In the past, Qing court dramas were all the rage, and only by examining a set of old photos of the late Qing Dynasty and comparing the images in the play can we deeply understand the charm of history. At that time, the spectacular scene of travel, coupled with the vicissitudes of Tiananmen Square after the Gengzi Incident, the wife and concubine of the wealthy squire were like flowers and jade, and even the concubine Dongmei of the late Qing Dynasty minister Li Hongzhang was comparable to the popular star.
A **, containing a thousand words, awakens people's in-depth understanding of real history.
In the bustling aristocratic circle, the ladies in the flag dress play cards comfortably in the leisure time, enjoy the luxurious life, every day immersed in the elegant atmosphere of brocade clothes and jade food, and there are servants waiting for them, such a life is really free and comfortable.
In 1902, with the withdrawal of the Eight-Nation Alliance, after the Empress Dowager Cixi was exiled in Xi'an, the grand occasion of returning to the capital was like a repetition of history. When she and Emperor Guangxu arrived at Majiapu Station by train, and then the imperial power escorted through Zhengyangmen, symbolizing the return of power.
Finally, the Venerable Empress once again stepped into the Forbidden City, and her return was unstoppable.
In 1901, the Gengzi Rebellion, the dust of history covered the glory of Tiananmen Square, and the majesty of the former symbol of imperial power was eroded by the years. The carriage passed through the ruins, the mottled marks on the walls telling the wounds left by the artillery fire, and now only the ruins and the imprint of history remain in the grandeur of the past.
In the Qing Dynasty, which was taken care of at home, the baby in the arms may not be a parent-child relationship, but a warm embodiment of the intergenerational affection.
The barbers of the old days waited in line, and the memory of their professional symbol, the shaving head and shoulder, was unique. Every shaver carries a flat pole that symbolizes craftsmanship, as the saying goes"The shaved head picks are hot", carrying the temperature of the years and the essence of traditional skills.
The Northwest frontier of the old era, the shackled prisoners under heavy yoke.
A warm courtyard photo freezes the deep brotherhood. On the right, the elder brother is smiling and delicate, and his daughter is like a budding flower; On the left, the younger brother calmly holds the dry tobacco and shares the joy of family with his family, and the picture shows the harmony and warmth of family affection.
A captured scene: **, the illustrious landlord and his young concubine side by side, although he is majestic, and her gentleness is as youthful as a girl, revealing a kind of ladylike charm. "
Through the smoke and dust of history, we have a glimpse of the extraordinary style of a civil official traveling in the late Qing Dynasty. Following tradition, literati doctors often travel in eight-carried sedan chairs, which is undoubtedly a symbol of dignity.
The road is spectacular, the hillside is crowded, the villagers are looking forward to it, and it is a rare grand occasion to witness this scene.
The person being punished in the public procession, whose identity is obvious, is obvious, and her hands and feet are firmly ** on the wooden sticks on display, and the scene is striking.
The noble ** travel, riding the traditional four-person sedan chair with full dignity, this is not only a unique means of transportation in officialdom, but also a symbol of identity and status, which is not easy for ordinary squires to enjoy.
In the ancient Qing Dynasty, there were strict rules on the pomp and circumstance of the officials, which was recorded in detail in the "Qing History Manuscript": for the civil servants of the fourth rank and below, their cars were carried by two sedan drivers, and the roof of the sedan was covered with tin materials.
As for provincial dignitaries such as governors and governors, the size of their ranks was even more spectacular, requiring eight palanquins. As for the ** and faculty members at the level of the priest, their salaries are slightly lower, accompanied by only four palanquins.
Such a hierarchy has long been clearly recorded during the Qing Dynasty.
The figure of a noblewoman who travels through time and space, riding a donkey in the streets and alleys of the old days, her gorgeous clothes and demeanor show her status as a prominent family, and the servants who follow behind her are like shadows, showing her noble style.
The vicissitudes of life palace maids who once danced in the depths of the Forbidden City once cherished the dream of the unparalleled style of a royal woman, but in reality, it was Rong's tenacity and profundity.
Men are surrounded by wives and concubines, but the custom of foot binding is actually distressing and difficult, especially for those girls who are forced to bind their feet, and at a young age they have to endure the premature withering of the years, just to pursue the untimely old charm.
Li Hongzhang's concubine can be called a beauty, beauty and talent go hand in hand, she not only has an amazing appearance, but also talented, whether it is piano, chess, calligraphy and painting, she has a tall posture, surpassing the average height of ordinary women.
Recalling her childhood, Dongmei always has an attractive hookah by her side, as if she is an elegant woman who has come out of a painting. Her costume design is unique, which makes people shine, and she is a stunning beauty who came out of the TV series, and her appearance is not inferior to that of a popular star.
In the ancient court of the late Qing Dynasty, the two criminals lowered their eyebrows and lowered their heads, facing the majestic **, as if ants were to giant elephants, and grass mustard was to majestic. This is not the glamorous court common in TV dramas, but a couplet "Whatever is going well, only wish to have a clear conscience" silently tells the deep meaning behind justice.
A mysterious fortune-telling booth in the alleys of the city, where the fortune teller stares at every young man who steps into the labyrinth of fate.
Although the Qing Dynasty family on the screen deviates from the historical details, the wealthy family of the late Qing Dynasty shows a warm family of three, and the wife's youthful beauty is like a fairy in a painting.
But what history has in common is that the wealthy class of each era enjoyed abundant food and clothing, and women were also immersed in a relatively comfortable life.