Time is useless, and with a turn, it is the end of the year.
In the winter of the Year of the Rabbit, Xi'an is extremely cold, the river is frozen, the roof is covered with snow, and the cold wind freezes everything, but in the Datang City that never sleeps, tourists are still rubbing shoulders, and it is as if winter has never come here. The 2024 Spring Festival Gala will be held here, and it will welcome tourists from all over the country to celebrate the New Year.
The lights are bright, the lights are brilliant, and the eyes reach it, and it is extremely prosperous. The elegance of the Tang Dynasty and the avant-garde of modern civilization are just right in this city. On the night of the Tang Dynasty when the north wind was howling, there were "ancients" dressed in gorgeous costumes everywhere, busy taking pictures and poems.
The plum blossoms in the walls of the Big Wild Goose Pagoda Palace have slanted out of their branches, casting delicate flowers on the red wall. The dreamy atmosphere light reflects the beautiful woman walking back and forth. A colorful Tang suit, a woman looking forward to it. They use their mobile phones to record the beauty of Datang Sleepless City, and they themselves have become a beautiful scenery of Datang Sleepless City.
Walking in the dream of the Tang Dynasty that never sleeps, it is like taking an ark of souls, crossing the long river of time and space, and leisurely swimming between the waves of ancient and modern convergence, and can't help but be crazy and intoxicated. At this moment, I seem to have incarnated as Li Du of the Tang Dynasty, and became Shangguan Wan'er in the Wu Zetian era. At the "Tang Dynasty Secret Box" theme performance site, I chanted Li Shangyin's "The moonlight lights are full of the imperial capital, and the incense car treasure is passing", and tourists from all over the world recited Li Bai's "Look up to the sky and laugh and go out, how can I be a Penghao person".
With the pace of tourists, between the left and right viewing, the feet have stretched into the heart of the Datang City that never sleeps. The antique buildings, brilliant lighting and colorful performances all convinced me that I came from the ancient and prosperous Tang Empire more than 1,000 years ago.
I like to be quiet, but I'm always a little uncomfortable with this lively scene. The Temple of Great Grace is my favorite place, so I escaped from the hustle and bustle of the flower street, sat in a corner, and felt the winter scenery alone. Trees, flowers and plants have a temporary tranquility here, no matter how sharp they once were, now they also let go of the past, become restrained, soft, and reverently accept the baptism of winter. I love this state of peace and prefer the picturesque winter sunset. The trees take off their summer green clothes and stand proudly and without any decoration on the roadside, and the branches, flowers and plants, and pavilions are all displayed in black and white colors, like the ink paintings of the Bada Shanren. Only this winter sunset, exuding a faint glow, makes the earth have a golden light, making the Great Ci'en Temple more majestic and dignified.
Every corner of this ancient city of Xi'an is full of poetry and romance. Those literati and writers are all talented. The poems and songs they left behind, like a clear spring, flow into the hearts of tourists. When night falls, the lights come on, and the poems hanging on the branches of the trees with faded leaves come on. The poems on the trees and the lights complement each other, creating a beautiful picture. Lingering in the poetry of one step and the bright lights, it was as if I had returned to Chang'an in an instant.
My daughter's ** woke me up drunk, she said: "I looked for you all the way from the fountain in the north square, I have arrived at Zhenguan Square or I am gone, where are you hiding and idle?" As the saying goes, "knowing a woman is more than a mother", but it is upside down in us.
hung up **, and immediately went to Zhenguan Square to meet her.
Zhenguan Square is located in the city that never sleeps in the Tang Dynasty. On both sides of the Xi'an Art Museum, Shaanxi Grand Theater, Xi'an ** Hall and other imitation Tang Dynasty buildings, riding a tall horse, surrounded by ministers of civil and military affairs, is the Tang Dynasty hero Li Shimin sculpture that opened the "Zhenguan Rule". Following the gaze of Li Shimin driving the horse, you can also see the group sculpture of Empress Wu Zetian's "Martial Empress Xingcong", as well as the statue of Tang Xuanzong Li Longji's "Kaiyuan Prosperous Age". These three groups of statues connect the prosperity of Zhenguan to Kaiyuan, showing a glorious picture of the "never sleeping" Tang Dynasty.
The hook beams and bucket arches of the Tang Dynasty that never sleeps are full of Chinese lanterns, and the brilliance flows in the swaying night, and returns to Chang'an in the lights. (Author: Sun Yaling; Editor: Song Yuqiu).