When people describe the beauty of women, they often use the metaphor of "the appearance of a shy flower in the closed moon, and the appearance of a sinking fish and a goose". This is not only a beautiful rhetoric, but also a splendid continuation of ancient allusions. Let's unravel the mystery of these four famous allusions together.
Closed Moon: Synonymous with Diao Chan.
Closed moon, that is, synonymous with Diao Chan. Legend has it that when worshipping the moon in the back garden, a light wind blew, and a puffy cloud obscured the bright moon. Wang Yun witnessed this scene by chance, and in order to boast about his daughter's beauty, claiming that her daughter was comparable to the moon, the moon was even ashamed of herself, and hid behind the clouds. As a result, people began to call Diao Chan "Closed Moon".
Shy flower: Yang Guifei's shy heart.
"Shy flower" refers to Yang Guifei. In order to find a beautiful woman, Emperor Tang Ming selected Yang Yuhuan into the palace. Yang Yuhuan missed his hometown, and was full of emotion when he enjoyed the flowers in the garden, and expressed his heart to the blooming flowers. Her words were heard by a palace lady and spread throughout the court, becoming a good story. At this moment, the flowers seemed to bow their heads in shame for Yang Yuhuan's beauty.
Sinking Fish, Falling Geese: Zhuangzi's witty riddles.
It takes some effort to understand "sinking fish and falling geese". Zhuangzi talked about the beauty of Mao Yan and Liji in "Zhuangzi Qi Theory of Things", and proposed that the fish see deeply, the birds see the high fly, and the elk see the decision, questioning who knows the real beauty. Although this passage does not directly describe beauty, it provides imagination for future generations to depict beauty.
The whimsy of the poets of the Tang Dynasty: the birds flying and the fish sink into "sinking fish and falling geese".
The Tang Dynasty poet Song Zhiwen boldly rendered the beauty of Xi Shi in "The Gift of Huansha to the Land People". Through exaggeration, he connects the frightening flight of birds and the sinking of fish with the beauty of Shih Tzu, emphasizing that they are not ordinary people to avoid them, but are frightened by Shih Tzu's "bright color" and hurriedly dodge. In this way, "bird flying" and "fish sinking" acquire new meanings. And "birds flying and fish sinking" evolved into the commonly used "sinking fish and falling geese" later.
The Artistic Change of Words: Why is "Sinking Fish and Falling Geese" often used in conjunction with "Closing the Moon and Shy Flowers"?
Why is "sunken fish and wild goose" always used in conjunction with "closed moon shy flower" (or "shy flower closed moon") before and after, and does not appear alone?This is because "sinking fish and falling geese" is not a word directly used to describe beauty, only when paired with "closed moon and shy flowers" can people arouse people's specific associations with beauty in exaggeration.
Ancient Chinese poetry advocates confrontation, requiring relative parts of speech and staggered syllables. Since "Closing the Moon and Shame Flowers" is two juxtaposed object structures, and the tone is "仄仄平", the "Bird, Flying, Fish Sinking" used in conjunction with it must be adjusted accordingly. As a result, "Sinking Fish and Falling Geese" and "Closed Moon Shy Flowers" are inseparable, depicting the wonderful posture of beauty together.
The charm of creative association: from "birds flying and fish sinking" to "sinking fish and geese".
The essay comes naturally, but creative associations are just as crucial. Although Zhuangzi's text does not directly describe beauty, it has inspired later poets. The Tang Dynasty poet Song Zhiwen gave a new meaning to "birds flying and sinking fishes" through whimsical ideas, becoming the ** of "sinking fish and falling geese". This tells us that constantly developing creative associations is also the essence of literary creation.
Conclusion: The beauty of women, allusions have been passed down for thousands of years.
The four allusions of the closed moon, the shy flower, the sinking fish, and the falling goose have been passed down since ancient times, providing a rich imagination space for depicting the beauty of women. Each story contains a profound cultural connotation, making these beautiful legends spread for thousands of years in the long river of history, which is relishable. The beauty of a woman is not only a face, but also a beautiful chapter in history, literature and inheritance.
With the theme of "Closing the Moon and Shame Flowers, Sinking Fish and Falling Geese", this article reveals the mystery of these four ancient allusions. Through an in-depth interpretation of each allusion, the author presents readers with a unique depiction of women's beauty in ancient cultures. The articles have a high level of coverage in terms of literary knowledge and historical inheritance, so that people can not only appreciate the beautiful words in reading, but also experience the unique views of the ancient people on beauty.
First of all, the article shows Wang Yun's method of praising the beauty of his daughter by introducing the connection between the closed moon and Diao Chan. This description is not only vivid, but also makes people feel the extreme praise of women's beauty in ancient society. The article compares the closed moon with the moon, and Wang Yun's exaggerated rhetoric highlights the beauty of Diao Chan to the fullest. This kind of image creation allows the reader to understand the allusion of "closed moon" more clearly.
Secondly, the interpretation of the allusion to "Shame Flower" makes Yang Yuhuan's mood and longing for his hometown be displayed. Yang Guifei's words when she was appreciating the flowers in the garden told her state of mind eloquently, which made people resonate more with this beautiful woman. This description not only reveals the inner world of women, but also adds a lot of color to the allusion of "shy flowers".
In the interpretation of the more esoteric allusion of "sinking fish and falling geese", the article cleverly quotes Zhuangzi's philosophical thoughts, combined with the imagination of later poets, and connects it with beauty. Through this extension, the term "sinking fish and geese" can be vividly and vividly applied in literary creation.
At the end of the article, the importance of creative association is emphasized, and the vitality of literary works is demonstrated through changes and innovations in literary creation. From the original meaning of Zhuangzi to the whimsical idea of Song Zhiwen, and then to the later "sinking fish and falling geese" became a fixed collocation, literary creators presented readers with a rich and colorful literary picture scroll through continuous association.
In general, this article organically combines ancient literature and the depiction of beauty through an in-depth interpretation of the four allusions, presenting readers with a picture full of historical and cultural heritage. Through the analysis of each allusion, the reader can not only understand the cultural connotation contained in it, but also feel the unique reverence and praise of ancient people for women's beauty.
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