A patch of wildflowers on the steppe that witnessed the death of the gods.The wind that is far away is farther away than the far away.
My piano sobbed and my tears were gone.
I return this far land to the grassland.
One is called wood and the other is called ponytail.
My piano sobbed and my tears were gone.
In the distance, only a field of wildflowers condenses in death.
The bright moon is like a mirror, and the high hanging grassland reflects the millennium of years.
My piano sobbed and my tears were gone.
Fight a horse alone across the grassland.
Haizi's poem "September", with its deep and far-reaching imagery, constructs a picture of life on the vast grassland. In this poem, ".A patch of wildflowers on the steppe that witnessed the death of the gods. The grassland is not only a frontier in the geographical sense, but also a stage that carries the vicissitudes of history and the cycle of life. The death of the gods symbolizes the disintegration of some eternal order, while the wildflowers still bloom, revealing the tenacity and persistence of life.
The wind that is far away is farther away than the far away. Through contrast and progression, this sentence deepens the abstract concept of the distance, so that the image of the wind transcends the limitations of space and becomes a spiritual symbol of infinite extension, implying that the pursuit and exploration are endless.
My piano sobbed and my tears were gone. It expresses that when the poet faces profound themes such as life and death, time flow, etc., although he is sad in his heart, there are no tears to flow, and the sound of the piano replaces tears, becoming the flow and outpouring of emotions, showing the poet's deep and introverted emotional world.
I returned this far away to the grassland, one called wood, the other horsetailThese two sentences seem to allude to the poet's lonely journey, the wood and the horsetail symbolize primitiveness and walking respectively, and together they form the unique musical instrument of the grassland people, the horse-head qin, which vividly shows the poet's return to the grassland culture and national spirit.
In the distance, only a piece of wildflowers is condensed in death, and the bright moon is like a mirror, hanging high on the grassland, reflecting thousands of yearsHere, death and new life are juxtaposed, forming a stark contrast, and the bright moon has become an eternal existence that witnesses the historical changes of the grassland. The poet uses wildflowers and bright moons to depict the life cycle and historical precipitation of the grassland, which further sublimates the theme.
I whimpered, tears were gone, and I crossed the prairie aloneAt the end, the picture of the poet riding a horse through the grassland alone is not only a portrayal of his individual life experience, but also a reflection and sigh on the vast journey of life.
In the whole poem "September", Hai Zi conveys his deep concern and philosophical thinking about life, history, culture and individual destiny through his unique artistic technique and affectionate singing of the grassland scene.