Wen Bingzhong, born in 1949, a famous painter, Dafengtang re-biography**, a member of Chongqing Art Association, and an academician of Chongqing Panxi Painting Academy in Xu Beihong's former residence. Since childhood, he has loved calligraphy and painting, and studied flower and bird painting under Zhang Daqian** Wang Yongnian, who is good at painting peonies, lotuses, and plum blossoms, and has his own unique charm and style. After self-study of landscape painting, his brush and ink foundation is solid, profound, rich in layers, and his style absorbs the strengths of others and is self-styled. His works "Sail Shadow of the Gorge River", "Pastoral in the Air", "Autumn Rhyme", "Partial Rock People" and "Wulong Hanging Tower" participated in the national exhibition and won awards, and many of his works are favored by well-known people at home and abroad and are widely collected.
Mr. Wen Bingzhong's painting method is based on tradition, but it has its own exploration and innovation. He attaches great importance to refining his pen and ink language, and strives to achieve an accurate expression of the essence of the object to be expressed. At the same time, he attaches great importance to the processing of the virtual and real pictures, and tries his best to achieve the real but not boring, and there are things in the virtual, so that the real scene of the picture is clear and the empty scene is presented.
Mr. Wen Bingzhong's landscape paintings are concise with brushwork, the ink color is changeable, the picture is clean, and the elegance and vulgarity are appreciated. Of course, it is often said that art is endless, and the tempering of pen and ink is a long process. How to make his landscape painting reach the right realm, this should be what Mr. wants to pursue in his life.
Looking at Mr. Wen Bingzhong's works, you will be infected by his unique picture structure, object modeling, brush and ink techniques, his paintings are full of philosophical solemnity in nature, and feel the accident of Tao in reason, and the wild and easy contains feelings, and the beauty is majestic, highlighting the breadth and profundity of culture, weaving the painter's heavenly cloud brocade. As a result, in the mountains and rivers of the water, it gives people a strong visual impact and spiritual shock.
The deepest thing left by a work to the viewer is often its infectious spiritual expression, which can arouse the reader's memory of life resonance and touch, only art that can touch the human spiritual world is the real art, but also the eternal art pursued by the artist.
The mountains look up, and the scenery stops. Although I can't get there, my heart yearns for it. "Mr. Wen Bingzhong's Gao Feng Liang Festival with the promotion of national art as his lifelong responsibility is indeed worthy of our respect, and the traditional Chinese culture needs to be passed on from generation to generation and carried forward, and it needs thousands of people like him who love Chinese traditional culture to fight for it.
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