Ancient Chinese astrological culture is profound and unique, involving astronomy, full of mystery, influencing countless people, leaving many sayings related to the stars. Among them, "women take salty ponds, and raise men outside the door;."Men with canopies, wealth and wealth" is widely spread, **its** and deep connotation, fascinating.
China has a long history and culture of more than 5,000 years, and astrology has proudly existed in these long years. Ancient astronomers laid the foundation of Nakshatra through observing the time. With the passage of time, astrology gradually evolved into a science of fate, and many sayings about good and bad fortune were produced.
In the Tang Dynasty, astrology gradually matured, dividing the star regions into three walls and twenty-eight constellations, and developing many auxiliary officials and auxiliary constellations, constituting a complete astrological system. And "Xianchi" is one of the star officials. The ancients likened the "salty pool" to the place where the sun washes away the dirt, and the ideology is not positive and positive, but more inclined to negative symbols.
The "salty pool" is likened to a place where the sun bathes, and the saying "women take salty pools and raise men outside the door" is derived. In ancient times, the peach blossom was also known as the "salty pool" and was regarded as an important factor in the influence of personal emotions and charm. Peach blossom is the god of wine, so a woman with a salty pond life often has a certain influence in her emotions.
The ancients believed that the women of Xianchi were delicate in appearance, well-behaved and sensible, and were pursued by the opposite sex, so they won the reputation of "raising men outside the door". However, the constraints of the ancient marriage system often made such women face unfair evaluation, and were seen as "trouble" for unfaithfulness and seducing men.
In Nakshatra science, there is not only the "salty pond", but also the "canopy". Originally, the "canopy" referred to the umbrella cover used by the emperor when he went out, representing glory and wealth. Those who are destined to bring "canopy" are withdrawn, proud, and not disturbed by the outside world.
Although this type of person has certain personality flaws, they tend to be talented and able to stand out and be considered a standout. This makes the "canopy" an artistic star, representing a smart and distinctive characteristic.
The credibility of astrology varies from person to person, and everyone understands it differently. In real life, some people do experience situations similar to those described in Nakshatra theory, but this cannot be generalized. We must treat problems rationally, believe in fate and believe in the efforts of the day after tomorrow.
Look at the star culture from the perspective of critical inheritance, absorb the essence of it, and integrate it into modern life. In different eras, people have different views on the culture of the stars, and this diversity is the driving force for the development of culture.
Through the in-depth analysis of "women with salty ponds, raising men outside the door" and "men with canopies, rich and noble", we can better understand the unique views of ancient people on fate and character. Perhaps, there are wisdom and mysteries hidden in the culture of the stars that we have not yet discovered.
The mysterious beauty of the constellation culture: looking at the fate of life from the "salty pond" and "canopy".
This article profoundly analyzes the ancient Chinese star culture, focusing on the analysis of the proverb "women take salty ponds, and raise Han outside the door;."Men with canopies, rich and noble". Through an introduction to the origin and development of ancient astrology, the author leads the reader into a mysterious and ancient cultural realm.
First of all, the article provides an in-depth analysis of the origin of "salty pond". The metaphor of a "salty pool" as a place where the sun washes away dirt gives the reader a clearer idea of its negative symbolism. This way of understanding the proverb through Nakshatra presents the reader with the ancient people's exploration of the mysteries of the universe and their unique thinking on how to use the astrological signs to determine their fate.
Secondly, the article's analysis of "women with salty ponds and men outside the door" is thought-provoking. Through the depiction of the salty pond known as the peach blossom sha, the unique ancient concept of women's fate is revealed. Women are born with salty ponds, delicate appearances, and well-behaved personalities, but they are often unfairly evaluated, which makes readers feel deeply embarrassed about the constraints on women in ancient feudal society.
In the comparison, "men with canopies, rich and noble" shows a diametrically opposite fate to "women with salty ponds". The canopy symbolizes the umbrella cover used by the emperor and represents prosperity and wealth. However, the article subtly reveals that the person who wears the canopy is withdrawn and proud, and although he is outstanding in talent, it is difficult for him to integrate into the outside world and often offends people. This contrast makes the reader ponder the delicate balance between fate and personality.
Finally, the article concludes with a reflection on the credibility of astrology, calling on readers to look at the culture of the stars rationally. It is emphasized that everyone has a different destiny, and astrology is just one way to interpret it, and that the efforts of the day after tomorrow are also crucial. This rational and open-minded attitude provides readers with a fresh perspective on traditional culture.
Overall, this article reveals the philosophy of life contained in the ancient star culture through an in-depth interpretation of the sayings. Behind astrology is a deep reflection on fate and character, as well as an exploration of human life. The essay is thought-provoking, evoking a sense of awe for the wisdom of ancient cultures, while also reminding us to maintain a rational and positive attitude in the face of fate.
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