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Wen Xiaofang has seen more than 20,000 movies.
The film market for this year's Spring Festival stalls can be described as hot, but due to the strong pertinence of the film schedule, many movies have become "cannon fodder", "Let's Shake the Sun Together", "Mr. Red Carpet", and "Huang Pi: The God of Wealth Cat" have successively announced that they will change their files or withdraw from the Spring Festival files.
Among these three movies, "Mr. Red Carpet" directed by Ning Hao and starring Andy Lau was the most disappointing at the box office, but behind the disappointment was endless sadness.
When the theater controls the proportion of a movie schedule to less than 5%, and then gives up the first scene to other films, this movie can only become a "fool's dream" if it wants to be a box office hit.
Maybe some people think that if the quality of the movie is not good and the attendance rate is low, the proportion of films will be small, if according to this logic, Zhang Yimou's "Article 20" should be ranked first, after all, this movie is the most exciting movie in the Spring Festival file, and it is also the movie with the highest attendance rate.
Sometimes, the quality of a film is not enough to win sympathy and high-ranking films, and theaters pay more attention to the marketing methods, popularity and topicality of the film.
This year's Spring Festival movies lack ghost scenes and steal box office, but the "capital control theory" is endless, and the truth behind this controversy is unimaginable to ordinary people.
Perhaps, the official announcement of "Let's Shake the Sun Together", "Mr. Red Carpet", and "Huang Pi: The God of Wealth Cat" is "secretly protesting", and they dare not openly protest against the unfair treatment of theaters, because offending the theater chain will get a worse ending.
Talking about this is not to say that the movies "Hot and Hot", "Flying Life 2", and "Bear Infested: Reversal of Time and Space" are not good, on the contrary, I think the quality of these movies is qualified, but I just complain that "there are indeed too many deficiencies in the theater schedule".
If my spit causes you to dislike, don't spray. If my spit gets your approval, please express it. These days, there are too few people who tell the truth, and it is better to "focus on protection", right? Otherwise, who would dare to tell the truth!
Conclusion: The real prosperity of the film market should be "a hundred flowers blooming and a hundred schools of thought contending", not "a single branch".
In recent years, too many Chinese films are "flowers blooming inside the wall", and they can't go abroad. Are we giving creators a more relaxed creative environment in terms of moderation? Should we set up a "grading system" to meet the needs of different audiences? Do we keep the real good films from being excluded and suppressed? Do we reflect the reality of society to be seen by more audiences? Whether it's a domestic audience or a foreign audience!
I look forward to Chinese films going global, and I'll wait and see!
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