evolution and progress of the Spring Festival Gala, despite the variety of forms, those classic moments and outstanding actors who have brought us endless laughter, such as Chen Peisi and Zhu Shimao, have always been treasures that cannot be replicated.
Imagine, when future generations reminisce about these Spring Festival Gala memories, what new story chapters will open? Let us look forward to witnessing the continuation of this history together.