As an important part of traditional Chinese culture, Chinese painting carries profound historical and cultural connotations. In Chinese painting, shrimp is often regarded as a symbolic element, which shows the unique charm of Chinese painting art with its elegant posture and smart charm. Many masters of Chinese painting naturally depict the various postures of shrimp in their own brushstrokes, and knead their personal characteristics into each Chinese painting.
When it comes to shrimp painting, it is easy to think of "white stone shrimp".
A pair of thick ink eyes, a little burnt ink in the middle of the head, and two light strokes on the left and right, so that the head of the shrimp is varied. The hard shell is transparent, from dark to light. The waist of the shrimp, one stroke at a time, several strokes in a row, forming the rhythm of the shrimp waist from thick to thin. A pair of thick ink eyes, a little burnt ink in the middle of the head, and two light strokes on the left and right, so that the head of the shrimp is varied. The hard shell is transparent, from dark to light. The waist of the shrimp, one stroke at a time, several strokes in a row, forming the rhythm of the shrimp waist from thick to thin.
With a few brushstrokes, the shades of ink color are used to show the form of shrimp, which is lively, sensitive, alert, and vigorous.
Zhang Daqian is an all-round calligrapher and painter, whose creation reaches "the length of the body of the people, and the richness of the two sects of the north and the south", integrating literati painting, writer's painting, court painting and folk art. In Chinese painting, figures, landscapes, flowers and birds, fish, insects, and animals, all of them are fine, omnipotent, and refined.
This shrimp is also full of Daqian style, splashing ink on the background, and a smart and vivid shrimp jumps on the paper.
Li Kuchan, a native of Gaotang County, Shandong Province, is a Chinese painter. When he was young, he worshiped Qi Baishi as a teacher, and was good at painting flowers and birds.
The layout of the picture is concise and atmospheric, with a few brushstrokes outlining the outline of the shrimp, showing the transparency of the shrimp with light ink, and then dotting with thick ink, making the picture appear concise and elegant without losing elegance. The clever use of the dry and wet changes of the ink color makes the picture rich in layers and three-dimensional, presenting a natural dynamic beauty.
The noble and humble shrimp is lifelike and lifelike. She skillfully uses brushstrokes to bring out the slenderness, softness, and crystal clarity of the shrimp. The curved body and light tentacles seem to swim freely in the water, making people feel the harmony and beauty of nature.
Lou Shibai, formerly known as Lou Shaohuai, once used the name Lou Shaohuai, is Qi Baishi's house**, at the age of 14, he studied poetry, calligraphy, painting, and seal carving at Mr. Qi Baishi's home until Mr. Baishi's death, as long as 25 years.
Mr. Lou Shibai's paintings not only include landscape paintings, but also include figure paintings, and even involve some flowers and grass insects.
Song Meiling, a native of Wenchang, Hainan, was a modern Chinese politician and diplomat, the leader of the Chinese Kuomintang and the Chinese People's Republic of China, and served as the first lady of China from June 1943 to January 1949.
In addition to her outstanding English skills, Song Meiling can also speak six Chinese, and her achievements in Chinese painting are also considerable, and she is a person who is proficient in piano, chess, books, and painting.
Xu Linlu, also known as Delin, a native of Penglai, Yantai, Shandong, is a Chinese painter, calligrapher, and connoisseur of calligraphy and painting.
Since childhood, he has been adhering to his family education and loves to study and paint. After 1939, he benefited from Mr. Pu Xinshe's guidance on the concepts and techniques of painting and calligraphy; In 1945, he was taught by Qi Baishi, and he obtained his true meaning for about 13 years.
In the paintings of these famous artists, the body of the shrimp is seen to show a translucent texture, as if swimming in water, light and graceful. Their tentacles swayed slightly, as if searching for the mysteries of the water. The painters used techniques such as the shade of ink, the thickness of the lines, and the dryness and wetness of the brushstrokes to express the form and texture of the shrimp. With their exquisite brush and ink skills, they skillfully integrate the dynamic beauty and static beauty of shrimp, making the picture full of vitality and vitality.